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Booker Prize Winner

Marc Mierowsky reviews 'The Promise' by Damon Galgut

Marc Mierowsky
Monday, 20 September 2021

Rachel Swart is in the final decline of a terminal cancer when she extracts a promise from her husband, Manie: he agrees to give their maid Salome the deed to the Lombard Place, a small house on the family’s farm. It is an act of recognition. Salome has cared for her, has mopped up ‘blood and shit and pus and piss’, doing the jobs Rachel’s family found ‘too dirty or too intimate’. It is 1986 in South Africa, and already the idea of giving Salome the land on which she lives can’t help but invoke the paranoid spectre of widescale repatriation.

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Published in October 2021, no. 436

Beejay Silcox reviews 'The Testaments' by Margaret Atwood

Beejay Silcox
Monday, 07 October 2019

There was never any question that The Testaments, Margaret Atwood’s coda to The Handmaid’s Tale (1985), would be a gargantuan blockbuster, a publishing Godzilla. Giddily hyped and fiercely embargoed, bookshops across the world counted down the minutes until midnight on September 10 (GMT), when the envy-green volume ...

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Published in November 2019, no. 416

Beejay Silcox reviews 'Lincoln in the Bardo' by George Saunders

Beejay Silcox
Wednesday, 22 February 2017

From the outside, America seems defined by its brutal polarities – political, racial, moral, economic, geographic. The Disunited States of America. From the inside, the picture is more complex; American life is not lived at these extremes, but in the murky, transitional spaces between them. George Saunders’s much-anticipated novel Lincoln in the Bardo i ...

Published in March 2017, no. 389

The past two decades have seen Richard Flanagan stride confidently into the first rank of Australian writers. His novels are notable for their historical reach, the boldness of their conception, and their willingness to tackle big subjects. They have won him many admirers. But they have also tended to divide opinion, often quite sharply, and this would seem to ...

Published in October 2013, no. 355

Royals, it seems, have their tenacious uses, often fictive. Contemporaries such as Alan Bennett and Edward St Aubyn have deployed them. One hundred years ago, Ford Madox Ford wrote his singular trilogy (1906–08) about Katharine Howard, The Fifth Queen of Henry VIII. Now the esteemed novelist and memoirist Hilary Mantel returns to the Tudor world, again with revisionist intent.

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Published in June 2012, no. 342

They had been at school together, Julian Treslove and Samuel Finkler. ‘More rivals than friends, but rivalry too can last a lifetime.’

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James Ley reviews 'Vernon God Little' by D.B.C. Pierre

James Ley
Monday, 01 December 2003

‘The fucken oozing nakedness, the despair of being such a vulnerable egg-sac of a critter, like, a so-called human being, just sickens me sometimes, especially right now. The Human Condition Mom calls it. Watch out for that fucker.’

The speaker of these lines, fifteen-year-old Vernon Little, is a literary descendant of Huckleberry Finn.

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You can’t escape the black square with the ominous slit: it’s about as familiar and inevitable in Australia as the icon for male or female. Ned’s iron mask now directs you to the National Library’s website of Australian images. There it is, black on red ochre, an importunate camera, staring back as we look through it ...

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Published in November 2000, no. 226

Elizabeth Riddell reviews 'Oscar & Lucinda' by Peter Carey

Elizabeth Liddell
Tuesday, 01 March 1988

From short stories Peter Carey has proceeded to long novels. This is his third. It is dense with incident and meticulously delineated characters who drop in and out of the narrative, always with a purpose. In some ways it is as surreal as Bliss, in others as naturalistic as Illywacker ...

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Published in March 1988, no. 98