Fiction

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Crusader Hillis reviews 'The Pillars' by Peter Polites

Crusader Hillis
Sunday, 08 September 2019

The 2019 federal election result confirmed that housing prices, upward mobility, tax cuts, and limited immigration are powerful motivators for Australian voters. Peter Polites’s second novel, The Pillars, with its themes of social and material advancement in Sydney’s western suburbs, captures this spirit of the time perfectly ...

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Francesca Sasnaitis reviews 'Fortune' by Lenny Bartulin

Francesca Sasnaitis
Tuesday, 03 September 2019

Fortune begins with Napoleon’s triumphant entry into Berlin on 27 October 1806. Does it matter whether the popular image of the emperor astride a magnificent white stallion is an embellishment? ‘Time sullies every truth,’ Lenny Bartulin tells us. History is as much a fiction as this tale of derring-do and dire misfortune  ...

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Andrew McGahan’s final book, The Rich Man’s House, opens with an apology. ‘It’s a finished novel – I wouldn’t be letting it out into the world if it wasn’t – but I can’t deny that my abrupt decline in health has forced the publishers and I to hurry the rewriting and editing process extremely, and that this is not quite the book it would have been had cancer not intervened … 

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Playwright and author Lucy Caldwell raises the issue of national identity early in her introduction to this long-running anthology series. She grew up in Belfast but lives in London. Her children sing Bengali nursery rhymes and celebrate Eid. She holds two passports, neither of which adequately captures who she is ...

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David Whish-Wilson reviews 'Shepherd' by Catherine Jinks

David Whish-Wilson
Tuesday, 27 August 2019

One of the few advantages a contemporary writer of historical fiction has derives from working in a context with laxer censorship laws. Representations of sexuality and violence once proscribed can be incorporated to better approach the social conditions of the period. With regard to narratives about Australia’s convict history ...  

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The most charismatic of the many monsters in Elizabeth Bryer’s début novel is the conceptual artist Maddison Worthington, who commands attention with her lipstick of ‘Mephistophelian red’ and her perfume of ‘white woods, musk and heliotrope’. From the solitude of a labyrinthine mansion ...

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Naama Grey-Smith reviews 'Wolfe Island' by Lucy Treloar

Naama Grey-Smith
Tuesday, 27 August 2019

With Wolfe Island, Lucy Treloar joins a growing number of novelists whose fiction is marked by anthropogenic catastrophe. Her latest offering confronts two urgent global crises: the climate emergency, and the plight of refugees. Treloar reveals startling connections between the two through the shared thread of displacement in ...

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Jolley Prize 2019 (Shortlisted): 'The Point-Blank Murder'

Sonja Dechian
Tuesday, 27 August 2019

The sunset is orange, the sky scattered with clouds. We’re eating pumpkin and lentil soup out of bowls from home. I didn’t think it was necessary to bring them, the cupboards here are well stocked, but Irene insisted. She says they’re the perfect size. Also, she read in her online mother’s group that the glaze on old crockery often contains lead ...

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Brenda Walker reviews 'The Returns' by Philip Salom

Brenda Walker
Tuesday, 27 August 2019

A bookseller, Trevor, sits in his shop in Melbourne making conversation with his customers: an exasperating mixture of confessional, hesitant, deranged, and disruptive members of the public. One man stalks him, armed with an outrageous personal demand; another tries to apologise for assaulting him. The apology is almost as unnerving as the attack ...

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The inciting incident in Josephine Rowe’s short story ‘Glisk’ (winner of the 2016 Jolley Prize) unpacks in an instant. A dog emerges from the scrub and a ute veers into oncoming traffic. A sedan carrying a mother and two kids swerves into the safety barrier, corroded by the salt air, and disappears over a sandstone bluff ...

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