We are in the back of the Bentley;
the church and the Riviera crowds
are behind us. The sunroof is open ...
When the temperature drops, and the wind begins
to moan, through the coils of the air conditioner,
and I wonder how the wind chooses ...
States of Poetry 2016 Podcast | State editor Elizabeth Allen introduces the New South Wales anthology
In this episode of the Australian Book Review's States of Poetry Podcast, state editor Peter Goldsworthy introduces the 2016 New South Wales poets: Aidan Coleman, Jelena Dinic, Ji More
WHICH POETS HAVE MOST INFLUENCED YOU?
Emily Dickinson, for her economy; Shakespeare, for his geometric patterning; Elizabeth Bishop, for her precision; Manley Hopkins, for his extravagant tensions; Jorie Graham, for her sustained experimentation with form; Lewis Carroll, for his rhythms; Dr Seuss, for his irrepressible sense of whimsy, and the absurd.
AR ... More
Although William Carlos Williams, with some accuracy, claimed that 'every' poem is an 'experiment', the number of successful experiments is relatively rare. Jordie Albiston's new 'long poem' or 'verse novel' (call it what you will) is triumphantly experimental in both technique and content.
In technique, Albiston has done several things which, in other hands ... More
Peter Porter's posthumous collection of poems, Chorale at the Crossing, is preoccupied, understandably, with death – but death was a central preoccupation of his work from the beginning. How could it not be? He lost his mother at the age of nine.
Porter's two Collected Poems (1983 and 1999) were – are – stupendous, exuberant treasure- ... More
Peter Kenneally reviews 'The Fox Petition' by Jennifer Maiden, 'Breaking the Days' by Jill Jones and 'Exhumed' by Cassandra Atherton
From the cover of Jennifer Maiden's latest book (The Fox Petition, Giramondo, $24 pb, 96 pp, 9781922146946), a wood-cut fox stares the reader down. This foreign, seditious animal is the perfect emblem for Maiden's examination of the xenophobia, conformity, and general moral diminution that she sees around her. Giramondo have given Maiden the liberty of an a ... More
Benjamin Madden reviews 'The Poems of T.S. Eliot, Volume 1: Collected and Uncollected Poems' and 'The Poems of T.S. Eliot, Volume 2: Practical Cats and Further Verses' edited by Christopher Ricks
For fifty years after his death, the works of the most influential English-language poet of the twentieth century were unavailable in a scholarly edition. Moreover, Collected Poems, 1909–1962, arranged by T.S. Eliot himself and published in 1963, contained a number of widely recognised textual errors. The publication of The Poems of T.S. Eliot ed ... More
Rose Lucas reviews 'Ground' by Martin Langford, 'Eating my Grandmother' by Krissy Kneen, and 'Now You Shall Know' by Jennifer Compton
In their very different ways, these three collections attest that contemporary Australian poetry is alive, robust, and engaging.
Puncher and Wattmann have delivered a generous collection of Martin Langford's most recent poems, Ground ($25 pb, 158 pp, 9781922186751). As we have come to expect from Langford, the voice we find here is strong – passio ... More
This updated and revised edition of Creating Poetry – first published by Edward Arnold in 1987, and then by Five Islands Press in 2001 – is one of few poetry guidebooks written by an Australian poet. One of its pleasing features is that it uses the work of Australian poets, including John Tranter, Geoff Page, Kevin Brophy, Meredith Wattison, Judith Wrig ... More