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Recent reviews
Charley (Charlie Plummer), the vulnerable teenage protagonist of Lean On Pete, is always on the move. We first see him jogging at dawn, past suburban streets and out towards to the local racecourse. The morning light is benevolent; the camera keeps a smooth distance: all is promise and potential in Charley’s life, or should be...
... (read more)What I’ve come to expect of a new Mike Leigh film is, above all, the unexpected. His first feature, Bleak Moments (1971), of which there were quite a few in that contemporary study of urban, lower-middle class life, made him a potent force in British film. Think of Naked (1993) and Secrets & Lies (1996) ...
... (read more)What a luxury it is to have seen the ballet company of La Scala, Milan, on its first visit to Australia. An ensemble of sixty-six dancers, it has become, under the artistic direction of Frédéric Olivieri, a prized instrument of Italian culture. Established in 1788, it engaged with a new wave of contemporary choreographers ...
... (read more)In this fortnight's Update: Giveaways to the Sydney Opera House and the Musuem of Contemporary Art gallery, Alison Lester wins the $60,000 Melbourne Prize for Literature, SSO’s Music of Count Basie and Duke Ellington, MCA's David Goldblatt exhibition, Daniel Barenboim returns to Australia to conduct the Staatskapelle Berlin, Three $100,000 Fellowships for Australian women artists, and The Clock comes to Australia ...
... (read more)Twelfth Night was probably composed in 1601, and certainly no later than 1602. Hamlet has a more doubtful provenance, possibly written before 1601 but also certainly no later than 1602. It is not inconceivable that Shakespeare worked on them simultaneously, or back to back ...
... (read more)One of the quandaries facing contemporary adaptations of classics is the risk of the story being lost in a translation, which can isolate the work from the original culture and text. Melissa Bubnic’s reimagining of Henrik Ibsen’s Hedda Gabler (which had itsd première in Denmark in 18769) runs no such risk ...
... (read more)After staggering out of a performance of The Dance of Death, August Strindberg’s turbulent portrayal of a marriage, one fervently hopes Tolstoy was right and that each unhappy family is unhappy in its own way. No other theatrical couple – not Edward Albee’s George and Martha, not Eugene O’Neill’s James and ...
... (read more)Let it be said – indeed proclaimed – that Opera Australia’s new production of Wagner’s paean to life and art and love is musically as close to a triumph as it could have been. If, by the end, you feel the outside world is a better place than the one you temporarily abandoned six hours earlier, then Die Meistersinger von Nürnberg has surely wrought ...
David Goldblatt: Photographs 1948–2018 (Museum of Contemporary Art)
Perhaps the best way to influence the thoughts of another is to do so without intent. South African photographer David Goldblatt once said he did not believe that ‘any photograph of mine would ever influence anybody in the slightest degree’. Yet his photographs of his country’s apartheid era reach down into the very heart of ...
... (read more)Now in its twenty-ninth year, the Wangaratta Festival of Jazz and Blues continues to deliver programming that is innovative, ambitious, and far-reaching. That a long-running Festival of this scale and significance takes place annually in a regional Victorian city says much about the tenacity and dedication of the Festival’s artistic team ...
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