ABR Arts Festivals
In his introduction to this year’s Melbourne Festival, Artistic Director Jonathan Holloway emphasised the need for people to step away from the hateful invective festering in public discourse and to note the bigger picture of humanity’s journey. ‘The last couple of years – globally – have not been our best’, he says in ...... (read more)
Every winter for the last few years, Hobart has soaked itself in a shade of deep red and invited a mass of bodies to cavort and feast on its flesh for MONA’s annual winter arts festival of ‘darkness, light, birth, death, and renewal’, Dark Mofo. Therefore, the performance by ...... (read more)
Marking its twentieth anniversary, the Melbourne International Jazz Festival (MIJF) had much to celebrate in 2017. I can vividly recall the first Festival in 1998, a weekend-long event attended by what seemed like a handful of us, moving in unison between city venues ...... (read more)
Ahead of this year’s Wangaratta Festival of Jazz and Blues, Artistic Director Adrian Jackson acknowledged that while he had not intended to develop any specific theme for this year’s program, one had unwittingly emerged: the significant contribution of female musicians to jazz in this country ...... (read more)
The streets of Hobart are especially cold and quiet on the longest night of the year. Those out and about are simply commuting from place to place, wrapped in scarves, hats, and jackets. Some head towards St David's Cathedral to attend Heart of Darkness, the penultimate performance of ...... (read more)
In his introduction to the opening night concert of the Melbourne International Jazz Festival (MIJF), Michael Tortoni, the artistic director, noted that some 43,000 patrons were expected to attend over 120 concerts during this year's program. That is a lot of devotees to a musical form often ...... (read more)
For anyone who witnessed the frenetic pitch of Afrolankan Drumming System, the festival’s name might seem like a misnomer. Now in its third year, Ballarat’s Festival of Slow Music isn’t about reduced tempos but about listeners slowing down to properly digest music. All of the performances across nine days were acoustic, yet that term too can mislead, associate ...
Opposite the outdoor basketball court, the Karungkarni Arts Centre is selling dot paintings by Gurindji woman Biddy Wavehill. Later at the riverside acoustic stage, Peter Garrett steps unexpectedly from the long grass to sing ‘From Little Things Big Things Grow’ with Paul Kelly – a song about the Wave Hill walk-offs in the 1960s lead by Gurindji man Vinc ...