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Fiction

Nimblefoot by Robert Drewe

The National Portrait Gallery owns a minuscule sepia studio photograph titled ‘Master Johnny Day, Australian Champion Pedestrian’. From this curious gumnut, Robert Drewe has created a sprawling multi-limbed eucalypt.

Interview

Interview

Interview

From the Archive

September 2015, no. 374

Open Page with Stephanie Bishop

I studied creative writing at UTS. Yes, it was worth it, mainly because I encountered some brilliant teachers – Martin Harrison in particular. Martin’s courses didn’t simply ‘teach’ me about writing; they changed the way I saw the world. Then I went on to do a conventional PhD at Cambridge, partly due to a strong belief that you learn to write by reading closely, and by immersing yourself in the work of others. I have taken to thinking of this PhD as a kind of apprenticeship in style.

From the Archive

April 2001, no. 229

Fifty Years On

Early on, my mind was in reverse.
I read a book the name I thought was From
White Cabin to Log House, and ever after
I knew ambition must go to cancrizans.

From the Archive

September 2014, no. 364

Australian Literary Studies, Vol. 28, no. 1-2 edited by Leigh Dale and Tanya Dalziell

This is a thoughtful and timely issue of Australian Literary Studies (ALS), one of Australia’s most substantial scholarly journals. It brings together scholars from institutions across Australia, India, and New Zealand to reflect on the state of the discipline of English in the context of a number of recent upheavals, including those directly relating to print media, including literature, which many would consider the traditional focus and matter of English. It also includes shifts in cultural literacy in the Internet age: changes in the nature of reading and the places and ways readers read; changes in school curricula; changes in the higher education sector – in response partly to changes in literacy and school education and to a rise in vocational training at both levels; to the rise of the corporate university; and to developments over the past several decades that we might think of as internal to the discipline: the critiques of syllabi and reading practices focused on canonical texts; the rise of theory; of post-colonial and feminist and minority discourse approaches; of interdisciplinary reading, and so on. The contributors to this volume address these questions in terms of debates around ‘the public humanities’: that is, defences of the traditional humanities by scholars from literary studies along with philosophers and historians in the face of attacks from the political and corporate world about the ‘relevance’ of these fields of inquiry.

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