Accessibility Tools
Released every Thursday, the ABR podcast features our finest reviews, poetry, fiction, interviews, and commentary.
Subscribe via iTunes, Stitcher, Google, or Spotify, or search for ‘The ABR Podcast’ on your favourite podcast app.
Episode #184
In this week’s ABR Podcast, Michael Shmith reviews a memoir from poet, novelist, librettist, and Adelaide GP Peter Goldsworthy. The book’s title is The Cancer Finishing School. Shmith begins by observing that doctors aren’t supposed to become incurably ill, before immediately recognising this as the useless delusion of a patient. Michael Shmith is a Melbourne-based writer and editor whose most recent book is Merlyn, a biography of the widow of Sidney Myer. Listen to Michael Shmith’s ‘It might be …: P is for Peter, physician, patient, poet’, published in the April issue of ABR.
In this episode of Australian Book Review's States of Poetry podcast, State Editor Felicity Plunkett introduces the second series of ABR's Queensland States of Poetry anthology.
In his luminous paean to poetry, modestly titled How to Read a Poem, Edward Hirsch writes that ‘poetry is made of metaphor’. This lucid statement is beautiful enough, but as a poet, Hirsch continues, making music, elaborating, forever taking the idea onwards, upwards and outwards, with poetry’s relentless energy: ‘It is a collision,’ he writes, ...
Some of Australia’s best writers are also reviewers. I always enjoy the beautifully crafted and perceptive work of Drusilla Modjeska, Mireille Juchau, James Bradley, Lisa Gorton, and Kerryn Goldsworthy, to name just a few. Anwen Crawford is wonderful on music, Kate Kellaway and a.j. carruthers on poetry.
... (read more)Originally published in German, Albrecht Dümling’s The Vanished Musicians: Jewish refugees in Australia (Peter Lang), a fascinating compendium of Jewish musicians who found refuge in Australia in the 1930s and 1940s, is now available in Australian Diana K. Weekes’s excellent translation ...
... (read more)by the river evokes the textures of a small Australian town in 1962 through lean episodic poems that drift along gently until moments of intensity break their banks. Through a leisurely accumulation of detail – houses on stilts, fruit bats, ...
... (read more)