Poetry

'The New Maps Keep a Weather Eye' by Judith Bishop

Judith Bishop
27 September 2017

Bold shades of autumn leaf – or blazing embers’ light,
bright to extinguished, as if fires set
in hearths huddled closely in the dirt were offset
by pallid oceans with their artificial light.
A More

'Attention, Please' by Peter Rose

Peter Rose
27 September 2017

Having comprehensively disposed of that chestnut,
shoved it on a skip,
I have more questions to put to you than the Socratic
in our grocer.
First, I want you to step out of those non sequiturs, com More

Joan Fleming reviews 'The Blue Decodes' by Cassie Lewis and 'redactor' by Eddie Paterson

Joan Fleming
30 August 2017

Two recent collections by two very different voices have both been ‘blurbed’ as works of fragmentation. In her début collection, Cassie Lewis is described as speaking for ‘a generation whose ambitions and emotions have become very fractured and fragmented’. Eddie Paterson’s new book is full of redacted texts of digital trash and treasure; it is a blacked- ... More

Anthony Lawrence reviews 'Selected Poems 1968–2014' by Paul Muldoon

Anthony Lawrence
30 August 2017

Paul Muldoon’s friend and mentor, the late Seamus Heaney, once remarked that reading Muldoon was like being in a room with two informants: one a compulsive liar and one who always tells the truth. The trick, Heaney suggested, is ‘trying to formulate a question that will elicit an answer from either one that can be reliably decoded’.

Muldoon’s poems a ... More

Ian Dickson reviews 'Robert Lowell: Setting the river on fire: A study of genius, mania and character' by Kay Redfield Jamison

Ian Dickson
30 August 2017

For no one were Dryden’s partitions thinner than for Robert Lowell, as Kay Redfield Jamison’s exploration of the links between his work and the manic depressive illness which dogged hi More

Geoff Page reviews 'Transparencies' by Stephen Edgar

Geoff Page
25 July 2017

After Stephen Edgar’s nine collections of poetry, the last seven of which are distinguished by an extraordinary control over metre and rhyme, a reviewer feels bound to ask how this new b More

Gig Ryan reviews 'Fragments' by Antigone Kefala and 'A House by the River' by Diane Fahey

Gig Ryan
30 May 2017

Antigone Kefala’s Fragments, her fifth book of poems and first since Absence: New and selected poems (1992), is often menaced by the past, like her first collection, The Alien (1973). Here too are some subtly demolishing portraits, as well as buoyant poems such as ‘Metro Cellist’ and the slightly brooding ‘Summer at Derveni’: ‘ ... More

Paul Hetherington reviews 'Some Things to Place in a Coffin' by Bill Manhire

Paul Hetherington
30 May 2017

Poetry books that focus on memory, recuperation, and loss are common, but it is rare to find poems that speak about such matters as sparely and eloquently as these do. Bill Manhire’s new poems are bony and sinewy, resonating with an awareness of public and personal grief. Although these works often speak by indirection, many of them pack a real punch. As Manhire p ... More

Rose Lucas reviews 'Snake Like Charms' by Amanda Joy and 'The Herring Lass' by Michelle Cahill

Rose Lucas
25 May 2017

Michelle Cahill and Amanda Joy have produced two engaging and proficient collections of poetry. In their different ways, each revels in worlds of perception, imagination, and poetic craft.

Amanda Joy’s first full-length collection, Snake Like Charms comes out of UWAP’s new poetry series and marks the emergence of an important voice in Australian ... More

Benjamin Madden reviews 'The Poem Is You: 60 contemporary American poems and how to read them' by Stephen Burt

Benjamin Madden
30 April 2017

Northrop Frye wrote that ‘No kind of book is easier to attack than an anthology’, as Stephen Burt reminds us in the introduction to ...

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