Terriann White

Terri-Ann White reviews 'Modern Interiors' by Andrea Goldsmith

Terri-ann White
Friday, 07 February 2020

Andrea Goldsmith’s second novel, Modern Interiors, is about a family, and marked out by its goodies and baddies. This is a moral novel about capitalism and the choices open to people within its system. Goldsmith uses outrageous caricatures to represent the baddies – those seduced and corrupted by the family’s damned money. And all of the goodies have an interest in and strenuously pursue the higher knowledges – poetry and fiction, philosophy and philanthropy. They are all good, and fair-minded people, if sometimes with too much sweetness and light.

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Terri-ann White reviews 'The Golden Dress' by Marion Halligan

Terri-ann White
Friday, 20 December 2019

Marion Halligan’s new novel has as its centrepiece, shiny and assertive, flagged by its title, a dress made with loving care but, nonetheless, improvised just so that the fabric will go far enough. A dress that Molly Pellerin wears to a party at the laundry where she works, an event that becomes a defining moment in her life, the dress a legacy, offering an image of Molly as dazzling, beautiful, and loved. The photograph sustains her memory, potently, permanently.

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Dear Chancellor French, I write this open letter to you to make certain points about the environment of university press publishing, in support of UWA Press and its Director, Professor Terri-ann White, and her team.

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The closure of UWA Publishing

Daniel Juckes
Thursday, 14 November 2019

Sometimes Western Australia feels a long way from anywhere. Of course, that can be an attraction. It makes for something distinct and telling: everyone either revels in it or rebels against it, and both are productive in their own way. But now we must resist. The University of Western Australia’s recent decision to close UWA Publishing (at least in its present form) has made the gap between here and the rest of the country yawn. Western Australians need support from other literary communities across Australia if UWAP is to be reinstated.

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This novel, Delia Falconer’s first, takes the form of a love lament: all about breath in bodies; textures and surfaces; clouds; mountains; photography; colour; gardens; illness. Much more, too, of course, and it is a work that certainly does not warrant such a glib cataloguing of elements and attributes. It is ambitious, and successful ...

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2018 Publisher Picks

Nathan Hollier et al.
Tuesday, 18 December 2018

To complement our ‘Books of the Year’ feature, which appeared in the December 2018 issue, we invited some senior publishers to nominate their favourite books of 2018 – all published by other companies.

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2016 Publisher Picks

Ben Ball et al.
Friday, 25 November 2016

I’m fresh from Hannah Kent’s compelling, humane, and utterly convincing The Good People (Picador, 10/16). Kent completely inhabits her material. In this single nineteenth ...

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Last Work (Batsheva Dance Company) ★★★★1/2

Terri-ann White
Thursday, 04 February 2016

Performances by Batsheva Dance Company involve more than movement and choreography. Behind each production is a philosophy, markedly different from the vocabulary, tics, and motifs we expect from choreographers. Ohad Naharin has introduced a revolutionary aspect to the company ...

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Arts Highlights of the Year

Robyn Archer et al.
Monday, 26 October 2015

To highlight Australian Book Review's arts coverage and to celebrate some of the year's memorable concerts, operas, films, ballets, plays, and exhibitions, we invited a group of critics and arts professionals to nominate their favourites – and to nominate one production they are looking forward to in 2016. (We indicate which works were reviewed in Arts Up ...

Sylvie Guillem: Life in Progress

Terri-ann White
Thursday, 27 August 2015

Unsurprisingly, each of Sylvie Guillem’s six performances of Life in Progress in the Sydney leg of a world tour sold out. She will soon retire as a dancer after thirty-nine remarkable years. Unsurprisingly too, her program was edgy and contained two brand new works. Sylvie Guillem doesn’t rest on her laurels, and this wasn’t an anthology of her ‘great ...

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