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Blueberries by Ellena Savage

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The writerly ‘I’ is notoriously fraught and political in non-fiction writing. What are the implications of writing from a biased and limited perspective (as all of us inevitably do)? How to get around – or work within – the constraints of the personal? These questions are ethical ones but also ones of craft. Many memoirists and essayists have grappled explicitly with them on the page.


March 2019, no. 409

Open Page with Debra Adelaide

Generally where I am right now, in my study writing, but also in the garden. It is very uncomplicated. 


June–July 2019, no. 412

Publisher of the Month with Sam Cooney

I completed a writing degree, then was published in Voiceworks magazine, then joined its editorial committee, there discovering that editing is a wonderfully creative and fulfilling act, then commissioned and published some folios of new work in other literary publications, then joined The Lifted Brow magazine as fiction editor, then ...



Open Page with Margaret Simons

Childhood sporting humiliations have left me with a dread of being in places where somebody might throw a ball towards me and expect me to do something with it.

From the Archive

March 1989, no. 108

Under Saturn by Michael Wilding

Often collections of stories seem to me idle gatherings of chance acquaintances, sometimes uneasy with their companions. While the random can offer pleasures of its own, it can mean narrow-minded stories offended by their wilder and noisier neighbours, together a matter of squabble and disharmony. The four long stories that comprise Michael Wilding’s new work, Under Saturn, have instead a creative discord. Each one is self-contained, yet the movement of counterpoint among the four brings to Under Saturn the unity of a single composition, a quartet of variations on a theme.

From the Archive

October 2001, no. 235

Gould’s Book of Fish: A novel in twelve fish by Richard Flanagan

These days I am no longer sure what is memory and what is revelation. How faithful the story you are about to read is to the original is a bone of contention with the few people I had allowed to read the original Book of Fish … certainly, the book you will read is the same as the book I remember reading ...

From the Archive

October 2001, no. 235

The Art of the Engine Driver by Stephen Carroll & Summerland: A Novel by Malcolm Knox

If history is a graveyard of dead aristocracies, the novel is their eulogy. It is now, for instance, a critical commonplace to explain the young Proust’s entry into the closed world of France’s nobility as an occurrence made possible by its dissolution. Close to death, holding only vestigial power, the fag ends of the ancien régime lost the will or ...

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