ABR Arts Visual Arts

TarraWarra Biennial 2018: From Will to Form

Sophie Knezic
Monday, 13 August 2018

Curated by Emily Cormack, the 2018 TarraWarra Biennial positions itself as a paean to the liveliness of artistic gesture. The exhibition’s curatorial frame invokes the notion of ‘will’, derived from Friedrich Nietzsche’s infamous notion of the will to power ...

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John Russell (1858–1930) is an artist who has largely fallen through the cracks of art history. Neither Australian enough to be incorporated into the history of Australian art, nor French enough to be recognised as a major player in histories of French art, Russell has been consistently overlooked – until now.

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Heavenly Bodies: Fashion and the Catholic Imagination, the Metropolitan Museum of Art’s latest blockbuster, is dazzling. Organised by Andrew Bolton, the curator in charge of the museum’s Costume Institute, the exhibition brings together contemporary fashion designs with the imagery of the Roman Catholic Church by ...

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These two significant exhibitions mark critical stages in the development of Australian art over the past fifty years. The Field Revisited is a painstaking reconstruction of the inaugural – and, at the time, ground-breaking and controversial – exhibition held in 1968 in the newly-opened Roy Grounds building: the National Gallery ...

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Wonderland (ACMI)

Andrew Nette
Monday, 07 May 2018

I had never pondered the influence of Lewis Carroll’s stories, Alice’s Adventures in Wonderland (1865) and Through the Looking Glass, and What Alice Found There (1871). This left me completely unprepared for Wonderland, the Australian Centre for the Moving Image’s latest Melbourne Winter Masterpieces exhibition ...

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Although this not-to-be-missed offering from the National Gallery of Victoria has been billed as a ‘two-part exhibition’, it is a much more complex entity than that. In the words of the three lead curators – Cathy Leahy, Judith Ryan, and Susan van Wyck – it ‘explores different perspectives on Australia’s shared history in ...

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Hilarie Mais (TarraWarra Museum of Art)

Sophie Knezic
Monday, 05 March 2018

In a seminal essay titled ‘Grids’ (1978), the American art theorist Rosalind Krauss argued that, as a structure, the grid was emblematic of modernist ambition, encapsulating modernism’s streamlining project through the expunging of forms and conventions extraneous to it. The grid embodied a kind of will to silence ...

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The final week of February in Australia means, among other things, that another summer is almost over. Yet in contrast to the fleeting nature of lived experience, a new exhibition at the Art Gallery of Western Australia calls attention to the enduring power of art to capture and convey human passions ...

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The Lady and the Unicorn (Art Gallery of New South Wales)

Morag Fraser
Friday, 16 February 2018

One of France’s great treasures, the five-hundred-year-old, six-panel tapestry series called The Lady and the Unicorn, is in Australia for four months, courtesy of some fortuitous inter-museum contacts, and deft work by the Art Gallery of New South. A loan of such significance usually takes years to negotiate. This one was ...

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Translation can be an art or a craft; seldom simple, it is often unappreciated. We tend to forget that the global community of ceaseless interconnectivity could not exist without translation, or bilingualism. Without translation there is Babel, but with its quiet, endless grinding, translation brings down walls and creates porous ...

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