Competitions and programs (72)
Gregory Day is a novelist, poet, and composer from the Eastern Otways region of southwest Victoria, Australia. His latest novel A Sand Archive was shortlisted for the 2019 Miles Franklin Award and his essay 'Summer on The Painkalac' was also shortlisted for the 2019 Nature Conservancy Nature Writing Prize. Day is a winner of the Australian Literature Society Gold Medal and was joint winner of the 2011 ABR Elizabeth Jolley Short Story Prize for 'The Neighbour's Beans'.
Josephine Rowe is the author of three story collections and a novel, A Loving, Faithful Animal (2016). She is a fellow of the Wallace Stegner Program at Stanford University, and her writing has appeared in McSweeney's Quarterly Concern, Meanjin, Literary Hub, The Monthly, Granta, and elsewhere. Rowe's short story ‘Glisk’ won the 2016 ABR Elizabeth Jolley Short Story Prize. Her new story collection, Here Until August, is published by Black Inc.
Ellen van Neerven (born in Meanjin (Brisbane) in 1990) is an award-winning writer and editor of Mununjali Yugambeh (South East Queensland) and Dutch heritage. Ellen’s first book, Heat and Light, was the recipient of the David Unaipon Award, the Dobbie Literary Award and the NSW Premier’s Literary Awards Indigenous Writers Prize. Ellen’s second book, a collection of poetry, Comfort Food, was shortlisted for the NSW Premier’s Literary Awards Kenneth Slessor Prize and highly commended for the 2016 Wesley Michel Wright Prize. Throat is Ellen’s second poetry collection, a May 2020 release.
A. Frances Johnson is the winner of the 2020 Peter Porter Poetry Prize, worth a total of $9,000. This was announced at a ceremony at the Boyd Hub Community Center in Melbourne on January 16.
A. Frances Johnson's winning poem is titled 'My Father's Thesaurus'. She receives $7,000, while the four other shortlisted poets each receive $500. The full shortlist, including the winning poem, is available to read online and is published in the January–February issue of ABR.
This year’s judges – John Hawke, Bronwyn Lea, and Philip Mead – shortlisted five poems from almost 1,050 entries, from 30 countries. The shortlisted poets were Lachlan Brown (NSW), Claire G. Coleman (Vic.), Ross Gillett (Vic.), A. Frances Johnson (Vic. ), and Julie Manning (QLD).
Congratulations to A. Frances Johnson and to all the poets shortlisted and longlisted in the 2020 Peter Porter Poetry Prize.
In their report the judges noted:
‘This year’s record field demonstrates both the depth and stylistic range evident in this vital area of our literature. The poems were notable for the currency of their engagement with social issues. “My Father’s Thesaurus” by A. Frances Johnson is an unsentimental yet emotive portrayal of the situation of the elderly and their carers.’
On learning of her win, Johnson commented:
‘It was a complete honour to stand shoulder to shoulder with the fine poets on the Peter Porter Prize shortlist. These encouragements for writers in the current cultural and political climate cannot be underestimated. They spur us on to do more, to speak up. I hope my poem honours my late father, Tom, and offers a small bridge to others who have suffered or who are experiencing the terrible affliction of Alzheimer’s. I acknowledge the great work of other Australian poets on dementia topics (Sarah Holland-Batt, Jessica Wilkinson, and others). Terrible mega-fires currently afflict us on the outside, but this illness is a bushfire inside the brain, impossible to contain, still under-resourced. Despite the confusions and word salads, in Dad’s last months we were lucky that there were still ways of finding him, being with him, holding him. I know others have gleaned similar precious communication with loved ones in the last stages of this terrible disease, though sadly, it may not work out that way. Poetry and of course music are often used in aged-care settings to enable sufferers to de-scramble, to maintain a hold on language. Poetry has certainly helped me hold Dad close.’
About A. Frances Johnson
A. Frances Johnson is a writer and artist. She has published three collections of poetry. A fourth collection, Save As, is forthcoming (Puncher & Wattmann, 2020). Her recent collection, Rendition for Harp and Kalashnikov (Puncher & Wattmann, 2017) was shortlisted in the 2018 Melbourne Prize for Literature Best New Writing Award and, in 2017, she took up an Australia Council B.R. Whiting Fellowship to Rome. A novel, Eugene’s Falls (Arcadia 2007), retraces the Victorian journeys of colonial painter Eugene von Guérard. A new novel in progress, The Lost Garden, explores first-contact histories in remote Southern Tasmania, evoking early horticultural attempts to colonise by seed. A monograph, Australian Fiction as Archival Salvage, was published by Brill in 2015.
The Peter Porter Poetry Prize is one of Australia’s most prestigious poetry awards.
We gratefully acknowledge the long-standing support of Morag Fraser AM and Andrew Taylor AM.
Prize money: $12,500
Closed: 1 May 2020, 11:59 pm
Entries are currently open for the 2020 ABR Elizabeth Jolley Short Story Prize, worth a total of AU$12,500. The Jolley Prize is open to all short story writers writing in English. We seek original short stories of between 2,000 and 5,000 words.
First place will receive $6,000, second place will receive $4,000, and third place will receive $2,500.
Please read our Frequently Asked Questions before contacting us with queries about the Jolley Prize.
Before entering the Jolley Prize, all entrants must read the Terms and Conditions.
Entries may be offered elsewhere during the judging of the Jolley Prize. If an entrant is longlisted and has their story offered elsewhere, the entrant will have 24 hours to decide if they wish to withdraw their story on offer elsewhere or from the Jolley Prize. Exclusivity is essential for longlisted stories to remain in contention for shortlisting. The three shortlisted stories will be published in the Fiction issue of the magazine in August or September 2020, with the overall winner to be announced later in the month of publication.
Jolley Prize entry (current ABR subscriber) - $15
Jolley Prize entry (full-time student) - $15
Jolley Prize entry (standard/non subscriber) - $25*
* Non-subscribers will receive a digital subscription to ABR free of charge for four months from entry.
Special online entry + one-year subscription bundles
Subsequent entries may be submitted at the subscriber rate
Jolley Prize entry + digital subscription - $65
Jolley Prize entry + Print subscription (Australia) - $100
Jolley Prize entry + Print subscription (NZ and Asia) - $150
Jolley Prize entry + Print subscription (Rest of World) - $170
To keep up to date with ABR prizes and news, sign up to our newsletters.
ABR gratefully acknowledges Mr Ian Dickson's generous support for the Jolley Prize.
J.M. Coetzee was born in South Africa and educated in South Africa and the United States. He has published nineteen works of fiction, as well as criticism and translations. Among awards he has won are the Booker Prize (twice) and, in 2003, the Nobel Prize for Literature. He is currently Professorial Research Fellow at the University of Adelaide.
Lisa Gorton, who lives in Melbourne, is a poet, novelist, and critic, and a former Poetry Editor of ABR. She studied at the Universities of Melbourne and Oxford. A Rhodes Scholar, she completed a Masters in Renaissance Literature and a Doctorate on John Donne at Oxford University. Her review essays and poetry have appeared in ABR since 2002. Her first poetry collection, Press Release (2007), won the Victorian Premier’s Prize for Poetry. She has also been awarded the Vincent Buckley Poetry Prize and the Philip Hodgins Memorial Medal. Lisa’s novel The Life of Houses (2015) shared the 2016 Prime Minister’s Award for fiction and received the NSW Premier’s People’s Choice Award. Her third poetry collection Empirical appeared with Giramondo in 2019.
Peter Rose has been Editor of Australian Book Review since 2001. Previously he was a publisher at Oxford University Press. His reviews and essays have appeared mostly in ABR. He has published six books of poetry, two novels, and a family memoir, Rose Boys (Text Publishing), which won the 2003 National Biography Award. He edited the 2007 and 2008 editions of The Best Australian Poems (Black Inc.). His most recent publication is a volume of poems, The Subject of Feeling (UWA Publishing, 2015).
2019 Jolley Prize Winner: Sonja Dechian
ABR is delighted to announce that Sonja Dechian is the overall winner of the 2019 ABR Elizabeth Jolley Short Story Prize for her story ‘The Point-Blank Murder’. Sonja Dechian receives $5,000. Raaza Jamshed was placed second for her story 'Miracle Windows', and Morgan Nunan was placed third for his story 'Rubble Boy'. We would like to congratulate all three shortlisted entrants and thank all those who entered their stories in the Jolley Prize.
The ABR Elizabeth Jolley Short Story Prize is one of the country’s most prestigious awards for short fiction. This year the Jolley Prize attracted almost 1,400 entries from 35 different countries. The judges were Maxine Beneba Clarke, John Kinsella, and Beejay Silcox. The three shortlisted stories appear in our September Fiction 2018 issue.
About Sonja Dechian
Sonja Dechian is the author of the short story collection An Astronaut’s Life, which won the 2016 UTS Glenda Adams Award for New Writing and was shortlisted for the Steele Rudd Award the same year. Her writing has previously appeared in The Best Australian Stories, New Australian Stories 2, and elsewhere. She has co-edited two books of children’s writing about the Australian refugee experience, No Place Like Home and Dark Dreams.
What is Australian Book Review?
Australian Book Review (ABR) is one of Australia’s leading cultural magazines. Created in 1961, it lapsed in 1974 and was revived in 1978. ABR is a fully independent non-profit organisation. Its primary aims are several: to foster high critical standards; to provide an outlet for fine new writing; and to contribute to the preservation of literary values and a full appreciation of Australia’s literary heritage.
ABR publishes reviews, essays, commentaries, interviews, and new creative writing. It is available in print and online. ABR’s diverse programs include three prestigious international prizes, writers’ fellowships, themed issues, national events, cultural tours, and paid editorial internships.
What is the ABR Fellowship program?
ABR Fellowships are intended to reward outstanding Australian writers, to enhance ABR through the publication of long-form journalism, and to advance the magazine’s commitment to ideas and critical debate. The Fellows work closely with ABR staff, especially the Editor, Peter Rose.
Who can apply for the 2019 ABR Indigenous Fellowship?
The Fellowship is open to emerging and established Aboriginal and Torres Strait Islander writers: journalists, commentators, scholars, activists, and creative writers. ABR staff and Board members are ineligible.
Are the Fellowships themed?
Some are, some aren’t. This Fellowship – restricted to Aboriginal or Torres Strait Islander writers – is intended to advance ABR’s Indigenous content.
Is this a purely academic Fellowship?
Not at all. We welcome applications from a broad range of Aboriginal and Torres Strait Islander writers: journalists, commentators, scholars, activists, creative writers, etc. ABR is not an academic journal. We seek engaging, creative non-fiction journalism of the kind you will find in The New Yorker or the London Review of Books. Links to essays by past Fellows can be found here.
Are you looking for finished articles from applicants?
No. In your application, we seek only cogent proposals for non-fiction articles which will be developed over the course of the Fellowship, in collaboration with the Editor. Unlike the Calibre Essay Prize, the submission for the Fellowship program is not for finished works.
How much are the Fellowships worth?
The Fellow will receive a total of $10,000, payable thus: $4,000 on announcement of the Fellowship; and two further payments of $3,000 on publication of the final two contributions to the magazine.
I don’t know anything about ABR. May I still apply?
Applicants must demonstrate familiarity with the magazine. Applicants who do not refer to the magazine in their applications, or who don’t demonstrate awareness of ABR’s needs and directions, are unlikely to be successful.
Is it possible to write the article with a friend or colleague?
No. Single-author works only.
How do I apply?
Please note applications have now closed for the ABR Indigenous Fellowship
Applicants must read the guidelines of the Fellowship for which they are interested in applying and send us a succinct but comprehensive proposal (three pages maximum), plus a CV of no more than three pages and two short writing samples. The proposal should cover the following: the likely nature/scope/genre of at least two of the three proposed articles; why they want to work with the magazine; and why they believe their contributions will enhance ABR and its readership. Applicants should also nominate two professional/literary referees.
There is no application fee.
Note that we are looking for proposals – not finished articles or chapters.
How are Fellows selected?
The ABR Indigenous Fellowship will be awarded by Australian Book Review on the advice of a panel including Noongar author Kim Scott; Director of the Monash Indigenous Studies Centre, Professor Lynette Russell; and ABR Editor, Peter Rose. Shortlisted applicants will attend an interview in person or via Skype. No correspondence will be entered into once the decision has been announced. ABR reserves the right not to award the Fellowship.
Are the ABR Fellows expected to complete their projects at the ABR office in Melbourne?
No. Most of the editorial contact is via email or the telephone. Some meetings may be desirable during the course of the Fellowship. These are important collaborative partnerships between the magazine and the Fellow.
What kind of editorial support do Fellows enjoy?
ABR Fellows enjoy a special status at the magazine – as our senior contributors. The Fellow will work with the Editor closely throughout the Fellowship. We edit promptly, closely, and respectfully. ABR is committed to presenting the Fellow’s work with the utmost finesse. The Editor is always available to discuss the project, to respond to ideas, and to read drafts. Peter Rose edits the articles in consultation with the Fellows, and each article is then proofread by at least three editors.
Where are the Fellowship articles published?
In the print and digital editions of ABR.
Would ABR Fellows be required to take part in the promotion of the published article?
Yes, but this may be able to be done remotely.
If articles are syndicated in newspapers (with the Fellow’s permission), the Fellow and ABR will each receive 50%.
Australian Book Review is delighted to announce the ABR Indigenous Fellowship, worth a total of $10,000. This Fellowship – generously funded by the ABR Patrons – aims to help develop and promote vibrant new non-fiction journalism by an emerging or established Aboriginal or Torres Strait Islander writer. The selected Fellow will be provided $10,000 to assist the Fellow develop three non-fiction articles to be published in print and online with ABR over the course of twelve months.
Please note applications have now closed for the ABR Indigenous Fellowship
The ABR Indigenous Fellowship will be judged by a panel comprising two-times winner of the Miles Franklin Literary Award, Noongar author Kim Scott; Director of the Monash Indigenous Studies Centre and Guest Editor of the August Indigenous issue, Professor Lynette Russell; and ABR Editor, Peter Rose.
‘This Indigenous-themed issue of ABR marks the start of an annual tradition. It represents a deepening of the relationship between Monash University, in particular, the Monash Indigenous Studies Centre and ABR. The creation of the ABR Indigenous Fellowship is a welcome extension of this focus.’
Professor Lynette Russell
For more information about the ABR Indigenous Fellowship, please read our Application Guidelines below and our Frequently Asked Questions.
What is the Australian Book Review Indigenous Fellowship?
The ABR Indigenous Fellowship is intended to help an emerging or established Aboriginal or Torres Strait Islander writer develop three high-quality non-fiction articles for ABR over the course of twelve months.
Who can apply?
The Fellowship is open only to emerging and established Aboriginal or Torres Strait Islander writers: journalists, commentators, scholars, activists, and creative writers. ABR staff and Board members are ineligible. Please note applications have now closed for the ABR Indigenous Fellowship
What is ABR offering?
The Fellow will receive a total of $10,000, payable thus – $4,000 on announcement of the Fellowship and two further payments of $3,000 on publication of the final two contributions to the magazine. The Fellow will work closely with the Editor of ABR throughout the year.
ABR is seeking a suite of brilliant non-fiction writing from an Aboriginal or Torres Strait Islander writer. The Fellow will produce three substantial non-fiction articles, in English, for publication in ABR. These can be review essays, commentaries, or interviews – or a combination of all three genres. Each contribution will about 3,000 words or longer. The features (agreed on with the ABR Editor) will be staggered over twelve months. The articles will appear in the print and online editions of ABR. The Fellow will be available for media coverage and at least one literary/promotional event. The Fellow is not expected to complete the Fellowship at the ABR office in Melbourne.
Is the Fellowship only open to Aboriginal or Torres Strait Islander writers?
Yes. Only Aboriginal or Torres Strait Islander writers can apply.
Familiarity with Australian Book Review
Applicants must demonstrate considerable familiarity with ABR – its style, its content, its direction. Visit our website for information about subscribing and/or about the magazine’s content and history.
The Fellow will be chosen by a panel comprising two-times winner of the Miles Franklin Literary Award, Noongar author Kim Scott; Director of the Monash Indigenous Studies Centre, Professor Lynette Russell; and ABR Editor, Peter Rose.
The panel will interview the shortlisted candidates in person or via Skype. We will name the Fellow in November. No correspondence will be entered into once the decision has been announced. ABR reserves the right not to award the Fellowship.
How to apply?
Applications have now closed for the ABR Indigenous Fellowship
ABR gratefully acknowledges the generous support of the ABR Patrons.
The ABR Fellowships are intended to reward fine writers and to advance the magazine's commitment to critical debate and long-form journalism.
Please read our list of Frequently Asked Questions before contacting us with a question about the ABR Fellowship program.
Tickets: 3 x doubles passes available, for dates 6–10 March 2020 only.
Welcome to the glittering jewel in Australia’s cultural crown – that sinkhole of ambition and superficiality we call Sydney. Colin is Australia’s most successful screenwriter, but since moving from Melbourne with his wife Kate he’s been faced with a choice between art and commerce that will define his career forever. Meanwhile, Kate’s star is on the ascent and her latest publication has been shortlisted for the Booker Prize. Fame and fortune are there for the taking, but big surprises are in store for them both. Part love-letter, part hate-mail to the harbour city, this is the finest comedy by Australian theatre’s most beloved craftsman and commentator, David Williamson. A panoramic view of the city that tends to prize beauty over brains, Emerald City is a fast-moving, wisecracking commentary on contemporary values that skewers the materialism of the 1980s with razor-sharp precision.
Thanks to Melbourne Theatre Company.
Tickets: 1 x double pass available, for the Wednesday 26 Feb 7.30 pm performance only.
It’s 1952 in post-Blitz London and Hester Collyer’s life is in turmoil. She has gambled everything – her home, her status, her marriage to a High Court judge – to pursue a life with the dashing RAF fighter pilot Freddie, and she has lost. Caught between the devil and the deep blue sea, the deep blue sea suddenly looks very inviting. But Hester is determined to forge her own path in a repressive age. Terence Rattigan was one of the great stage and screen writers of the twentieth century and The Deep Blue Sea one of his master works. In Hester, he has created one of the most striking heroines of his era: strong-willed, unconventional and complex. After an almost decade-long absence from the STC stage, Marta Dusseldorp returns as Hester. She’s joined by Fayssal Bazzi (Mary Stuart) as the feckless Freddie, iconic performer Paul Capsis, Matt Day, Vanessa Downing (How to Rule the World), Charlie Garber (The Real Thing), Contessa Treffone (The Harp in the South) and Brandon McClelland (Saint Joan).
Thanks to Sydney Theatre Company.
John Hawke is a Senior Lecturer, specialising in poetry, at Monash University. His books include Australian Literature and the Symbolist Movement, Poetry and the Trace (co-edited with Ann Vickery), and the volume of poetry Aurelia, which received the 2015 Anne Elder award. He is ABR's Poetry Editor.
Bronwyn Lea was born in Tasmania and grew up in Queensland and Papua New Guinea. She is the author of Flight Animals (UQP, 2001), winner of the Wesley Michel Wright Prize and the FAW Anne Elder Award, and The Other Way Out (Giramondo, 2008), which won the WA Premier’s Book Award for Poetry and the SA Premier’s John Bray Poetry Prize.
Philip Mead has worked at the University of Melbourne, as Lockie Fellow in Creative Writing and Australian Literature, at the University of Tasmania, and at the University of Western Australia as the inaugural Chair of Australian Literature and Director of the Westerly Centre. He has co-edited The Penguin Book of Modern Australian Poetry (with John Tranter) (2004) and is the author of Networked Language: Culture and History in Australian Poetry (2010) and of the Vagabond Press poetry collection, Zanzibar Light (2019).
Australian Book Review is delighted to announce the shortlist for the 2020 Peter Porter Poetry Prize. First presented in 2005, the Porter Prize is one of the world’s leading prizes for a new poem. It is worth a total of $9,000. This year, our judges – John Hawke, Bronwyn Lea, and Philip Mead – had nearly 1,050 poems to assess, the largest field in the history of the Porter Prize.
The shortlisted poems appear in our January–February 2020 issue.
'Precision Signs' by Lachlan Brown (NSW)
Lachlan Brown is a senior lecturer in English at Charles Sturt University, Wagga Wagga. He is the author of Limited Cities (Giramondo, 2012) and Lunar Inheritance (Giramondo, 2017). Lachlan’s poetry has been published in various journals including Antipodes, Cordite, Rabbit, and St Mark’s Review. Lachlan has been shortlisted and commended for various poetry prizes including the Mary Gilmore Prize, the Newcastle Poetry Prize, the Gwen Harwood Poetry Prize, the Judith Wright Poetry Prize, and the Macquarie Fields Poetry Prize. Lachlan is currently the vice-president of Booranga Writers Centre in Wagga Wagga.
'That Wadjela Tongue' by Claire G. Coleman (Vic.)
Claire G. Coleman is a Wirlomin Noongar woman whose ancestral country is on the south coast of Western Australia. Her novel Terra Nullius, published by Hachette in Australia and Small Beer Press in the United States, won a black&write! Fellowship and a Norma K. Hemming Award and was shortlisted for the Stella Prize and the Aurealis Science Fiction Award. She writes poetry, short-fiction, and essays, and has been published in The Saturday Paper, The Guardian, Meanjin, Australian Poetry, Art Collector, The ABC, Griffith Review, Overland, Timothy McSweeny’s Quarterly Concern, and many others. The Old Lie (Hachette 2019) is her second novel.
'South Coast Sonnets' by Ross Gillett (Vic.)
Ross Gillett is a Melbourne-born poet who now lives in Daylesford in the Central Highlands of Victoria. His poems have appeared in The Age, The Australian, and The Canberra Times, in journals in Australia and the United States, and in three editions of Black Inc.’s former series The Best Australian Poems. His book The Sea Factory was one of the Five Islands Press New Poets 2006 series. In 2010 he published a chapbook of old and new poems – Wundawax and other poems – with Mark Time Books. His new book The Mirror Hurlers has just been published by Puncher & Wattmann. He has been twice shortlisted for the Blake Poetry Prize, and his poem ‘The Mirror Hurlers’ was shortlisted for the 2019 Peter Porter Poetry Prize.
'My Father's Thesaurus' by A. Frances Johnson (Vic.)
A. Frances Johnson is a writer and artist. She has published three collections of poetry. A fourth collection, Save As, is forthcoming (Puncher & Wattmann, 2020). Her recent collection, Rendition for Harp and Kalashnikov (Puncher & Wattmann, 2017) was shortlisted in the 2018 Melbourne Prize for Literature Best New Writing Award and, in 2017, she took up an Australia Council B.R. Whiting Fellowship to Rome. A novel, Eugene's Falls (Arcadia 2007), retraces the Victorian journeys of colonial painter Eugene von Guérard. A new novel in progress, The Lost Garden, explores first-contact histories in remote Southern Tasmania, evoking early horticultural attempts to colonise by seed. A monograph, Australian Fiction as Archival Salvage, was published by Brill in 2015.
'Constellation of Bees' by Julie Manning (QLD)
Julie Manning is a late-career poet. Her work has previously been published in Australian Book Review, Cordite, and the Grieve Anthology (Hunter Writers Centre), and it is forthcoming in Overland. She was longlisted for the University of Canberra Vice Chancellors International Poetry Prize in 2019 and selected at the Queensland Poetry Festival as an Emerging Poet for 2019. She lives on Moreton Bay in Queensland.
Lachlan Brown (NSW), 'Precision Signs' – Shortlisted
Claire G. Coleman (Vic.), 'That Wadjela Tongue' – Shortlisted
Diane Fahey (Vic.), 'The Yellow Room' – Longlisted
S.J. Finn (Vic.), 'A Morning Shot' – Longlisted
Ross Gillett (Vic.), 'South Coast Sonnets' – Shortlisted
A. Frances Johnson (Vic.), 'My Father's Thesaurus' – Shortlisted
Anthony Lawrence (QLD), 'Zoologistics' – Longlisted
Kathryn Lyster (NSW), 'Diana' – Longlisted
Julie Manning (QLD), 'Constellation of Bees' – Shortlisted
Greg McLaren (NSW), 'Autumn mediations' – Longlisted
Claire Potter (United Kingdom), 'Of Birds' Feet' – Longlisted
Gig Ryan (Vic.), 'Fortune's Favours' – Longlisted
Corey Wakeling (Japan), 'Drafts in Red' – Longlisted
We gratefully acknowledge the long-standing support of Morag Fraser AM and Andrew Taylor AM.