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Blueberries by Ellena Savage

Reviewed by

The writerly ‘I’ is notoriously fraught and political in non-fiction writing. What are the implications of writing from a biased and limited perspective (as all of us inevitably do)? How to get around – or work within – the constraints of the personal? These questions are ethical ones but also ones of craft. Many memoirists and essayists have grappled explicitly with them on the page.


May 2019, no. 411

Emma Lew is Poet of the Month

A bit of space and peace are good for writing poetry. I like to feel warm, so a small electric heater should be blowing on my ankles.



Lisa Gorton is Poet of the Month

It is strangely moving to learn how a reader thinks about something I’ve written. Mostly, I’ve been lucky to have reviewers who crystallise, for me, some pattern in my thinking or inchoate hope for the work. It helps me to start something new. I learn as much, perhaps, from reviews of other people’s work – other approaches, a sense of connection.


March 2019, no. 409

Open Page with Debra Adelaide

Generally where I am right now, in my study writing, but also in the garden. It is very uncomplicated. 

From the Archive

July 1987, no. 92

Stories from the Warm Zone by Jessica Anderson

In her interview with Candida Baker for Yacker 2, Jessica Anderson expresses her dissatisfaction with the covers of a number of her books, citing in particular the glum face on the paperback of The Impersonators and the representation of The Commandant as, in Baker’s words, ‘a Regency romance’. Anderson, who began as a commercial artist, stresses that ‘Design and presentation ... really matter. They’re the introduction to a book.’ It seems to me to be particularly unfortunate (although she may well have given it her blessing) that her new book sports a clichéd Ken Done cover. Perhaps Done’s bright colours might evoke the ‘warm zone’ of the title, although Anderson is referring to Brisbane, not Done’s mock-naïve view of Sydney. Unfortunately, the cover subliminally suggests that Anderson’s writing is sunnily comforting, easily assimilated.

From the Archive

July 2001, no. 232

New Selected Poems by Peter Goldsworthy

Peter Goldsworthy, doctor and poet, is a writer of significant style and concision. This new selection of his lyric poetry lives up to its jaunty, graffitied, lavender cover; it bespeaks lightness. And lightness is damned hard work. You don’t get there just by smiling and going to book launches ...

From the Archive

May 1995, no. 170

Gender and War: Australians at war in the twentieth century edited by Marilyn Lake and Joy Damousi

The serious academic study of war has grown considerably in Australia in the last ten to fifteen years, bringing with it an often welcome diversification in focus and a willingness to subject old issues to fresh scrutiny. One sign of the increasing acceptance of war as a subject of serious study in the universities is the increasing number of university historians and other who, with little knowledge of or interest in the mechanics of war, nonetheless extend their work to include consideration of war and the military as these affect their particular areas of interest.

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