In Iris Murdoch’s novel, The Sandcastle (1957), a young artist called Rain Carter is commissioned to paint a retired schoolmaster, Demoyte, an eccentric with an offbeat sense of h More
Well, it’s Moby-Dick, obviously. Except when it’s Huckleberry Finn or Absalom, Absalom! or Invisible Man or Gravity’s Rainbow. The Great Gatsby will often do, if one is pressed for time.
There is something a bit ridiculous about the idea that a single book could become the definitive expression of an ent ... More
On an early spring evening in 1919, in a nearly empty cinema in the English seaside town of Lyme Regis, a slight, dark-haired figure slipped into a seat at the farthest edge of a row. From here, she would have a clear view of the profile of the youthful pianist who, sheltered behind a screen, accompanied the silent film. In white tie and tails, with her fair hair sl ... More
David Malouf turns eighty this month, improbably. To mark his birthday, UQP has published a new poetry collection by Malouf. ABR Poetry Editor reviews Earth Hour in this issue.More
In his brief preface to Volume 1 of the Australian Dictionary of Biography 1788–1850 A–H (1966), Douglas Pike describes the ‘all-Australian, Commonwealth-wide … consultation and co-operation’ underpinning the volume and notes that the breadth and complexity of its intellectual network meant the Dictionary could ‘truly be ... More
David McCooey reviews 'The Princeton Encyclopedia of Poetry and Poetics, Fourth Edition' by Roland Greene et al.
It’s not just history that is written by the victors, but the encyclopedias, too. The eighteenth-century encyclopedias, such as Diderot’s Encyclopédie, were the projects More
The legend of Kenneth Mackenzie (1913–55) has always hovered around the corridors of Australian literature. From Western Australia, was he? Died young, didn’t he? Trouble with drink, wasn’t it? Or sexual identity, could it have been? They say he’s worth reading but nobody much has, have they?
Well, the republication of The Young ... More