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Chris Flynn

The plethora of crime stories is such that, in order to succeed, they must either follow a well-trodden narrative path and do so extremely well, or run with a high concept and hope for the best. Having the word ‘girl’ in the title doesn’t hurt. Readers are familiar with genre tropes ...

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In 2004, New York-based publisher Akashic Books released Brooklyn Noir, a collection of short fiction written under a specific brief. Stories had to be set in that neighbourhood and feature noir themes: simmering familial revenge, cheating and double-crossing, sexual betrayal, domestic discord, murderous trysts, down-at-heel detectives ...

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Property by Lionel Shriver

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May 2018, no. 401

The sadly departed Terry Pratchett once said, ‘Stories of imagination tend to upset those without one.’ While it is difficult to imagine anyone claiming that the great fantasist had no right to tell the stories of witches, orang-utans, and sentient luggage, authors of literary fiction have lately been held to a different standard ...

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Given the Australian propensity for travel, it is odd that the global wanderings of our citizens are not much explored in literary fiction, which is still in the anguished throes of self-examination, arguably stuck in a loop. How refreshing, then, to read Anthony Macris’s fourth book, Inexperience and Other Stories, a short volume which drops the reader i ...

There is an odd moment halfway through The Dry when Aaron Falk, the Federal Police officer unofficially investigating the apparent murder–suicide of the Hadler family ...

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Abacus by Louis Armand

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December 2015, no. 377

Abacus is Prague-based Australian author and poet Louis Armand's seventh novel, his fifth in as many years. Such a prolific work rate is admirable, but in telling a story which covers the entirety of the twentieth century, as seen through the eyes of ten disparate ...

Everything Is Teeth by Evie Wyld and Joe Sumner

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September 2015, no. 374

The age of apex narcissism has opened the publishing floodgates to myopic and often unnecessary confessionals, personal tales of shame and struggle that, in the past, would more likely have been recounted to a priest or therapist. The memoir genre is at its peak, and the descent may be swift and brutal.

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Quicksand by Steve Toltz

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May 2015, no. 371
Penguin Australia’s recent fiction output has been remarkable... ... (read more)

AmyAmy Baillieu completed a Masters of Publishing and Communications at the University of Melbourne in 2011 and holds a Bachelor of Arts from the same university with majors in English Literature and French. She also attended the Sorbonne in Paris, where she completed a Cours ...

With his first novel, Tiger in Eden (2012), Chris Flynn displayed an acute ear for the vernacular that was occasionally profane and equally poetic. This quality continues in his new novel, The Glass Kingdom, particularly through the central characters, Ben and Mikey. Both men are misfits of the first order. Ben, the older of the pair, runs a sideshow alley game, Target Ball, for a motley travelling carnival making its way through the backblocks of rural New South Wales, fleecing the locals and getting into the occasional bar-room brawl, all while running a relatively lucrative methamphetamine trade.

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