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ABR Arts

Book of the Week

Working for the Brand: How corporations are destroying free speech
Business

Working for the Brand: How corporations are destroying free speech by Josh Bornstein

In November 1997, Bryce Rose was travelling for work in northern New South Wales. Rose was a technical officer with Telstra, and his help was needed in the Armidale area to address a surge in reported faults. Required to spend a few nights away from home, he arranged to share a hotel room with a colleague. On the third night, the pair went for dinner and then on to a nightclub. Much alcohol was consumed, and there was an altercation between them. Around 3 am, Rose returned to the hotel room, only to find the other man waiting for him. The furniture had been rearranged to create a space in the middle of the room. ‘Well, that’s your boxing ring if that’s what you want, mate,’ Rose’s colleague told him. There was a scuffle, and Rose began bleeding. He ultimately needed twelve stitches at the local hospital. Rose appears to have been the more innocent of the parties; his colleague was later convicted over the altercation.

From the Archive

From the Archive

December 2008–January 2009, no. 307

The Art of Graeme Base by Julie Watts

When Graeme Base’s first picture book, My Grandma Lived in Gooligulch, was published in 1983, his exuberant illustrations and rollicking text produced a frisson. However, it was the incomparable ‘alphabet’ book Animalia (1986) that really launched Base’s career as a picture-book author–illustrator, and made him a publishing phenomenon in both Australia and the United States. In celebration of twenty-five years of Graeme Base picture books, his publisher, Penguin, has produced a glossy retrospective look at his work. Written by Julie Watts, a former editor and publisher at Penguin Books, The Art of Graeme Base is lavishly illustrated and engagingly written. The first chapter documents Base’s idyllic childhood in Britain and his migration to Australia with his family. The second charts his early adult life as a struggling graphic designer, aspiring rock star and budding illustrator. These chapters introduce the many talents, enthusiasms, influences and mentors that have shaped the Graeme Base ‘brand’. The next twelve chapters are devoted to in-depth revelations about the evolution and production of each of Base’s twelve books, including his most recent title, Enigma (2008). Many chapters also have a ‘Beyond the Book’ section, which explores the other formats that the indefatigable Base has ventured into as spin-offs from his books: television series, board books, dioramas, exhibitions and stage plays.

From the Archive

February 2012, no. 338

Softly, As I Leave You by Chandani Lokugé

A treacherous beauty pervades Chandani Lokugé’s third novel, a tragic story of loss and squandered love. Chris Foscari, owner of a rarefied specialist bookshop in Melbourne and son of an Italian father and an Australian mother, is married to the outrageously beautiful Sri Lankan Uma, whom he met when she was studying in Melbourne. They have a teenage son, Arjuna, who is also blessed with unusual grace, at least in his mother’s eyes: