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Philip Mead

Philip Mead

Philip Mead was born in Brisbane in 1953. From 1987 to 1994 he was Lockie Fellow in Creative Writing and Australian Literature in the English Department, University of Melbourne, and from 1995 to 2009, Senior Lecturer, then Associate Professor in English, at the University of Tasmania. Since 2009 Philip has been Winthrop Professor and inaugural Chair of Australian Literature at the University of Western Australia, and Associate Dean (Research), Faculty of Arts, Humanities and Social Science. In 2009-2010 Philip was Ludwig Hirschfeld-Mack Visiting Chair of Interdisciplinary Australian Studies, at the Free University, Berlin.

From 1987 to 1994 Philip was Poetry Editor of Meanjin Quarterly magazine. He reviews poetry for various magazines and newspapers and edited, with John Tranter, the Penguin Book of Modern Australian Poetry (1992). This River is in the South (1984) was published by University of Queensland Press. His edited collection of essays, Kenneth Slessor – Critical Readings appeared with University of Queensland Press in 1997. He has also edited selections of poetry by Frank Wilmot, Selected Poetry and Prose (Melbourne University Press, 1997) and David Campbell, Hardening of the Light (Ginnenderra, 2007). He has been co-editor of JASAL (Journal of the Association for the Study of Australian Literature) and is on the editorial advisory boards of Australian Literary Studies and the Cultural Studies Review.

In 2009 his book Networked Language: History & Culture in Australian Poetry (Australian Scholarly Publishing, 2009) was shortlisted for the Association for Australian Literature’s Walter McRae Russell Award, and in 2010 it won the New South Wales Premier’s Prize for Literary Scholarship.

Philip’s current research projects include Anglophone poetics, a transnational study of the commemoration of Shakespeare in Sydney and London, and the literature of mining.

His most recent poetry collection is Zanzibar Light (Vagabond Press, 2018).

Philip Mead reviews 'One Lark, One Horse' by Michael Hofmann

December 2018, no. 407 27 November 2018
Michael Hofmann’s home territory is language, while his life is extraterritorial. He was born in Germany, went to school in England, now lives in Germany, but teaches in North America. He has also made a living out of working between languages, translating scores of texts from German into English. He is as well-known as a translator as he is as a poet. He has said some interesting things about h ... (read more)

Philip Mead reviews 'Antipodean America: Australasia and the constitution of U.S. Literature' by Paul Giles

August 2014, no. 363 01 August 2014
Paul Giles has done important work reimagining North American literary history as allied rather than isolationist – revisioning American literature not as the definition of landlocked nation or exceptional homeland but as the product of transatlantic and continental traverses of forms and voices. In three books, Transatlantic Insurrections (2001), Atlantic Republic (2006), and The Global Remappi ... (read more)

Philip Mead reviews 'The Best Australian Poems 2010' edited by Robert Adamson

February 2011, no. 328 04 May 2011
 Anyone who hasn’t caught up with the thriving diversity of recent Australian poetry should get hold of this second annual anthology from Black Inc. edited by Robert Adamson. It’s a richly impressive selection from all corners of the Australian poetic field and across the generations, from Bruce Dawe and Frank Kellaway to younger poets yet to publish a first book. For more specialist read ... (read more)
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