Alex Miller

Jennifer Dabbs reviews 'The Tivington Nott' by Alex Miller

Jennifer Dabbs
Friday, 07 February 2020

Don’t be put off by the cover of Alex Miller’s most recent novel, where a stag-at-bay is invoked, rather reminiscent of an early century front parlour picture. Although this novel is firmly set in period and place, it simply cannot be understated as the definitive deer-hunting tale. There is also the powerful universal sub-theme of the outsider searching for meaning and identity in a society firmly entrenched in a rigid and outdated class system.

... (read more)

Veronica Brady reviews 'The Sitters' by Alex Miller

Alex Miller
Friday, 20 December 2019

Intimacy, someone has said, is ultimately unintelligible. Yet this novel suggests that intimacy, to the self and to others, may well be all we have. Miller’s three previous novels move in a similar direction. But in them there was a good deal still of the world of the likeness, of the external world as it seems to be. The Sitters, however, is about drawing a portrait of an ‘art of misrepresentation’, which interrupts our historical consciousness and unmasks the pretentions of rationality, taking us out into the dark beyond common sense, touching something else beyond words.

... (read more)

Sophie Masson reviews 'The Ancestor Game' by Alex Miller

Sophie Masson
Tuesday, 06 August 2019

Alex Miller’s third novel treads some complex and difficult territory, staking out the past, memory, and the creation of self. It is also an incursion into the shadowy borderlands that lie between history and fiction, and the way in which, for every individual, the past has a different face ...

... (read more)

Judith Armstrong reviews 'Lovesong' by Alex Miller

Judith Armstrong
Wednesday, 10 July 2019

Alex Miller has been named as a finalist in the 2009 Melbourne Prize for Literature, a rich award given triennially to a Victorian author for a body of work. It is hardly surprising that a writer who has twice won the Miles Franklin Award and frequently been the recipient of, or short-listed for, other prizes should be among ...

... (read more)

In Alex Miller’s latest novel, Journey to the Stone Country, we are not in Carlton for long before being taken far to the north, to Townsville, and then inland to country that few Australians know. The short first scene is handled with dispassionateness and economy. Melbourne history lecturer Annabelle Beck comes home to ...

... (read more)

Geordie Williamson reviews 'The Passage of Love' by Alex Miller

Geordie Williamson
Wednesday, 25 October 2017

Every author has some version of origin story: a narrative describing what it was that first compelled him or her to write, or at least what attracted them to the role. You can hear the tale harden into myth as an emerging author shapes themselves to those obligatory rubrics of self-disclosure required by writers’ festivals. Sometimes ...

... (read more)

Brenda Walker reviews 'The Simplest Words' by Alex Miller

Brenda Walker
Friday, 26 February 2016

In The Simplest Words, Alex Miller's recently published work on his own journey through country, writing, love, friendship, and fatherhood, there is a remarkable scene of levitation. Miller describes his young daughter soaring up his own bookshelves, pas ...

Open Page with Alex Miller

Wednesday, 20 May 2015

Why do you write?

Writing interests me as nothing else does. It keeps me more or less sane until lunchtime.

Are you a vivid dreamer?

Alex Miller

Wednesday, 20 May 2015

Alex Miller (1936–), is an Australian novelist. His first novel, Watching the Climbers on the Mountain was published in 1988. Since then, he has won many awards for his fiction. He has twice won the Miles Franklin award, for The Ancestor Game (1993) and for Journey to the Stone Country (2003), and also twice won the Christina Stead Prize for ...

There is no recommended apprenticeship for writers. Nor are there any prescribed personal or professional qualifications. Hermits, obsessives, insurance clerks, customs officers, women who embroider, men who write letters, public servants, soldiers, drunks, provincial doctors and gulag inmates have all become great writers. How? A mystery. But avidity – about the ...

Page 1 of 2