ABR Arts Dance

Nelken (Carnations): Tanztheater Wuppertal Pina Bausch (Adelaide Festival of Arts 2016)

Michael Morley

Over decades of productions in the Festival Theatre, I can recall a handful of experiences that resulted in immediate, unprompted, and collective standing ovations, beginning with the unforgettable journey that was Richard Wherrett's epic staging of Nicholas Nickleby (1983). Pina Bausch's dance-theatre piece Nelken (Carnations) joined this list dur ... More

Last Work (Batsheva Dance Company)

Terri-ann White

Performances by Batsheva Dance Company involve more than movement and choreography. Behind each production is a philosophy, markedly different from the vocabulary, tics, and motifs we expect from choreographers. Ohad Naharin has introduced a revolutionary aspect to the company to which he has belonged for forty-one years (he has been artistic director since 1990). T ... More

Lee Christofis reviews 'The Sleeping Beauty' (Australian Ballet)

Lee Christofis

When Sergei Diaghilev staged The Sleeping Princess at the Alhambra Theatre, London, in 1921, he hoped to prove that classical ballet could be as popular as the outrageously glamorous West End hit, Chu Chin Chow, which ran for five years. Diaghilev invited the brilliant colourist Leon Bakst to design sets and costumes equal to those of the orig ... More

Sylvie Guillem: Life in Progress

Terri-ann White

Unsurprisingly, each of Sylvie Guillem’s six performances of Life in Progress in the Sydney leg of a world tour sold out. She will soon retire as a dancer after thirty-nine remarkable years. Unsurprisingly too, her program was edgy and contained two brand new works. Sylvie Guillem doesn’t rest on her laurels, and this wasn’t an anthology of her ‘great ... More

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