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Poetry

With her first book, Zoetrope, in 1995, MTC Cronin announced herself as a very particular force in Australian poetry. It was not just that her début was so much more immediately arresting than most poets' first outings, but also that it had real authority. This authority, coming from force of intellect and a kind of absolutist, almost inscribed imagination ...

Published in December 2015, no. 377

Andrew Fuhrmann reviews 'Young Eliot' by Robert Crawford

Andrew Fuhrmann
Thursday, 26 November 2015

This long-anticipated first volume of Robert Crawford's biography of T.S. Eliot, the first with permission from the Eliot estate to quote the poet's correspondence and unpublished work, highlights the Young Eliot as – not least in the achievement of his poetry – always an Old Eliot. And yet the picture of Eliot as a child and adolescent is detailed. In Young ...

Published in December 2015, no. 377

Judith Beveridge reviews 'Happiness' by Martin Harrison

Judith Beveridge
Wednesday, 25 November 2015

'Happiness' may seem like an odd word for the title of a book of poetry, and given the circumstances of Martin Harrison's final years – his illness, the tragic death of his younger Tunisian lover, Nizar Bouheni – the title is rather ironic, but the poems in this posthumous volume are rich, bountiful, full of the same 'worshipful attention', the same sense of ope ...

Published in December 2015, no. 377

Geoff Page reviews 'Babel Fish' by Jillian Pattinson

Geoff Page
Thursday, 29 October 2015

Halfway through her first full-length collection, Babel Fish, Jillian Pattinson quotes Borges's famous argument: 'Myth is at the beginning of literature, and also at its end.' Her whole book does its best to embody this idea.

As its title 'Waterline' implies, the first group of poems here is loosely unified by water references, from the semi-scienti ...

Published in November 2015, no. 376

All writers need good bookshelves, but the poet, perhaps more than any other writer, is charged with the involuntary dispensation and relentless accumulation of reading material. This is partly due to the proclivities of the producers and partly due to the characteristics of the form itself. As the notable cultural critic Pierre Bourdieu remarked, poetry's effects d ...

Published in November 2015, no. 376

Translation is all about choice: which authors will be attractive to the target audience? Which texts by those authors will be of interest? Which aspects of those texts should be emphasised? How can ambiguities in the original be preserved or resolved? What relative weight should be given to formal and semantic elements? Historically, the translation of Russian lite ...

Published in November 2015, no. 376

Contemporary Australian poetry has a complex and ever-evolving relationship with the land, both at home and abroad. Almost twenty-five years post-Mabo and entrenched in ongoing ecological crises, Australian poets explore new ways of experiencing and defining place. Where misguided nationalism sought to limit Australian poe ...

Published in October 2015, no. 375

Geoff Page reviews 'Wild Track' by Kevin Hart

Geoff Page
Thursday, 27 August 2015

Kevin Hart was born in London in 1954, grew up in Brisbane, and worked in Melbourne before moving to the United States, where he still teaches (currently at the University of Virginia). Although he has won extravagant praise from Americans such as Charles Simić and Harold Bloom, he remains, to Australian readers, ...

Poetry books as artefacts in their own right, regardless of commercial viability or relevance to the click-bait Zeitgeist, are currently showing sturdy signs of life, so it is a welcome development to have the online Cordite Review sensibility fixed in print, in a palpable way and on a gras ...

Published in August 2015, no. 373

Peter Goldsworthy reviews 'Sentenced to Life' by Clive James

Peter Goldsworthy
Tuesday, 28 July 2015

Clive James’s series of memoirs began in 1980 with the Unreliable one. Thirty-five years and four more very funny books later, the Five Lives of Clive have been rounded with a sixth: a slim volume of poems. It is probably also the most reliable, as if, paradoxically, James took more poetic licence when working in prose. The prevailing tone is a long way fro ...

Published in August 2015, no. 373