ABR Arts Visual Arts

Edward Burne-Jones: Pre-Raphaelite Visionary (Tate Britain)

Christopher Menz
Thursday, 24 January 2019

Sir Edward Coley Burne-Jones, Baronet, (1833–98) to give him his full entitlement, is an artist who polarises people. Some relish his otherworldly and imaginative narrative subjects, the rich and saturated palette, the sumptuous decorative surfaces. Others respond in the same way as one of the ‘vivid young moderns’ overheard by ...

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Some time ago I appeared on a morning radio program with a prominent guru of Australian culture who roundly declared that Andy Warhol was ‘a one trick pony’. Neither remonstration nor persuasion could help the guru out of his imperturbable complacency. He had summed up Warhol in a sentence – what more need be said?

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The National Gallery of Australia’s current Pre-Raphaelite survey exhibition, co-curated by Carol Jacobi from Tate and Lucina Ward from the NGA, feels like a family reunion. John Everett Millais’s Ophelia (1851–52) and John William Waterhouse’s The Lady of Shalott (1888) have made the long voyage from ...

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The Dutch printmaker M.C. Escher is one of the few twentieth-century artists who became almost universally known by the general public from the 1960s on. Constructed as visual paradoxes with impossible architectures, vaulting perspectives, and dramatic metamorphoses of form, his images startled ... ... (read more)

Floating in the dawn skies above the Yarra Valley on November 22, Patricia Piccinini’s Skywhale had her first outing in Victoria. It allowed early risers in the vicinity a brief glimpse of the gas-filled aerial sculpture, a work of art that is rarely seen and that, due to its pendulous appendages and $350,00 price-tag ...

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David Goldblatt: Photographs 1948–2018 (Museum of Contemporary Art)

Alison Stieven-Taylor
Tuesday, 13 November 2018

Perhaps the best way to influence the thoughts of another is to do so without intent. South African photographer David Goldblatt once said he did not believe that ‘any photograph of mine would ever influence anybody in the slightest degree’. Yet his photographs of his country’s apartheid era reach down into the very heart of ...

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On 6 March 1948 – a mere seventy years ago – the paintings that comprise this stellar exhibition of ‘Modern Art’ from St Petersburg’s great cultural repository, the State Hermitage Museum, were condemned in a decree by the Council of Ministers of the USSR as ‘the bourgeois art of ...

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During 2015 and 2016 the exhibition No Boundaries: Aboriginal Australian Contemporary Abstract Painting travelled to different venues in the United States. Drawn from the collection of an American couple, Debra and Dennis Scholl, the featured works were by nine senior Australian Aboriginal ...

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TarraWarra Biennial 2018: From Will to Form

Sophie Knezic
Monday, 13 August 2018

Curated by Emily Cormack, the 2018 TarraWarra Biennial positions itself as a paean to the liveliness of artistic gesture. The exhibition’s curatorial frame invokes the notion of ‘will’, derived from Friedrich Nietzsche’s infamous notion of the will to power ...

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John Russell (1858–1930) is an artist who has largely fallen through the cracks of art history. Neither Australian enough to be incorporated into the history of Australian art, nor French enough to be recognised as a major player in histories of French art, Russell has been consistently overlooked – until now.

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