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Ruth Starke

On the back of John Marsden’s new novel there is this warning: ‘This book is not a fantasy. It contains no superheroes, wizards, dragons, time-travel, aliens or magic.’ If it had also said, ‘and it is not part of a series’, I would have cheered even louder. At least I hope The Year My Life Broke (Pan Macmillan, $12.99 pb, 171 pp, 9781742613352) is a stand-alone and won’t rapidly be followed by The Year My Something-Else Broke. In junior fiction, the possibilities for sequels are endless.

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You think you know what Jackie French’s Refuge (Angus & Robertson, $15.99 pb, 261 pp, 9780732296179) is going to be about, with its front cover photograph of a young boy, his dark eyes full of apprehension and sorrow. You still think you know when the refugee boat carrying the boy, Faris, and his grandmother, Jedda, to Australia is swamped by a huge wave and sinks. So you are almost as puzzled as Faris when he awakes to find himself in a sunlit bedroom with palm trees and a blue sky outside, and his beloved Jedda making breakfast for him. She encourages him to play on the beach, where a strange assortment of children is playing ball, and a naked, dark-skinned youth is spearing fish in the shallows. Faris is invited to join the game, with one proviso: on the beach he must never speak of the past. Faris agrees; there is too much pain in his past to talk about it.

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Cat & Fiddle by Lesley Jørgensen

by
April 2013, no. 350

Oh please, not another novel that draws from Pride and Prejudice! That was my first thought when I read the media release that came with Cat & Fiddle. Last year I had been underwhelmed by both P.D. James’s Death Comes to Pemberley and Jennifer Paynter’s Mary Bennet, a novel about ‘the forgotten sister’, and I was now fervently wishing that all the sisters could be forgotten, at least by novelists. But I soon forgave Lesley Jørgensen. Her début novel, which won the 2011 CAL Scribe Fiction Prize for an unpublished manuscript, is a warm, funny, good-natured, big-hearted, cross-cultural family saga that many female readers will enjoy. (It is a truth universally acknowledged that men are not much interested in novels about matchmaking, wooing, and marriage, particularly those with pink and gold covers.)

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It is a hot gusty day in the summer of 1958, the sort of day that melts the tar on the road and brings the red dust down from the north. In the inner-city Adelaide suburb of Norwood, Mario Feleppa, twenty-eight and not long arrived in Australia, is fed up. Not with the heat – he is used to heat back in Italy – but with horses. Specifically, the horses that ...

Cecily Lockwood’s heart ‘bounced like a trout’. An arresting simile on the first page of a novel is always a good sign, but will this piscatorial comparison mean anything to young readers? No matter, back to those footsteps climbing the dark stairs to twelve-year-old Cecily’s room, where she is quailing under the bed. She pictures her older brother Jeremy in the next room, his heart ‘flipping and diving’. Ah, so that’s what trouts do. Clever Sonya Hartnett.

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Graeme Harper is a big name in the academic field of creative writing. He was the first in Australia to be awarded a doctorate in creative writing (UTS, 1993) and followed that with a PhD from the University of East Anglia; he has held professorships in creative writing in the United Kingdom, Australia, and the United States. He edits journals and writes textbooks on creative writing; his curriculum vitae lists more than seventy-five keynote addresses given on the subject, and thirty-one grants and fellowships. As Brooke Biaz, he also writes fiction. How does he find the time? Any academic will confirm that nothing so effectively limits one’s own creative writing output as does teaching the subject.

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It begins with a car accident. Five friends are returning to college after a night of drinking. The driver, Cameron, hits a deer and overturns the vehicle. When the police and ambulance arrive, Dylan, who has drunk the least, claims to have been at the wheel. The others – Elliot, who narrates the story, Tallis, Brian, and especially Cameron – let him assume responsibility. It is, more or less, what Dylan does, what his role in the group is: a mediator, a defuser of tension, a solver of problems. Ten years later, shortly after he is killed in a traffic accident, the details of that night, and other similar instances of Dylan’s particular kind of timely assistance, will resurface as the four gather for their annual reunion in Las Vegas.

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The ABC Shop is currently selling online The Best Australian Stories 2010 for $14.99. ‘Ideal for summer reading’ its advertising says, and it surely doesn’t matter which summer. At that price you might get yourself a copy and sling it in your beach bag, unless you suspect it might dampen your holiday mood. More than a few reviewers found the overall tone of the collection bleak and negative: ‘one of the more depressing reads of the year’, wrote Chris Flynn in these pages (February 2011). If that doesn’t sound like ideal beach reading, shell out the full RRP and buy The Best Australian Stories 2011.

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Linda and Paul McCartney, so the story goes, became vegetarians the moment they looked up from a delicious meal of roast lamb and saw a flock of lambs gambolling in the field beyond their cottage. Young readers of Pamela Freeman’s Lollylegs (Walker Books, $11.95 pb, 64 pp, 9781921529078) might well have a similar reaction, since the connection in Lollylegs between the meal o ...

Leigh Hobbs has won thousands of hearts with his most famous creations, Horrible Harriet and Old Tom. Time will tell if Mr Badger, the special events manager in a grand London hotel, will have the same enduring success. As he is thoroughly decent, generous, responsible, and hard-working, it is up to minor characters to provide the necessary nastiness. In Mr Badg ...

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