Accessibility Tools

  • Content scaling 100%
  • Font size 100%
  • Line height 100%
  • Letter spacing 100%

Black Inc

Bruce Pascoe’s Salt is a wonderfully eclectic collection of new works and earlier short fiction, literary non-fiction, and essays written over twenty years. Structured thematically across six themes – Country, Lament, Seawolves, Embrasure, Tracks, and Culture Lines – Salt moves between the past and the present with Pascoe’s distinctively poetic voice. Readers of Dark Emu (2014) and Convincing Ground (2007) will be familiar with the style and subject matter but will discover newly released or reworked gems.

The title speaks to memories and ghosts triggered by the smell of salt; its ability to clean, to render flesh and skin from bone, to preserve evidence, to signal cumulative impacts on Country. The prevalence of salt speaks to the power and closeness of sea Country and our dwindling salty river systems, increasingly threatened by human intervention. Pascoe’s characters are richly drawn from this salted earth and exposed to the light and the elements. Whether presented as fiction or the voices of shared histories, his characters are grounded within the seasons and Country. So, too, in Pascoe’s view, are their possibilities of reviving this salted earth through heeding Indigenous knowledge and experience.

... (read more)

When invited by Morry Schwartz, Anna’s husband and proprietor of Schwartz Publishing, which owns Black Inc., to write an account of the Anna Schwartz Gallery (ASG), Doug Hall initially declined but changed his mind after realising that it would enable him to write with a fresh perspective, having returned to Melbourne after twenty years as director of Queensland Art Gallery. The result, Present Tense: Anna Schwartz Gallery and thirty-five years of contemporary Australian art – which takes its title from the 52nd Venice Biennale (2007), Think with the Senses – Feel with the Mind: Art in the Present Tense, curated by Robert Storr – is a periphrastic straddling of art history, social history, and biography, inclined to reminiscence over analysis.

Featuring eighty-nine chapters of varying length, the text mostly provides overviews of the artists represented by ASG, set within a chronicle of Anna Schwartz’s evolution as a gallerist. This broad narration is interspersed with chapters on a few key late-twentieth-century art dealers – sometimes to narrate artist defections to ASG – as well as state museum redesigns, biennales, and even a chapter on Anna’s wardrobe.

... (read more)

A young Aboriginal girl wears an abaya because she wants to see how it feels to inhabit someone else’s experience, someone else’s history. An exiled Iraqi musician plays a piano in a shopping centre in suburban Melbourne. Native Americans protesting the construction of a pipeline on their traditional lands are shot at with water cannons and rubber bullets. Count ...

Barely a decade ago, Australia was in the middle of much excitement about the Asian Century. Today, those heady days seem a distant memory. A growing number of pundits see the north as troubled by dangerous flashpoints and great power rivalries. On top of that is an America apparently in strategic retreat from the region ...

... (read more)

Here Until August: Stories by Josephine Rowe & This Taste for Silence: Stories by Amanda O’Callaghan

by
September 2019, no. 414

The inciting incident in Josephine Rowe’s short story ‘Glisk’ (winner of the 2016 Jolley Prize) unpacks in an instant. A dog emerges from the scrub and a ute veers into oncoming traffic. A sedan carrying a mother and two kids swerves into the safety barrier, corroded by the salt air, and disappears over a sandstone bluff ...

... (read more)

See What You Made Me Do by Jess Hill & Rape: From Lucretia to #MeToo by Mithu Sanyal

by
September 2019, no. 414

Domestic violence and rape are not easy topics to write or read about. It’s not just because of the subject matter itself, as grim and distressing as the details can be. The writer must grapple with centuries of cultural baggage, competing theorisations and research paradigms, and the politicisation of these issues, for better or worse ...

... (read more)

The late historian Patrick Wolfe did not pull any punches when he wrote that colonialism seeks to eliminate and replace the Indigenous cultures holding sovereignty over the lands and resources that colonisers wish to claim ...

... (read more)

A spectre is haunting Australia, that of neo-liberalism. For the last thirty years, both major parties have subscribed to its tenets in order to propitiate big business. It is an ideology (and language) that dare not speak its name. Instead, from London, from Berlin, from Washington, DC, politicians beat the gongs of ...

... (read more)

Tired of Winning: A chronicle of American decline by journalist and essayist Richard Cooke begins with the shock of Donald Trump’s election on 8 November 2016. In New York’s Lincoln Square, thousands of Clinton supporters were ‘stunned into silence’ while ‘a posse of drunk frat boys in MAGA caps announced themselves ...

... (read more)

People spent a lot of time looking for the pioneering aviator Charles Kingsford Smith. When he disappeared for the final time in 1935 just south of Myanmar, then known as Burma, he was just thirty-eight but felt ancient. Hopeful rescuers came from far and wide, but their efforts were not rewarded ...

... (read more)