Ian Donaldson

Ian Donaldson reviews 'Simon Leys: Navigator between worlds' by Philippe Paquet, translated by Julie Rose

Ian Donaldson
22 March 2018

The Belgian-born scholar Pierre Ryckmans, more widely known to the world by his adopted name of Simon Leys, was widely hailed in the Australian press at his death in 2014 as ‘one of the More

Books of the Year 2016

Sheila Fitzpatrick et al.
23 November 2016

Originally published in German, Albrecht Dümling’s The Vanished Musicians: Jewish refugees in Australia More

Ian Donaldson reviews 'The Unknown Judith Wright' by Georgina Arnott

Ian Donaldson
24 October 2016

Literary biographers and their intended subjects at times agree and at times disagree about the stories they think should be told. J.D. Salinger and Vladimir Nabokov – the one, fastidiou More

Ian Donaldson reviews 'Hegel's Owl: The life of Bernard Smith' by Sheridan Palmer

Ian Donaldson
21 July 2016

Hoping to travel to Vienna in the summer of 1950 through a part of Austria then under Soviet control, Bernard Smith sought an interview in Prague with an officer ...

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Books of the Year 2015

Robert Adamson et al.
23 November 2015

Jennifer Maiden's The Fox Petition: New Poems (Giramondo) conjures foxes 'whose eyes were ghosts with pity' and foxes of language that transform the world's headlines

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The missing novels: our critics nominate some overlooked classics

Debra Adelaide et al.
24 August 2015

Early success is no guarantee of a book’s continued availability or circulation. Some major and/or once-fashionable authors recede from public consciousness, and in some cases go out of print. We invited some writers and critics to identity novelists who they feel should be better known.

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Ian Donaldson reviews 'Hamlet' (Bell Shakespeare)

Ian Donaldson
22 July 2015

Hamlet belongs to the final years of Elizabeth’s reign, when the system of espionage the old queen had created through her spymaster-general, Francis Walsingham – the network of ‘watchers’, as Stephen Alford calls them in a recent brilliant study of this phenomenon – had become ... More

Ian Donaldson reviews 'Lost Plays in Shakespeare's England' edited by David McInnis and Matthew Steggle

Ian Donaldson
29 April 2015

‘The art of losing isn’t hard to master,’ Elizabeth Bishop once famously wrote; ‘So many things seem filled with the intent / to be lost that their loss is no disaster.’ Much modern technology seems designed specifically to counter this natural human propensity towards loss. We have key rings that respond obediently to their owner’s whistle, immediately ... More

Ian Donaldson reviews 'William Shakespeare and Others' edited by Jonathan Bate et al.

Ian Donaldson
16 December 2014

Shakespeare was commonly regarded by his Romantic admirers as a solitary figure, whose prodigious talents were linked in some mysterious fashion to his isolation from society and from his fellow writers. ‘Shakespeare,’ wrote Coleridge in 1834, ‘is of no age – nor, I might add, of any religion, or party, or profession. The body and substance of his works came ... More

Ian Donaldson reviews 'Music at Midnight'

Ian Donaldson
22 July 2014

Disdaining the opening moves traditionally associated with literary biography – the expected orderly progress through ancestry, parentage, birth, schooling, juvenilia – John Drury’s masterly new account of the life and poetry of George Herbert begins instead with the poem that Drury sees as Herbert’s finest work, written in mid-career, ‘Love (III)’. Herb ... More

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