Theatre

German playwright Frank Wedekind (1864–1918) was one of those rare artists whose work lies at the nexus of several major movements – in his case expressionism, modernism, and epic theatre – while never quite conforming to strict definitions of what those movements have come to mean ...

Ah, Will Eno. The poet of the people, chronicler of twenty-first century angst, humorist, satirist, famously labelled ‘a Samuel Beckett for the Jon Stewart generation’, is back in dazzling form. The Realistic Joneses showcases Eno to the power of ten as he holds up a mirror to ...

There is something more than a little ersatz about Three Little Words, the latest play by Joanna Murray-Smith. It has all the usual parts, but it doesn’t feel like a real play ...

When ticketholders are forewarned not to wear white clothing to a small-scale production, feelings of trepidation are understandable. The aptly named ‘In Your Face Theatre’ troupe’s Trainspotting condenses Irvine Welsh’s 1993 critically acclaimed collection of short stories about a ...

Three women are staring into space. They are dazed, in shock, not yet believing that what has just happened has actually occurred. Beneath them is the body of a man, husband and father, whom they have just murdered. So begins the wild, darkly lyrical nightmare ride that is Australian ...

On a balmy night in Melbourne this week, large numbers of well-dressed women descended on the Regent Theatre for the opening night performance of Ladies in Black. The blockbuster production from Australian screenwriter writer Carolyn Burns and director Simon Phillips, with original ...

Along with the spectacular offerings at this year’s Adelaide Festival, there are a number of small-scale, one-person shows which, in their concentration on the essence of theatre – what Eric Bentley describes as ‘A impersonates B while C looks on’ – can, perhaps, engage the audience’s imagination ...

The theatre has given us mutilation, Titus Andronicus comes to mind, and cannibalism in Thyestes and Sweeney Todd, but as far as I am aware there is no dramatic genre based on organ donorship. After Tommy Murphy’s Mark Colvin’s Kidney, this may well change ...

Lucy Kirkwood, the present darling of the British critics, is a playwright who is not afraid of tackling momentous subjects. Her most recent play, The Children (2016), is a post-nuclear apocalyptic chamber piece which explores the responsibility of the baby boomer generation to those who ...

The stage is open – a glossy art deco drawing room with plush velvet chairs and a chaise longue, cocktail glasses, and champagne, ready for a party. An engaging young man, dressed formally in a three-piece suit steps onstage and begins the famous speech: ‘Now is the winter of our discontent ...