Dennis Haskell reviews 'Dawn the Proof' by Tony Page, 'Headwaters' by Anthony Lawrence, and 'Gods and Uncles' by Geoff Page
The last two lines of Tony Page's Dawn the Proof (Hybrid Publishers, $25 pb, 87 pp, 9781925272239) ask 'how to seize / the grains of now'. One of Page's (implicit) ...More
Do people hate poetry, as the title of Ben Lerner's terrific book-sized essay implies? In Lerner's account, poetry is associated with hatred and contempt, even by ...More
In one of the poems in Summer Requiem, the most recent of the books in this capacious volume, Seth recalls when he decided to write, 'What even today puzzles me ...More
Jill Jones is Poet of the Month in the June-July issue of Australian Book Review.More
Peter Kenneally reviews '101 Poems' by John Foulcher, 'Small Town Soundtrack' by Brendan Ryan, and 'Ahead of Us' by Dennis Haskell
Reading these three books in April, it was impossible not to see in them flashes of what Ross McMullin has described in war artist Will Dyson's drawings from World War I ...More
We are in the back of the Bentley;
the church and the Riviera crowds
are behind us. The sunroof is open ...
When the temperature drops, and the wind begins
to moan, through the coils of the air conditioner,
and I wonder how the wind chooses ...
States of Poetry 2016 Podcast | State editor Elizabeth Allen introduces the New South Wales anthology
In this episode of the Australian Book Review's States of Poetry Podcast, state editor Peter Goldsworthy introduces the 2016 New South Wales poets: Aidan Coleman, Jelena Dinic, Ji More
WHICH POETS HAVE MOST INFLUENCED YOU?
Emily Dickinson, for her economy; Shakespeare, for his geometric patterning; Elizabeth Bishop, for her precision; Manley Hopkins, for his extravagant tensions; Jorie Graham, for her sustained experimentation with form; Lewis Carroll, for his rhythms; Dr Seuss, for his irrepressible sense of whimsy, and the absurd.
AR ... More
Although William Carlos Williams, with some accuracy, claimed that 'every' poem is an 'experiment', the number of successful experiments is relatively rare. Jordie Albiston's new 'long poem' or 'verse novel' (call it what you will) is triumphantly experimental in both technique and content.
In technique, Albiston has done several things which, in other hands ... More