Elisabeth Holdsworth

In today’s episode, ABR looks back at the winner of the inaugural Calibre Essay Prize in 2007: ‘An Die Nachgeborenen: For Those Who Come After’ by Elisabeth Holdsworth. Holdsworth was born in the Netherlands in the years following World War II. Zeeland, where she grew up, was heavily bombed during the war and later flooded. Her poignant essay is a dialogue with the past, detailing her recent return to the Netherlands, her family’s vicissitudes and suffering during the war, and an unforgettable portrait of her conflicted mother.

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Professors Ruth Balint and Julie Kalman are descended from Jews impacted by the Holocaust. No surprise then that in the introductory sentences of this work they remind us that the first people smuggler was probably Moses. Throughout the Jewish year, we study this colossus, who may or may not have existed, as he leads the Hebrews out of Pharaoh’s bondage into the desert toward a promised land. For much of the past two thousand years, Jews have relied on people smugglers as they were shunted from country to country. In Smuggled: An illegal history of journeys to Australia, Balint and Kalman detach the people smuggler from the politicised, malign tropes surrounding this activity and present firsthand accounts from some of those who were smuggled and from the smugglers themselves.

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Westerbork is the name of a transit camp located in the Netherlands. You transitioned from Westerbork to your final destination by means of the Nationale Spoorwegen (the national railways). Eddy de Wind, a Dutch Jewish psychiatrist, met his future wife, Friedel, in Westerbork. Both were sent to Auschwitz in 1943. Eddy was sent to Block 9 as part of the medical staff, Friedel to Block 10 to work as a Pfleger (nurse). Block 10 was administered by the Lagerartz (senior camp doctor), Josef Mengele.

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For most of my life I have thought of myself as a secular Jew; fascinated by the turbulent history of the Jews, not part of synagogue life. All that changed in 2012. We were living in Goulburn, New South Wales, at the time. My husband was on the point of retirement and we were about to move back to Victoria. During winter ...

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Towards the end of this handsome work, Mark Dapin makes the following observation: ‘There are many more holocaust memoirs written by Jews who emigrated from Europe to Australia than there are personal histories of Australian-born or raised Jewish soldiers. Everywhere in the world the Jewish story is focussed on persecution – the plight of refugees; the unspeakab ...

Fellowships galore

Elisabeth Holdsworth photograph by Antonio Mendes Macmillan 250

Valerie Murray, born Valika Morelli in Hungary during World War II and, for the past half century, wife of poet Les Murray, has written an enchanting memoir of her early life in Europe and Australia. The description ‘enchanting’ is used deliberately. The brothers Grimm and their terrifying tales are deployed throughout the work. The metaphor extends to the writi ...

For the Patriarch first appeared in 1981 and was much lauded, winning a New South Wales Premier’s Literary Award. The work is an important landmark in migrant writing. Angelo Loukakis, although born in Australia, identifies with the first generation of post-World War II migrants who are under-represented in our literature. Their children and grandchildren are the ones who have engaged with the complexities of what it means to be Australian while acknowledging that their roots lie elsewhere.

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Fair Cop by Christine Nixon and Jo Chandler

by
September 2011, no. 334

Christine Nixon belongs to the postwar generation of women who were not content to be passed over in favour of men when they entered the workforce, and who refused to accept the notion of a glass ceiling. Germaine Greer changed all our lives; empowered us as second-wave feminists. Nixon rose to the top in two of the most masculine organisations in Australia, the New South Wales and Victorian police forces. She became the first female chief commissioner in Australia, one of a handful around the world. Sadly, her legacy is now compromised. Fair Cop explores how this happened, and why.

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The title of this new book on the Vietnam War comes from the final verse cycle of Tennyson’s Idylls of the King (1869). As Arthur lies dying, he reflects ‘that we / Shall never more ... Delight our souls with talk of knightly deeds’. This Arthurian borrowing for the title of a book about an obscure battle fought by Australians in Vietnam during the 19 ...

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