In Iris Murdoch’s novel, The Sandcastle (1957), a young artist called Rain Carter is commissioned to paint a retired schoolmaster, Demoyte, an eccentric with an offbeat sense of humour. Instead of his usual attire – a shabby red velvet jacket with tobacco stains and bow tie – Demoyte turns up ...... (read more)
On an early spring evening in 1919, in a nearly empty cinema in the English seaside town of Lyme Regis, a slight, dark-haired figure slipped into a seat at the farthest edge of a row. From here, she would have a clear view of the profile of the youthful pianist who, sheltered behind a screen, accompanied the silent film. In white tie and tails, with her fair hair sl ...
David Malouf turns eighty this month, improbably. To mark his birthday, UQP has published a new poetry collection by Malouf. ABR Poetry Editor reviews Earth Hour in this issue.... (read more)
In his brief preface to Volume 1 of the Australian Dictionary of Biography 1788–1850 A–H (1966), Douglas Pike describes the ‘all-Australian, Commonwealth-wide … consultation and co-operation’ underpinning the volume and notes that the breadth and complexity of its intellectual network meant the Dictionary could ‘truly be ...
David McCooey reviews 'The Princeton Encyclopedia of Poetry and Poetics, Fourth Edition' by Roland Greene et al.
It’s not just history that is written by the victors, but the encyclopedias, too. The eighteenth-century encyclopedias, such as Diderot’s Encyclopédie, were the projects of emergent superpowers, evidence of both the Enlightenment dream of universal knowledge and burgeoning colonial impulses ...... (read more)