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ABR Arts

Book of the Week

On Kim Scott: Writers on writers
Literary Studies

On Kim Scott: Writers on writers by Tony Birch

In this latest instalment of Black Inc.’s ‘Writers on Writers’ series, we have the intriguing prospect of Tony Birch reflecting on the work of Kim Scott. While most of the previous twelve books in this series have featured a generational gap, Birch and Scott, both born in 1957, are almost exact contemporaries. This is also the first book in the series in which an Indigenous writer is considering the work of another Indigenous writer. It will not be giving too much away to say that Birch’s assessment of Scott’s oeuvre is based in admiration. There is no sting in the tail or smiling twist of the knife.




From the Archive

December 2001–January 2002, no. 237

'Editorial' by Peter Rose

Welcome to our final issue for 2001! Our summer issue – arrestingly illustrated on the cover – is a double one, and longer than previous ones this year. Funds permitting, we hope to be able to publish more eighty-page issues in 2002, especially in the second half of the year, when so many Australian books, both general and scholarly, are published. This expansion allows us to add new features: ‘Best Books of the Year’ column (children’s as well as adult books); short fiction; and a ‘Summer Reading’ column, containing brief reviews of worthy titles for which we haven’t been able to find the wonted page or two. Columns such as ‘Best Books of the Year’, in which various critics nominate two favourite books of the year and one ‘surprise’, are certainly not intended to be the last word on the subject. Such columns are inevitably subjective. But it is interesting to hear from some of our regular critics and contributors about their assessment of quality publications here and overseas. If it points some readers to fine books they may have overlooked, I think it is worthwhile.

From the Archive

November 2005, no. 276

Telling the Truth About Aboriginal History by Bain Attwood

For the past twenty years, Bain Attwood has been trying to de-provincialise what he sees as an insular historiography of Aboriginal Australia by imploring colleagues to embrace the latest intellectual trends from France, America and New Zealand. In Telling the Truth about Aboriginal History, he expands on his many press articles on the ‘history wars’ and combines them with methodological reflection on postmodernism and post-colonialism. What advice does he have for his colleagues in the face of doubts cast on their work by newspaper columnists and other ‘history warriors’?

From the Archive

May 2012, no. 341

Martin Amis: The Biography by Richard Bradford

I once had a vague fantasy that Martin Amis and I should get married. He was cool and handsome, and we had so much in common. We were about the same age; we had both read English at Oxford. My father worked as a cartoonist at the New Statesman when Martin was literary editor. I was mad about books and writing; Martin, in his early twenties, was already a famous novelist. Perfect match.