Literary Studies

Kerryn Goldsworthy reviews 'Thea Astley' by Karen Lamb

Kerryn Goldsworthy
Monday, 24 August 2015

‘If there are going to be any more of her novels, perhaps we should come right out and promote her as an utter bitch?’

So wrote Alec Bolton, the London manager of Angus & Robertson, to his senior editor John Abernethy in Sydney. The novelist in question was Thea Astley, and the book was A Boat Load of Home Folk (1968). Bol ...

The missing novels: our critics nominate some overlooked classics

Debra Adelaide et al.
Monday, 24 August 2015

Early success is no guarantee of a book’s continued availability or circulation. Some major and/or once-fashionable authors recede from public consciousness, and in some cases go out of print. We invited some writers and critics to identity novelists who they feel should be better known.

Patti Miller has written four books of or about memoir, one of which, The Mind of a Thief (UQP, 2012) won the New South Wales Premier’s History Award, and she has taught life writing for more than twenty years. Yet her most recent publication, Ransacking Paris, while enjoyable at one level, is disappointing at another. There is a serious mismatch bet ...

‘The mind retires from such speculation, unsatisfied but impressed’

Joseph Furphy, Such is Life

Michael Wilding’s biographical study traces in minute detail the interwoven lives of Adam Lindsay Gordon, Marcus Clarke, and Henry Kendall as their destinies converged on Mel ...

There is no recommended apprenticeship for writers. Nor are there any prescribed personal or professional qualifications. Hermits, obsessives, insurance clerks, customs officers, women who embroider, men who write letters, public servants, soldiers, drunks, provincial doctors and gulag inmates have all become great writers. How? A mystery. But avidity – about the ...

John Wiltshire, the distinguished Austen scholar based at La Trobe University, has produced his fourth book on Jane Austen since 1992. Here, in a return to the critical bedrock of close reading, he invites us to share his pursuit of the ‘hidden’ Jane Austen ...

Last month in Melbourne, a group of book reviewers and literary editors took part in a conference organised by Monash University’s Centre for the Book. There were more than thirty short papers, or ‘provocations’, as they were styled. Our Editor lamented the low or non-payment of some reviewers (especially youn ...

Shirley Hazzard is probably the most elegantly polished writer in the Australian canon: her novels and stories use traditional structures with great assurance, she writes from a thoughtful moral position, she is outspokenly engaged with the fine and the less fine elements of the Australia she once lived in, and she can be dry and funny. She spent most of her life in ...

Ulysses was the first novel to become a celebrity in the mass media age. Its reputation was ‘enhanced’ by its alleged scurrility, its banning in the Anglophone world in both serial and book form, its having engendered legal proceedings centred on obscenity and copyright, and its notoriety as a wilfully difficult text. James Joyce wrote a novel that aspire ...

Shakespeare was commonly regarded by his Romantic admirers as a solitary figure, whose prodigious talents were linked in some mysterious fashion to his isolation from society and from his fellow writers. ‘Shakespeare,’ wrote Coleridge in 1834, ‘is of no age – nor, I might add, of any religion, or party, or profession. The body and substance of his works came ...