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ABR Arts

Book of the Week

Protecting Indigenous Art: From T-shirts to the flag
Indigenous Studies

Protecting Indigenous Art: From T-shirts to the flag by Colin Golvan

In this important book, Colin Golvan – a distinguished senior counsel – recounts some of the most notorious cases of copyright abuses endured by Indigenous artists, their work taken without permission, attribution, or adequate compensation and used on objects ranging from souvenir T-shirts to expensive carpets. An intellectual property barrister, Golvan leads us through the intricacies of these cases with lawyerly precision and poise, championing the role of copyright in bringing justice to Indigenous people.

From the Archive

April 2012, no. 340

Pushing against the dark: Writing about the hidden self

If you’re a theatregoer, then somewhere along the line you’re bound to have seen The Government Inspector, Nikolai Gogol’s comedy about a rapacious nobody being mistaken for a government official by the citizens of a nameless provincial backwater. (They too are nobodies, greedy to be somebodies.) You might remember (since it’s a line that will have evoked both your contempt and your compassion) that the fussy fool Pyotr Ivanovych Bobchinsky, a local landowner, who fails to exist to the point of being almost indistinguishable from his companion Pyotr Ivanovych Dobchinsky, says to the government inspector (who isn’t one):

I beg you most humbly, sir, when you’re in St Petersburg, say to all the different bigwigs there – the senators and admirals: You know, in such-and-such a town, your Excellency, or your Eminence, lives Pyotr Ivanovych Bobchinsky. Just say that: lives Pyotr Ivanovych Bobchinsky … And if you’re speaking to the sovereign, then say to the sovereign as well: in such-and-such a town, your Imperial Highness, lives Pyotr Ivanovych Bobchinsky.

From the Archive

December 2003–January 2004, no. 257

Fidelities of Summer

Born in Perth, I came as a boy to think of myself as a Yorkist: my summer holidays were often spent in that glittering town, and the first sound I can remember is the intransigent call of crows over the road there from the city. For entirely good reasons, the place is almost a myth to me.

In deeper and more complex ways, that territory is mythic to John Kinsella. His Peripheral Light would look very different, and much the poorer, if it were possible to subtract the mythic dimension from this book. Reading his ‘Wheatbelt Gothic or Discovering a Wyeth’, I am reminded of an essay of Guy Davenport’s in The Geography of the Imagination, in which he details how indebted Grant Wood’s ‘American Gothic’ is to mythological motifs, and how thoroughly Wood has subsumed them. Kinsella, at his best, seems to me equally adept at living with imaginative indebtedness and at parlaying it into an asset.

From the Archive

June–July 2014, no. 362

Chasing Shadows by Leila Yusaf Chung

A multi-generational saga straddling numerous countries and political régimes, Leila Yusaf Chung’s first novel, Chasing Shadows, largely alternates between middle child Ajamia’s viewpoint and her father Abu Fadi’s memories, thus giving an evocative portrait of Middle Eastern life in the late nineteenth century. Abu, a middle-aged Polish-Jewish man, fled his barren marriage in Łódź for British Palestine, where he subsequently converted to Islam and married Keira, a carefree Palestinian girl of only thirteen. Months later, the Jewish state of Israel was created, and the subsequent disarray seeped into Abu Fadi and Keira’s marriage, irrevocably changing their lives.