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Don Quixote 

The Australian Ballet
17 March 2023
The opening night of The Australian Ballet’s 2023 season, commencing with Rudolf Nureyev’s unforgettable Don Quixote, was like a joyous homecoming to all sectors of the audience, from rusted-on subscribers to some of Australia’s most gifted ballerinas, and a host of people who quickly absorbed the vitality of Marius Petipa’s 1872 ballet, which Nureyev loved. ... (read more)

‘When I see a flower, it reminds me of who I am,’ says poet and performer Edwin Lee Mulligan, staring at the audience. ‘Others can stop my dignity but can’t stop my bloom.’ So begins Ngarlimbah, the first performance in a triple bill of solo works by Marrugeku, an Indigenous dance company based in Sydney and Broome ...

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This year’s Adelaide Festival opening night was one for standing ovations, and the revival of Meryl Tankard’s Two Feet, danced by internationally acclaimed Russian ballerina Natalia Osipova, certainly earned one. Commissioned for World Expo 88 by former festival director Anthony Steel, Two Feet ...

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What a luxury it is to have seen the ballet company of La Scala, Milan, on its first visit to Australia. An ensemble of sixty-six dancers, it has become, under the artistic direction of Frédéric Olivieri, a prized instrument of Italian culture. Established in 1788, it engaged with a new wave of contemporary choreographers ...

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An impassioned ovation greeted the exceptional, all-giving dancers of The Australian Ballet and musicians of Orchestra Victoria at the packed première of the company’s new production of Spartacus. The familiarity of the story of oppressed slaves and gladiators fighting the Roman Republic for ...

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Dark Emu

Bangarra Dance Theatre
10 September 2018

Bangarra Dance Theatre has been Australia’s premier Aboriginal and Torres Strait Islander dance company for nearly thirty years. Although the company includes dancers from every language grouping, it collaborates with specific traditional owners, depending on the particular works they are creating ...

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Repetitive cycles of alienation, frustration, sorrow, and humiliation in the face of political injustice over decades find powerful expression in Le Dernier Appel (The Last Cry), the latest interrogation by Marrugeku Dance Theatre of the deleterious effects of colonisation on the indigenous peoples of Australia and her neighbours. Commissioned by Carriagewo ...

Marius Petipa’s ballet La Bayadère (The Temple Dancer), written in 1877, could be seen as the grandparent of Bollywood musicals. It has all the ingredients: Solor, a prince who loves Nikiya, a low-caste temple dancer; a conniving Brahmin high priest who lusts after her; Solor’s father, who has promised him to another man’s ...

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Last year, Akram Khan, England’s leading Asian dancer–choreographer, stunned the dance world community when he announced he would stop performing in 2018 and that his last show would be Xenos, meaning ‘foreigner’ or ‘stranger’. It premièred at the Onassis Cultural Centre, Athens, on 21 February, and reached ...

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This year marks the fiftieth anniversary of Graeme Murphy’s career as a dancer and choreographer, which began at The Australian Ballet in 1968. He has often returned to create new ballets on the company – during his thirty-one years as artistic director of Sydney Dance Company from 1976 to 2006, and more recently ...

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