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Fiction

The inner-suburban dinginess of Cosmo Cosmolino could place Helen Gamer within an honourable tradition stretching at least from Dickens (Charles) to Dickins (Barry). It is a tradition that, observing the mundane and the domestic (not to be confused with each other), has produced works of pathos and wit, of great emotional intensity and sparkling humour. It is a tradition within which great writers have managed to invest dull lives, mean-spirited characters, and tawdry events with charm and universal significance, with an appeal reaching beyond the local and the specific. It is also a tradition within which great novelists ensure that their readers’ sympathy and curiosity are aroused to the extent that they will keep turning the pages well beyond bedtime and care about what comes next.

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Usher by Matthew Condon

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September 1991, no. 134

The usher of the book’s title is T. Nelson Downs, long-time resident of Burleigh Heads. (The T. Doesn’t stand for anything; it was a parental whim.) He’s one of those wonderful, original, exasperating people full of impossible ideas (such as marketing gigantic ice sculptures for public occasions using skilled tradesmen brought out especially from Florence).

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Come on in. Do you like mango chutney? I myself have never had mango chutney, not liking mangos, but Phil’s an expert on making the stuff. It never lasts, but make sure you use green mangos because the old ones are too stringy.

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Tandia by Bryce Courtenay

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August 1991, no. 133

After all the acrimony and gossip generated by the success of Bryce Courtenay, it is surprising to discover that the advertising director and newspaper columnist is a talented writer.

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Madness by Morris Lurie

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July 1991, no. 132

We meet Tannenbaum in his ‘cosy Anne Frankish semi-hidden nook’. These writerly Jewish recluses have very little else in common; Tannenbaum is separated from his wife and two children. His friend/lover Anise is trying to drink her way out of a nervous breakdown. For further solace he resorts to ‘horizontal unravelling’ or ‘psychiatric horizontality’.

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Wolves and goats. The goats represent the ego. They control time, represent culture, continuity, the status quo. They live in the grandfather clock that is at once history and the records of the psychoanalyst. The wolves are the id, the unconscious, desire. They are also reason, and they triumph over time. The Wolf-Man led Freud to his understanding of the war of the id on the ego. Freud identified as neurotics those who, unable to live with the war, regress to the instinctive, the primitive, the animal.

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Critically reviewing a populist genre novel requires a particular cribbing, a playing off against deep-seated transcendental notions of literature that tend to motivate pronouncements upon the relatively good and bad points.

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What do you do when you wake up in the morning and feel the shifty shadow of God lurking? You stay in bed, and hope that it’ll pass you by, that’s what. Sam Pickles doesn’t. He goes to work and loses his fingers in a winch: when he takes his glove off, they ‘fell to the deck and danced like half a pound of ...

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Current events in the Gulf suggests that the political lessons of this century notwithstanding the unbelievers of the West still have faith in the efficacy of the short sharp shock administered by a hi-tech war. Religion sustains one side, Science the other and God of course, as always, is on both.

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Worse Than Death by Jean Bedford (in collaboration with Tom Kelly)

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February–March 1991, no. 128

The publisher’s blurb for Worse Than Death notes that the book is ‘a long awaited move across genres for Jean Bedford’. A backhanded compliment, but no doubt sincerely meant. As it happens, the first Anna Southwood mystery is a pretty lacklustre effort – far from the ‘tight and pacy read’ promised by this same blurb.

Anna Southwood, a tomboy type with – you guessed it – unruly red curls – has set herself up as a private investigator after the death of her husband. He has made a quid or two from shady deals, she has time on her hands, a career in mind and a mate with a PI’s licence.

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