2018 – Nicholas Wong: '101, Taipei'
Nicholas Wong is the winner of the 2018 Peter Porter Poetry Prize, now worth a total of $8,500. Louis Klee, the 2017 winner, made the announcement at a special event at fortyfivedownstairs on Monday, 19 March. Nicholas Wong, who flew from Hong Kong to attend the Porter ceremony, receives $5,000. His winning poem, published in the March 2018 issue of Australian Book Review is titled ‘101, Taipei’.
Nicholas Wong, on winning the Prize, said: ‘I’m honoured and humbled to be the winner, especially with a poem whose subject matter may seem foreign. Winning the Porter Prize also allows me to reach out to Australian readers.’
This year’s judges – John Hawke, Bill Manhire, Jen Webb – shortlisted poems by five poets – Eileen Chong, Katherine Healy, LK Holt, Tracey Slaughter, and Nicholas Wong. They were chosen from a record field of almost 1,000 poems. Tracey Slaughter’s poem ‘breather’ was placed second. She receives $2,000 – the other three shortlisted poets $500 each.
2017 – Louis Klee: 'Sentence to Lilacs' and Damen O'Brien: 'pH'
Louis Klee (Vic) and Damen O'Brien (Qld) are the joint winners of the 2017 Peter Porter Poetry Prize for their poems 'Sentence to Lilacs' and 'pH'. Morag Fraser named them as the winners at a ceremony at Collected Works Bookshop in Melbourne on March 23. The winners each receive $2,500 for their poems which were selected from almost 1000 entries, the Porter Prize's largest field to date.
The other shortlisted poets – Ronald Dzerigian (USA), Anthony Lawrence (NSW), Michael Lee Phillips (USA), Jen Saunders (NSW), and Jessie Tu (NSW) – each receive $500. The seven shortlisted poems appear in ABR’s March 2017 issue.
The judges were Ali Alizadeh, Jill Jones, and Felicity Plunkett.
2016 – Amanda Joy: 'Tailings'
Amanda Joy is the winner of the 2016 Peter Porter Poetry Prize for her poem ‘Tailings’. Morag Fraser named Amanda as the overall winner at a ceremony at Boyd Community Hub in Melbourne. Amanda receives $5,000 for her poem, which was selected from a field of around 730 poems. She also receives Arthur Boyd’s etching and aquatint The unicorn and the angel, 1975 from the series The lady and the unicorn, 1975, donated by Ivan Durrant in memory of Georges Mora.
The other shortlisted poets were Dan Disney, Anne Elvey, Lisa Gluskin Stonestreet, and Campbell Thomson. Each of them receives $625.
The judges were Luke Davies, Lisa Gorton, and Kate Middleton.
From the judges’ report:
‘“Tailings” is a poem remarkable for its close-woven language, everywhere charged with vivid details; and, at the same time, remarkable for its open and wide-ranging attentiveness. In “Tailings” the poet nowhere sets place at an aesthetic distance but everywhere attends to its mess and profligacy, a mode of perception alive to the hunger of animals.’
2015 – Judith Beveridge: 'As Wasps Fly Upwards'
Judith Beveridge is the winner of the 2015 Peter Porter Poetry Prize for her poem ‘As Wasps Fly Upwards’. Morag Fraser named Judith as the overall winner at a ceremony at Collected Works Bookshop in Melbourne. Judith receives $5,000 for her poem, which was selected from a field of around 600 poems.
The other shortlisted poets were Eileen Chong, Toby Fitch, John Kinsella, Kate Middleton, and Alex Skovron, who won the Prize in 2007. Each of them receives $500. All six shortlisted poems can be read here.
The judges were Lisa Gorton, Paul Kane, and Peter Rose.
‘I am deeply honoured to have won the Peter Porter Poetry Prize, not only because of the high regard I have for Peter Porter’s poetry and for Australian Book Review, but also because of the very strong 2015 shortlist. I loved all the poems and was truly surprised to hear I’d won. My sincere thanks to ABR for continuing this prestigious prize, which is a great support for poets.’
2014 – Jessica L. Wilkinson: 'Arrival Platform Humlet'
Jessica L. Wilkinson is the winner of the tenth Peter Porter Poetry Prize. ‘Arrival Platform Humlet’, her poem about Percy Grainger, was named the winner at a ceremony on 7 May. This followed readings by three of the shortlisted poets. US-based poet Paul Kane, the fourth, was represented by Alex Miller. We also heard several poems by the great Peter Porter: a feature of these lively annual functions. This was the first time that the Porter Prize was open to international entrants.
Jessica L. Wilkinson:
‘For anyone in attendance, my shock at winning the prize was apparent. I entered a state of speechlessness! But I am truly honoured that my poem was recognised in this way and immensely grateful to the judges, Lisa Gorton and Felicity Plunkett.’
2013 – John A. Scott: 'Four Sonnets'
At a function at Boyd, John A. Scott was named the winner of the 2013 Peter Porter Poetry Prize, worth $4,000. Remarkably, his winning entry, ‘Four Sonnets’, is his first new poem in a quarter of a century. Not that Mr Scott has been idle during this time. He is the author of sixteen books to date. His novel What I Have Written won a Victorian Premier’s Prize in 1994, and his novels Before I Wake (1996) and The Architect (2002) were shortlisted for several awards, including the Miles Franklin Award. He has a new book coming out this year with Brandl & Schlesinger, the experimental novel N. On winning the prize, John A. Scott told us: ‘I’m honoured to have won the Peter Porter Poetry Prize with my first new poem in nearly twenty-five years. Doubly honoured in fact, having long regarded Peter Porter as Australia’s finest poet.’
2012 – Michael Farrell: 'Beautiful Mother'
Michael Farrell is the winner of the 2012 Peter Porter Poetry Prize, worth $4,000. Our judges, Judith Beveridge and David McCooey, selected his poem, ‘Beautiful Mother’, from almost 800 entries. On learning of his success, Mr Farrell told us:
'It’s exciting to have won the Peter Porter Poetry Prize, especially from such a large field. It’s an honour to be linked with Peter Porter, whom I was lucky enough to meet on several charming occasions. The poem itself betrays several hauntings: not least a scene from television that’s stayed with me since I was probably four or five, of Kimba the white lion swimming back to the jungle, a vision of his mother in the sky encouraging him.'
2011 – Judith Bishop: 'Openings' and Tony Lintermans: 'Self-portrait at Sixty'
For the first time, two poets have shared our Poetry Prize. The judges – Morag Fraser and Peter Rose – couldn’t separate Judith Bishop (‘Openings’) and Tony Lintermans (‘Self-portrait at Sixty’). Each poet receives $2000. Almost five hundred poems were entered this year, and all five shortlisted works appeared in our March issue.
Judith Bishop – who becomes the first person to win ABR’s Poetry Prize twice – told us: ‘To win a prize dedicated to the memory of a poet of Peter Porter’s calibre, range, and emotional depth is deeply humbling.’
Tony Lintermans likewise reflected on Peter Porter’s legacy, and humanity: ‘What a joy to share the Peter Porter Poetry Prize. The only time I met Peter Porter, at an Adelaide Festival years ago, he was typically generous and thoughtful in his comments. I think of this poem as a small and sadly belated answer to his kindness.’
2010 – Anthony Lawrence: 'Domestic Emergencies'
Australian Book Review has much pleasure in announcing the winner of the sixth annual Australian Book Review Poetry Prize. Anthony Lawrence received $4,000 for his poem ‘Domestic Emergencies’. The judges – Ian Donaldson, Morag Fraser, and Peter Rose – chose the poem from a field of just under 400 poems.
On winning the prize, Anthony said: ‘I’m thrilled to have won the Australian Book Review’s poetry prize. I’ve been reading the Australian Book Review for many years and the fact that it gives serious space and consideration to poetry, both in its reviews and the publishing of individual poems, is to be celebrated.’
2009 – Tracy Ryan: 'Lost Property'
Australian Book Review has much pleasure in announcing the winner of the fifth annual Australian Book Review Poetry Prize. Tracy Ryan received $4,000 for her poem ‘Lost Property’. The judges – Paul Hetherington, Morag Fraser, and Peter Rose – chose the poem from a field of approximately 500 poems.
On being told of her success, Tracy said: ‘I’m honoured, delighted, and very surprised. I’m a keen reader of the ABR but have never published a poem in it before. This is a pleasant way to start! And the poem belongs to an unpublished manuscript of new work, tentatively called The Argument. It feels as if the award somehow helps bring that new book into being.’
2008 – Ross Clark: 'Danger: Lantana'
The menace of Lantana did not prevent Ross Clark from carrying off the fourth ABR Poetry Prize. Mr Clark received $3,000 for his poem entitled: ‘Danger: Lantana’.
Reacting to his win, Clark commented: ‘Both shortlisted poems created memories within rural settings; the former’s fictionality is more obvious, but both poems are songs made from the sweepings of my mind, both begin in the rag-and-bone shop of history and locality. I’m thrilled to have won, and hope the readers of ABR will hear the creek flowing again in these words.’
2007 – Alex Skovron: 'Sanctum'
Melbourne poet Alex Skovron is the recipient of the third ABR Poetry Prize for his poem ‘Sanctum’. His poem ‘Boy’ was shortlisted for last year’s ABR Poetry Prize.
On receiving the judges’ congratulations for his dark, evocative poem, Alex Skovron commented: ‘I’m delighted and honoured to be this year’s recipient of the prize. I wrote the first version of ‘‘Sanctum’’ in July 2004. It’s an oblique, shadowy piece, an offbeat portrait framed within a telling that’s imbued with at least some of the delirium of its protagonist. The other protagonist is, of course, language.’
2006 – Judith Bishop: 'Still Life with Cockles and Shells'
Judith Bishop was the recipient of the 2007 ABR Poetry Prize. The judges called her winning poem ‘Still Life with Cockles and Shells’ ‘unfailingly poised and suggestive’. Judith Bishop is a regular contribuor to ABR, as a poet, critic, and diarist.
2005 – Stephen Edgar: 'Man on the Moon'
Stephen Edgar has won the inaugural ABR Poetry Prize with his poem ‘Man on the Moon’.
The three judges, Morag Fraser, Peter Rose, and Peter Steele, were impressed by the overall quality of the entries and were pleased to be able to choose from such a strong shortlist, but the final decision was quick and unanimous because of the formal and imaginative qualities of Stephen Edgar’s poem.