Anna Clark
Penny Russell reviews 'Making Australian History' by Anna Clark
There are many ways one might write a history of Australian history, but from any angle it’s a heroic project. In Making Australian History, Anna Clark is open about the difficulties, the possibilities, and her choices. How do you make sense of Australian history, she asks, amid a ‘swirl of changing sensibilities, methods, culture, politics and place’? How do you trace the story of a discipline across time, when each generation has defined the contours and boundaries of that discipline differently? How do you write a genuinely inclusive history of Australian History – one that gives due place to the full range of historical forms, not just those approved in academic circles?
... (read more)Anna Clark is the author of Making Australian History (Penguin), a history of Australian history, and has written extensively on history education, historiography, and historical consciousness. She is currently Director of the Australian Centre for Public History at the University of Technology Sydney.
... (read more)Anna Clark reviews Australia’s First Naturalists: Indigenous peoples’ contribution to early zoology by Penny Olsen and Lynette Russell
What does it mean to really know an ecosystem? To name all the plants and animals in a place and understand their interactions? To feel an embodied connection to Country? To see and hear in ways that confirm and extend that knowledge?
... (read more)Billy Griffiths reviews 'Private Lives, Public History' by Anna Clark
What do we talk about when we talk about history? This is a question that Anna Clark has devoted her career to answering. She has followed the conversations Australians have about history into museums and universities – The History Wars (2003) and Australian History Now! (2013) – and classrooms and staffrooms – Teaching the Nation (2 ...
John Hirst review 'History’s Children: History Wars in the Classroom' by Anna Clark
This is an honest, modest report of what students and teachers across the country think about the teaching of Australian history in schools. Anna Clark has allowed her subjects to speak for themselves; being a scrupulous historian, she has not edited their offerings. So we hear words like these: ‘Now they’re having like record numbers [at Anzac Day], and like huge ceremonies all over Australia and they’re like young people that respect it’; and ‘Reading a textbook, when you have to like read three pages of a textbook, and then the teacher’s like, “Do the questions”...’ An enduring value of this book will be its record of teenagers’ spoken English in the first decade of the twenty-first century. It makes for rather tiresome reading, but it is salutary to be constantly reminded of where students are at, like.
... (read more)Anna Clark reviews ‘Is History Fiction?’ by Ann Curthoys and John Docker
In recent years, there has been significant public anxiety over Australia’s past, and historians have found themselves in the middle of a contest over increasingly urgent issues of historical narrative and approach. It has been a heated debate, encapsulated by a series of graphic and divisive metaphors proclaiming history’s ‘murder’, ‘fabrication’ and even the ‘killing of history’. While these so-called ‘history wars’ have come to dominate discussion of Australia’s past, the limitations of such debate are telling: history has been forced into opposing camps (left–right, black–white etc.); and examining contrasting readings of the past without falling into its prescribed lines of division now seems more difficult than ever.
... (read more)Tony Birch reviews 'The History Wars' by Stuart Macintyre and Anna Clark, and 'Whitewash' edited by Robert Manne
Towards the end of his informative introduction, Robert Manne, the editor of Whitewash: On Keith Windschuttle’s fabrication of Aboriginal history, outlines the collective intention of the book’s nineteen contributors. He refers to Windschuttle’s The Fabrication of Aboriginal History (2002), a revisionist text dealing with early colonial history and violence in nineteenth-century Tasmania, as ‘so ignorant, so polemical and so pitiless a book’ ...
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