Film

Peterloo ★★★★

Brian McFarlane
Tuesday, 20 November 2018

What I’ve come to expect of a new Mike Leigh film is, above all, the unexpected. His first feature, Bleak Moments (1971), of which there were quite a few in that contemporary study of urban, lower-middle class life, made him a potent force in British film. Think of Naked (1993) and Secrets & Lies (1996) ...

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History is written by the Oscar winners in our time, which makes the responsibilities of serious historical scholarship never more important. Despite its realist pretensions – it looks as real as life – film is a dreamy, poetic medium, too often prone to simplicity, conspiracy theory, sucking up to the Zeitgeist ...

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We invited some writers, film critics, and film professionals to nominate their favourite film – not The Greatest Film Ever Sold, but one that matters to them personally.

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One of my favourite podcasts at the moment is called The Rewatchables. It deconstructs movies (mainly from the 1990s and 2000s) and offers an enjoyable mix of amusement, nostalgia, and insight. It also speaks to the desire, particularly strong in the internet age, to hear what other people think about content already ...

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In 1971, Australian filmmaker Joan Long wrote the script for a film about gentrification in the Sydney suburb of Paddington. At a screening in London, it was introduced by director Peter Weir. When asked who the scriptwriter was, Weir replied that she was a housewife, according to a friend of Long’s ...

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David Thomson has been an essential writer on film for around half a century, but in certain circles his reputation has long been in decline. The reasons are obvious enough. He writes too much, and sometimes carelessly; he lets his feelings run away with him; an Englishman who followed his dream to the United States ...

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I don’t remember how old I was when I first saw the film version of . As a young girl growing up in north-east Scotland, I didn’t know that it had been adapted from a 1961 novel of the same name by a writer known for her keen observational skills and biting wit called Muriel Spark, or that the story had first appeared, almost ...

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With the Harvey Weinstein scandal and the #MeToo movement reminding us all too vividly of flesh and blood Hollywood, David Bordwell’s cerebral Reinventing Hollywood: How 1940s filmmakers changed movie storytelling seems to come from another planet. But Bordwell, who is the Jacques Ledoux Professor of ...

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On the cover of Felicity Chaplin’s La Parisienne in Cinema: Between art and life, Audrey Hepburn, arms aloft, reigns triumphant in a strapless scarlet evening gown and organza shawl. This is a scene from Funny Face (1957), in which she plays a shy Greenwich Village bookshop employee transformed into a high-profile ...

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On 'Black Panther' by Dilan Gunawardana

Dilan Gunawardana
Tuesday, 22 May 2018

The Marvel film Black Panther has currently earned more than US$1.3 billion dollars at the box office worldwide since its release on 13 February 2018, which places it high among the most financially successful films of all time. Such an achievement isn’t necessarily indicative of quality – the Fast and the Furious and Minions ...

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