Literary Studies

The Drover's Wife edited by Frank Moorhouse

by
March 2018, no. 399

In this collection of more than thirty pieces of fiction, journalism, criticism, academic papers, and ephemera (acceptance speeches, parliamentary questions, university course outlines), Frank Moorhouse gives evidence of, and attempts to explain, the durability of Henry Lawson’s classic short story ‘The Drover’s Wife’ in ...

... (read more)

Plenty of novelists begin life as poets. Few, though, have managed to maintain their status as poet–novelists quite so impressively as David Malouf. But even Malouf, in his ‘middle period’, more or less dropped poetry for his ‘big’ novels ...

... (read more)

Matthew Engel has written for many years in The Guardian and the Financial Times, on topics ranging from politics to sport, and between 1993 and 2007 he produced editions of Wisden Cricketers’ Almanack. In this latest book he takes up the bat (or steps up to the plate) for British English. That’s the Way It Crumbles is a lament ...

... (read more)

In 2002, journalist Guy Rundle published a piece devoted to the little-known visit by Argentinian writer Jorge Luis Borges to Melbourne in May 1938. During his ten-day stay, Borges spent time in the domed reading room of the State Library, a place he found ‘awe-inspiring, even overwhelming’. As a long-term reader of Borges ...

... (read more)

In his searching introduction to this immense volume, the editor, Harvard scholar David Der-Wei Wang, refers to the ‘architectonics of temporalities’ by which the project re-maps and re-chronicles Chinese literary history. A New Literary History of Modern China follows the model of the provocatively kaleidoscopic slice ...

... (read more)

A Long Saturday: Conversations by George Steiner and Laure Adler

by
December 2017, no. 397

In the late 1950s, when he was a fellow at the Princeton Institute for Advanced Learning, George Steiner overheard the legendary J. Robert Oppenheimer, at that time head of the Institute, dressing down a young physicist outside his door: ‘You are so young,’ boomed the father of the atomic bomb, ‘and you have already done so little!’  The story appears ...

... (read more)

On the acknowledgments page of this vast compendium, Christopher Prendergast describes the creation of the work as an ‘arduous task’ and the book itself as an ‘unwieldy vessel’. One can sympathise with the difficulty of presenting as a history of five centuries of French literature what would more accurately be described as a chronological anthology of essay ...

Tim Winton is embarrassing to Australian literary critics. It is not that it is impossible to form adequate literary judgements about the nature of his work. It is simply that any judgements one might form seem so totally irrelevant. Winton’s work makes plain a certain disconnect between the interests and imperatives of Australian literary criticism and those of t ...

In his Epilogue to this major study of the West Australian wheatbelt and its writers, Tony Hughes-d’Aeth describes his work. With no ‘exact precedent’ in Australian scholarship, it is ‘best thought of as an amalgam of literary history, literary sociology and literary geography’. To achieve this, Hughes-d’Aeth traces the idea of the wheatbelt through inte ...

In her introduction to Edge of Irony, Marjorie Perloff claims that in order to ‘understand Modernism ... we have to read, more closely than we have, the deeply ironic war literature of the defunct, multicultural, and polyglot Austro-Hungarian Empire’ ...

... (read more)