Andrew Fuhrmann

Andrew Fuhrmann reviews 'Young Eliot' by Robert Crawford

Andrew Fuhrmann
26 November 2015

This long-anticipated first volume of Robert Crawford's biography of T.S. Eliot, the first with permission from the Eliot estate to quote the poet's correspondence and unpublished work, highlights the Young Eliot as – not least in the achievement of his poetry – always an Old Eliot. And yet the picture of Eliot as a child and adolescent is detailed. In Young ... More

Arts Highlights of the Year

Robyn Archer et al.
26 October 2015

To highlight Australian Book Review's arts coverage and to celebrate some of the year's memorable concerts, operas, films, ballets, plays, and exhibitions, we invited a group of critics and arts professionals to nominate their favourites – and to nominate one production they are looking forward to in 2016. (We indicate which works were reviewed in Arts Up ... More

Dreamers

Andrew Fuhrmann
12 November 2014

It is a romance of simplicity and much tenderness. There are two people, and they are in love. Their love is tested, but hope triumphs in the end.

Anne (Helen Morse) is in her sixties, a grandmother, still doing piece work to support herself while babysitting for her daughter. She begins a relationship with Majid (Yomal Rajasinghe), a much younger man of a d ... More

Andrew Fuhrmann is Critic of the Month

Andrew Fuhrmann
25 August 2014

When did you first write for ABR?

May 2012, when I reviewed Thomas Bernhard’s The Histrionic at the Malthouse.

Which critics most impress you?

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Night on bald mountain

Andrew Fuhrmann
28 May 2014

Goats are ubiquitous in the work of Patrick White. Start looking for them and they appear everywhere, staring out, page after page, with wise, tranquil eyes, pellets scattering like secrets into dust.

White bred goats, of course, Saanen goats, or tried to, while living at Castle Hill, and it is clear that the goat-mind made a profound impression. ‘One day ... More

Patrick White: A theatre of his own

Andrew Fuhrmann
30 October 2013

Andrew Fuhrmann’s acclaimed Fellowship essay on the theatre of Patrick White closely examines these brilliant, problematic plays and draws on interview material with key directors closely associated with White.

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Andrew Fuhrmann reviews 'Griffith Review 41'

Andrew Fuhrmann
28 August 2013

And so Griffith Review is ten. It’s a credit to the publishing smarts of founding editor Julianne Schultz that the journal is now a fixture on the cultural landscape, alongside the country’s older literary journals. Griffith is the vantage not of the outraged so much as the frustrated, a reliable forum for passionate criticisms aimed at the i ... More

The Cherry Orchard

Andrew Fuhrmann
28 August 2013

Writing to his brother in 1889, Anton Chekhov advised: ‘Try to be original and as clever as possible in your play, but do not be afraid of appearing stupid. Freethinking is essential, but to be a freethinker one must not be afraid to write nonsense.’

I thought a lot about nonsense during the Melbourne Theatre Company’s ne ... More

Savages

Andrew Fuhrmann
26 August 2013

‘If men are masters of their fate,’ asks the American feminist Susan Faludi, ‘what do they do about the unspoken sense that they are being mastered, in the marketplace and at home, by forces that seem to be sweeping away the soil beneath their feet?’

Perhaps they go on a cruise. That, at least, is what Runt, Craze, Rabbit, and Geor ... More

Andrew Fuhrmann reviews 'Mateship with Birds'

Andrew Fuhrmann
27 May 2013

Alec Hugh Chisholm, born in 1890 at Maryborough, is a legendary figure among Australian birders. He was a pioneering member of the Royal Australasian Ornithologists Union, later known as Birds Australia, now BirdLife Australia, and worked tirelessly to facilitate and promote ornithological research. He was a prolific author of journal articles, field notes, prefaces, reflective essays, and popu ... More

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