Non Fiction

For over a decade, Peter Singer has been one of those public intellectuals we are supposed by some not to have. In the past, however, the problem with him has been that his thinking has often been about matters not seen to concern the public at large, animal liberation, for example. But events have hurried us all forward. Even a few years ago it was possible for mottoes like ‘greed is good’ or pronouncements like Mrs Thatcher’s that ‘there is no such thing as society, there are only individuals’ to seem not only provocative but hard-headed. The good life, we were, many of us, persuaded, was synonymous with goods, our heroes were experts in money-making – having and spending, ethics seemed to be a matter of preserving the appearances, not getting caught.

The first thing to be noted about this collection of essays is that it is aimed at a quite specific market – HSC/VCE students. There is a list of ‘Study Questions’ at the end, and the language of the essays is consistently pitched at an upper secondary school level. Readers who want more complex responses to My Place would be better served by consulting the eclectic bibliography to the text as a starting point.

Sandra Holmes’s Yirawala: Painter of the Dreaming is not a picture book or a ‘pretty story’. It does not tell balanda (white people) what they want to hear, nor does it euphemise the truth. The book is an inspiring, if harrowing account of Yirawala’s life and death, his religion manifest as art, and his struggle with balanda officialdom to regain title to his Dreaming country, Marugulidban.

Suzanne Falkiner’s Wilderness is a garden of delights. This is one of the most imaginative, innovative, and useful books on Australian literary culture to emerge for some time. The book represents the first volume of a two-part series entitled The Writers’ Landscape, and Wilderness traces the influence of Australian landscape on Australian writers.

Stephen Muecke’s Textual Spaces offers both new material and versions of some of the essays he has published on Aboriginal and cultural studies published through the 1980s. Many of these have already been very influential, but the welcome appearance of the book invites consideration of the continuities in Muecke’s arguments, the programme they suggest.

Janine Haines’s book, Suffrage to Sufferance is a good read. For women who are in public life and who insist on equality, it is a realistic and often humorous read. For those women who aspire to public life or simply equal rights, it is an entertaining – lost journalistic – account of where women’s aspirations might lead them. For men who understand or want to understand women’s drive for equality, there is an idea of the barriers, seen and unseen, that women face. And there is some sense of women’s struggle for political influence and recognition.

Another book on George Augustus Robinson, the nineteenth-century oddity who toured Tasmania gathering Aboriginals whom he eventually incarcerated on Flinders Island? Historians from John West to Brian Plomley have written about his Tasmanian adventures; Robert Drewe and Mudrooroo Narogin have added interpretations of his singular career. Do we need another?

At last, books about Such is Life and its endearingly attractive, quixotically sophisticated author, Joseph Furphy, are coming out. Three in the last few months is a welcome harvest, certainly a happier response than Furphy got during the prolonged Wilcannia showers of his life.

His minister described him as a permanent troubleshooter. And yet Charlie Perkins was surely the most trouble-prone and troublesome permanent head in Australian administrative history. Where other bureaucratics operated stealthily to preserve the outward appearance of responsible government, he engaged in calculated acts of public defiance and abuse of the governments he was meant to serve. They could no more dispense with his services, however, than he could operate without their largesse. And so for the best part of twenty year the volatile mediator orchestrated relations between the state and the modern Aboriginal movement.

In his 1980 bibliography of Bernard Smith’s published works, Australian Art and Architecture (1980), Tony Bradley lists, exclusive of books, well over 200 articles, book reviews, and other miscellaneous items. Allowing for articles written after 1980 and four previously unpublished, The Critic as Advocate contains sixty works from Bradley’s list. Previous collections of Smith’s essays, The Antipodean Manifesto (1976) and The Death of the Artist as Hero (1988) each contains about twenty republished essays – leaving Smith still with over a hundred for future recycling. If this is to be the case it is perhaps well to look at the value or otherwise of this type of enterprise.