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Ben Brooker

Ben Brooker is a writer, editor, critic, playwright, essayist, and former bookseller. He has a Bachelor of Arts (Hons) from Flinders University and an Advanced Diploma of Professional Writing from Adelaide College of the Arts. His work has been featured by Overland, New Matilda, New Internationalist, Australian Book Review, RealTime, The Lifted Brow, Witness, and Daily Review.

Ben Brooker reviews 'Ethics in the Real World: 86 brief essays on things that matter' by Peter Singer

November 2016, no. 386 28 October 2016
In its original meaning, the word ‘philosopher’ simply meant ‘lover of wisdom’. At a time when theories of knowledge were still in their infancy, it was applied to thinkers – often, by the standards of the day, polymaths – who were able to turn the light of their intellects onto a vast range of fields: physics, chemistry, political science, ethics. A philosopher thus defined could not ... (read more)

Things I Know To Be True (State Theatre Company of South Australia and Frantic Assembly)

ABR Arts 17 May 2016
At least as far back as 2002, playwright Andrew Bovell was advocating for more diversity on Australia's main stages: 'I see the same actors,' he told Hilary Glow in an interview for her book Power Plays (2007), '[and] they are invariably white and Anglo-Saxon, and I am not satisfied with that as a portrayal of our culture.' Fourteen years later, in his new play – his first original stage work, ... (read more)

Desdemona (Melbourne Festival)

ABR Arts 27 October 2015
'What's in a name?' asked Juliet. Desdemona, like the rose, might have been called anything else and retained the same meanings. But for us, as we are reminded at the beginning of Desdemona, the name has become synonymous with misery and doom. The speaker is Desdemona herself. How can this be? If we know anything else about her, it is that Othello murdered her within hours of the consummation of t ... (read more)

The Aspirations of Daise Morrow (Brink Productions)

ABR Arts 16 October 2015
‘Down at the Dump’ is the final story in Patrick White’s 1964 collection, The Burnt Ones. It begins with a colloquial ‘Hi!’, marooned on the story’s first line, and ends with a short, unpunctuated paragraph, intensely poetic, that recalls James Joyce at his least opaque: ‘The warm core of certainty settled stiller as driving faster the wind paid out the telephone wires the fences the ... (read more)

Faust and Verdi's Requiem (State Opera of South Australia)

ABR Arts 14 September 2015
Good and evil, damnation and salvation, love and death, virtue and folly: State Opera of South Australia’s pairing of Gounod’s five-act grand opera Faust () with Verdi’s momentous opera cum oratorio Requiem() epically traverses the profoundest bays of the human condition. Together, they round out a season inaugurated by Mozart’s Don Giovanni, another staple of the repertoire that has at it ... (read more)

The Rivers of China (Don't Look Away)

ABR Arts 03 June 2015
Australian plays good or simply fortunate enough to make it from page to stage have historically tended to meet one of two fates: canonisation or, much more likely, limited production when still new and utter neglect thereafter. Independent Melbourne theatre company Don’t Look Away, established in 2013 under the artistic direction of Phil Rouse, specialises in exhuming the dead plays with which ... (read more)

Ben Brooker reviews 'Black Diggers' (Queensland Theatre Company) and 'Rotunda' (New Zealand Dance Company)

ABR Arts 11 May 2015
Black Diggers (), written by Tom Wright, directed by Wesley Enoch, and produced by the Queensland Theatre Company, received its world première at the 2014 Sydney Festival in January. Then, the full clamour of Australia’s more than $400 million centennial commemorations of World War I was not yet audible; by the time the play reached Adelaide in March 2015 – a few weeks shy of the centenary of ... (read more)

Ben Brooker reviews 'Reflections on Gallipoli'

ABR Arts 20 March 2015
It is, of course, one hundred years since almost 9,000 Australians died on a small Turkish peninsula during a campaign that, despite its localised failure as a military operation and futility in influencing the overall course of the war, has been unalterably woven into the fabric of our national mythos. Commemorative presentations are frequent. Orchestras, television producers, and performing arts ... (read more)

Ben Brooker reviews 'The Impulse Society: What’s wrong with getting what we want?' by Paul Roberts

January-February 2015, no. 368 01 January 2015
Paul Roberts’s The Impulse Society is the latest entry in a now familiar subtype of polemic: that of the society in decline, the symptoms of which run the gamut of Western post-industrialist ills from childhood obesity to the meltdown of global economic markets, and the syndrome of which is, at root, advanced capitalism. The lineage can be traced back through, among many others, Chris Hedges’ ... (read more)

Kryptonite

ABR Arts 28 October 2014
A play in which two characters metaphorise the complex relationship between China and Australia does not sound very promising. We have seen this sort of thing before, not always happily – in the blue corner a lovably cantankerous professor representing ‘science’, in the red corner a cheery troglodyte who is ‘faith’ incarnate, and so on and on into the worst dinner party you have never be ... (read more)