ABR Arts Commentary
Following a concerted media and legal campaign, the Namatjira Legacy Trust has succeeded in securing the ownership of the copyright of Albert Namatjira following a recent resolution of claims made by the Trust against the long-time copyright owner Legend Press ...... (read more)
There was a time not that long ago when the arts pages of quality daily newspapers were regarded as essential reading as much for those inside the arts industry as outside it. Just as these newspapers were themselves papers of record, their arts pages existed primarily to record and sustain ...... (read more)
You see them driving from Kings Canyon to Alice Springs, the majestic ghost white river gums depicted so faithfully in the paintings of Albert Namatjira. You would think you were looking at a Namatjira painting. And then there is the vista of the craggy hills of the West McDonnell ...... (read more)
The idea of visiting Paris in January to see six exhibitions and two repeats in five days may seem excessive to some people, but Paris’s museum offerings this northern winter were so impressive it was impossible to resist. At Frank Gehry’s lofty Fondation Louis Vuitton, hordes lined up ...... (read more)
Australia's newest museum – one that focuses on the decorative arts – was launched by Paul Keating on Friday, 3 June. (It is open to the public, by appointment only, from 7 June 2016.) Positioned in North Adelaide, The David Roche Foundation is home to a superb collection of European ...... (read more)
Los Angeles – city of freeways, studios, hotels, and endless sunshine – is also home to some great art collections and notable architecture, the latter spanning much of the twentieth century. Several of the art museums, taking advantage of the climate, are built as a series of separate pavilions ...... (read more)
I am often approached by young writers and reviewers. In many cases we offer them work, all part of ABR’s openness to new creative and critical talent. Two things often strike me during conversations with new contributors. First, they never raise the subject of money. Such is their reticence that I now make it clear at the outset that ABR pays fo ...