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Magazine
Current Issue
Archive
2020
2019
September 2019, no. 414
October 2019, no. 415
November 2019, no. 416
2018
2017
2016
2015
2014
2013
2012
2011
2010
2009
2008
2007
2006
2005
2004
2003
2002
2001
2000
1999
Indexes
Book Reviews
Fiction
Non Fiction
Anthologies
Art
Asia
Australian History
Biography and Memoirs
Cultural Studies
Environment and Climate
Food
History
Indigenous Studies
International Studies
Journals
Language
Law
Letters
Literary Studies
Media
Military History
Opera and Music
Natural History
Performing Arts
Philosophy
Poetry
Politics
Science
Society
Film
War
World War II
Vietnam War
World War I
Poetry
Podcast
Arts
Recent reviews
Theatre
Film
Music
Opera
Dance
Visual Arts
Commentary
Festivals
Write for ABR Arts
Features
Book Talk
Book of the Week
Books of the Year
Online Exclusives
Interviews
Open Page
Publisher of the Month
Critic of the Month
Poet of the Month
High Calibre
Essays
Commentary
Supporting the ABC - Open Letter
Yes to Equality - Open Letter
Advances
Calibre Prize Essays
Fellowship Essays
Language Column
Letters to the Editor
Creative Writing
Short Stories
ABR Fiction
Jolley Prize stories
Epiphany
FAN Polls
2009 ABR Fan Poll
2019 ABR FAN Poll
About
About ABR
Publishing Profile
Advertising
Contact
People
ABR Staff
ABR Board
ABR Laureates
ABR Rising Stars
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ABR Cultural Tour to Germany and the Netherlands 2020
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ABR Cultural Tour 2017
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Elizabeth Jolley Story Prize
Current Prize
Jolley Prize Online Entry
2020 Jolley Prize Judges
Frequently Asked Questions
Terms and Conditions
Past winners
2019 winner
Calibre Essay Prize
2020 Current Prize
2020 Judges
2019 winner
Past winners
Frequently Asked Questions
Terms and Conditions
Peter Porter Poetry Prize
2020 winner
Current Prize
Porter Prize Judges
Past winners
Frequently Asked Questions
Terms and Conditions
Fellowships
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Past Fellowships
About ABR Fellowships
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ABR Indigenous Fellowship - FAQs
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November 2001, no. 236
Dirt Music
by Tim Winton
Reviewed by
Brian McFarlane
A Steady Storm of Correspondence: Selected Letters of Gwen Harwood 1943–1995
edited by Gregory Kratzmann
Reviewed by
Brenda Niall
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