Maya Linden
At its greatest, literature offers us the opportunity to see the world through the eyes of someone else; at its most inviting, through a character whose experience could be our own; at its most powerful, through a view of existence that differs vastly, even frighteningly, from ours. The latter is explored in these two new works of Young Adult fiction that show us in ...
In Negotiating with the Dead (2002), Margaret Atwood proposes that all writing ‘is motivated, deep down, by a fear of, and fascination with, mortality – by a desire to make the risky trip to the Underworld, and to bring something or someone back from the dead’. Certainly writers often use their craft both to preserve the memory of times, places, and peo ...
Authentically owning a character’s experience is one of the great challenges faced by fiction writers, especially when it is something as intensely felt as living with terminal illness. It is testimony to A.J. Betts’s talent that she does so in Zac & Mia without lapsing into melodrama, rather, maintaining a voice that is youthful, contemporary, ...
From the first sentence of Creepy & Maud, we know we are entering a volatile world. ‘My dad has trained our dog, Dobie Squires, to bite my mum,’ Creepy tells us. What follows is a vivid peek into suburban isolation and unease. Almost every character has an addiction or psychological disturbance, from alcoholism and untameable aggression to dyslexia an ...
Sea Hearts takes place in an intensely wrought setting, both unnerving and thrilling – in propinquity to our world, yet enchantingly different. We journey, with a series of intriguing characters, through brutal landscapes where the wind is ‘swiping like a cat’s paw at a mousehole’.
...Maya Linden reviews 'Darkwater' by Georgia Blain and 'This Is Shyness' by Leanne Hall
Darkness, both literal and symbolic, pervadesthese two recent books. Darkwater, the first Young Adult title by established writer Georgia Blain...
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