ABR Arts Dance
The Australian première of Christopher Wheeldon’s Alice’s Adventures in Wonderland, created on the Royal Ballet’s brightest talents, was one of the happiest nights of ballet on record. It boosted The Australian Ballet’s small repertoire of full-length narratives in which all the elements ...... (read more)
Britain’s illustrious Royal Ballet has brought extraordinary gifts to QPAC audiences in Brisbane this year: two huge, exciting ballets which, in different ways, are game-changers in the creation of full-length narrative ballets. They are Woolf Works by the company’s resident ...... (read more)
William Golding’s Lord of the Flies (1954), about a group of British schoolboys marooned on a tropical island during a nuclear war, has been adapted for radio, stage, and screen. Acclaimed theatre director Peter Brook’s austere, 1963 black-and-white film, with a superb cast, is by far ...... (read more)
The Australian Ballet opened its first 2017 Melbourne season looking like a new creature – mature, chic, and serious, ready to tackle any challenges choreographers placed in its path ...... (read more)
Kenneth MacMillan’s Anastasia is one of several full-length dramas he created on his return to the Royal Ballet in 1971, after directing the Deutsche Oper Ballet in Berlin. It is a hybrid work, incorporating as its third act a famous one-act Anastasia that MacMillan created in Berlin in 1967. A shy ...... (read more)
No twentieth-century male ballet dancer has sparked as much adulation and scholarly investigation as Vaslav Nijinsky. Graduating from the Imperial Ballet School in St Petersburg at eighteen, this sexually ambiguous, rather remote man, became the darling of Russia's principal ballerinas ...... (read more)
To open its Melbourne winter season, The Australian Ballet has invited the handsome and talented Houston Ballet to make its Australian début in Romeo and Juliet by Houston's Australian artistic director, Stanton Welch. After reaching leading soloist and resident choreographer status in ...... (read more)
How appropriate that Queensland Ballet is playing A Midsummer Night's Dream in the 400th anniversary year of William Shakespeare's death. This is not the Royal Ballet's production by Frederick Ashton for London's 1964 celebrations of the Bard's birth but a co-production with the Royal ...... (read more)
Over decades of productions in the Festival Theatre, I can recall a handful of experiences that resulted in immediate, unprompted, and collective standing ovations, beginning with the unforgettable journey that was Richard Wherrett's epic staging of Nicholas Nickleby (1983). Pina Bausch's dance-theatre piece Nelken (Carnations) joined this list dur ...
Performances by Batsheva Dance Company involve more than movement and choreography. Behind each production is a philosophy, markedly different from the vocabulary, tics, and motifs we expect from choreographers. Ohad Naharin has introduced a revolutionary aspect to the company to which he has belonged for forty-one years (he has been artistic director since 1990). T ...