ABR Arts Commentary

Why I quit as opera critic of The Age

Michael Shmith
Monday, 14 August 2017

There was a time not that long ago when the arts pages of quality daily newspapers were regarded as essential reading as much for those inside the arts industry as outside it. Just as these newspapers were themselves papers of record, their arts pages existed primarily to record and sustain ...

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'The Copyright of Albert Namatjira'

Colin Golvan
Tuesday, 14 March 2017

You see them driving from Kings Canyon to Alice Springs, the majestic ghost white river gums depicted so faithfully in the paintings of Albert Namatjira. You would think you were looking at a Namatjira painting. And then there is the vista of the craggy hills of the West McDonnell ...

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Letter from Paris

Lee Christofis
Thursday, 16 February 2017

The idea of visiting Paris in January to see six exhibitions and two repeats in five days may seem excessive to some people, but Paris’s museum offerings this northern winter were so impressive it was impossible to resist. At Frank Gehry’s lofty Fondation Louis Vuitton, hordes lined up ...

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The David Roche Foundation

Christopher Menz
Monday, 06 June 2016

Australia's newest museum – one that focuses on the decorative arts – was launched by Paul Keating on Friday, 3 June. (It is open to the public, by appointment only, from 7 June 2016.) Positioned in North Adelaide, The David Roche Foundation is home to a superb collection of European ...

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Letter from America

Christopher Menz
Monday, 09 May 2016

Los Angeles – city of freeways, studios, hotels, and endless sunshine – is also home to some great art collections and notable architecture, the latter spanning much of the twentieth century. Several of the art museums, taking advantage of the climate, are built as a series of separate pavilions ...

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Piero di Cosimo: The Poetry of Painting in Renaissance Florence

Patrick McCaughey
Thursday, 04 June 2015

Every student of Australian art knows that when Arthur Boyd went to London in 1959 and paid his first visit to the National Gallery, two paintings laid siege to his imagination. Titian’s The Death of Actaeon was one from which came Boyd’s tormented

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Editorial

Peter Rose
Monday, 27 April 2015

I am often approached by young writers and reviewers. In many cases we offer them work, all part of ABR’s openness to new creative and critical talent. Two things often strike me during conversations with new contributors. First, they never raise the subject of money. Such is their reticence that I now make it clear at the outset that ABR pays fo ...

The Drawing Master: Andrew Sayers' 'Aboriginal Artists of the Nineteenth Century'

Tim Bonyhady & Melinda Hinkson
Friday, 24 April 2015

Many good books are published about Australian art, but few change the way we see and understand it. When Andrew Sayers’ ​Aboriginal Artists of the Nineteenth Century appeared in August 1994, it immediately did that, as the critic Bruce James was quick to recognise

Eminent psychologist Steven Pinker once described art as ‘cheesecake for the mind’. Many people think of culture as a luxury good, high up – and therefore low down – on Mazslow’s hierarchy of needs in comparison with basic physical requirements. Most of the time they are right. When they aren’t, the necessity for a detailed understanding of cultural proc ...

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