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ABR Arts

Book of the Week

Character Limit: How Elon Musk destroyed Twitter
Media

Character Limit: How Elon Musk destroyed Twitter by Kate Conger and Ryan Mac

On 26 October 2022, two days before closing a deal to purchase Twitter for US$44 billion (A$61.4 billion), Elon Musk walked into its San Francisco headquarters carrying a white porcelain sink. He walked up to an unattended front desk in the lobby and said, to no one: ‘You can’t help but let that sink in.’ Of course, he didn’t really say this to no one. His triumphant entrance at Twitter HQ was staged, the video shared with his 120 million Twitter followers, with the phrase: ‘Let That Sink In!’

From the Archive

October 2016, no. 385

Letters to the Editor - October 2016

Dear Editor, Alan Atkinson's study of national conscience and how it has functioned in Australia is timely ('How Do We Live With Ourselves?' September 2016) ...

From the Archive

February 2008, no. 298

J.V. Barry: A life by Mark Finnane

‘I am really only an oppositionist, distrustful of power wherever I see it,’ wrote Jack Barry (1903–69) in 1951; and perhaps his oppositional instincts held him back from the heights of power to which he sometimes aspired. Instead, this biography argues, his impact was that of ‘a public intellectual before the term was invented’.

From the Archive

November 2006, no. 286

The Unknown Terrorist by Richard Flanagan

Richard Flanagan came to prominence some years ago like a collective delusion. Death of a River Guide (1994) sent a thrill through the literary community because of the raciness of its never-ending stories and in 1995, the baleful Year of Demidenko, we found ourselves giving the last of the Victorian Premier’s Prizes for new fiction to the Tasmanian arriviste who wrote fabulism like a Douanier Rousseau among the thylacines. Not long afterwards, Flanagan persuaded the producers to allow him to direct the film of his second novel, The Sound of One Hand Clapping (1997) with nothing but a few supervisory tips from Rolf de Heer by way of experienced guidance, a feat of Cocteau-like virtuosity or snake-oil powers of persuasion all but unprecedented in national (let alone Tasmanian) history.