September 2019, issue no. 414

Welcome to the September issue of ABR!
Highlights include:

Read the 2019 Jolley Prize shortlist
'The Point-Blank Murder' by Sonja Dechian
'Miracle Windows' by Raaza Jamshed
'Rubble Boy' by Morgan Nunan

'Contradictions in the 2019 federal election'
Dennis Altman unpacks what happened in the 2019 federal election

Two new books on rape and domestic abuse
Zora Simic on See What You Made Me Do by Jess Hill and Rape by Mithu Sanyal

Andrew McGahan's posthumous novel
James Bradley on The Rich Man's House, McGahan's final novel

Claire G. Coleman's new novel
Poet Alison Whittaker on Coleman's The Old Lie

Hugh White's new book
Chengxin Pan on How To Defend Australia by Hugh White

 

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More from the current issue

Tom Griffiths reviews 'Alexander von Humboldt: Selected writings' edited by Andrea Wulf

Tom Griffiths

It can be revelatory to read the original words of a famous writer and thus meet them on the page. Alexander von Humboldt (1769–1859) has been so much quoted and written about that it might be rare even for his admirers to be exposed to his original prose at length and in context. It is a rewarding experience, especially when the writer cared so much for the ‘melody’ of his sentences ...

James Halford reviews 'From Here on, Monsters' by Elizabeth Bryer

James Halford

The most charismatic of the many monsters in Elizabeth Bryer’s début novel is the conceptual artist Maddison Worthington, who commands attention with her lipstick of ‘Mephistophelian red’ and her perfume of ‘white woods, musk and heliotrope’. From the solitude of a labyrinthine mansion ...

Chris Flynn reviews 'Being Various: New Irish short stories' edited by Lucy Caldwell

Chris Flynn

Playwright and author Lucy Caldwell raises the issue of national identity early in her introduction to this long-running anthology series. She grew up in Belfast but lives in London. Her children sing Bengali nursery rhymes and celebrate Eid. She holds two passports, neither of which adequately captures who she is ...

Patrick McCaughey reviews 'Man in the Glass House: Philip Johnson, architect of the modern century' by Mark Lamster

Patrick McCaughey

Philip Johnson – lagging well behind the founding fathers – may not be the most profound architect of the twentieth century. Nor does he have the resonance of Louis Kahn or the form-changing genius of Frank Gehry, among his contemporaries. Yet the pattern of twentieth-century architecture cannot be fully understood without him ...

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