ABR Arts Music

Tchaikovsky & Grieg (Melbourne Symphony Orchestra)

Christopher Menz
Monday, 16 November 2015

After his Adelaide concert, Grosvenor concluded his Australian tour with a stellar performance of the Grieg piano concerto with the Melbourne Symphony Orchestra under the baton of Asher Fisch, first in Geelong then in Melbourne. The concerto was flanked by Tchaikovsky's Romeo and Juliet Fantasy-Overture and his Fourth Symphony. Even such an exuberant program, with the full forces of the orchestra in fine form, proved the power of music to provide the necessary solace following news of the dreadful events in Paris on 13 November.

Grosvenor demonstrated his perfect artistry and musicianship, bringing extraordinary subtlety of expression to a work better known for its bombastic passages and hair-raising exposed entries for the soloist.

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Benjamin Grosvenor Recital (Recitals Australia)

Michael Morley
Tuesday, 10 November 2015

By now, it is more or less de rigueur to prefix comments on Benjamin Grosvenor's abilities at the keyboard by mentioning his age. Well, yes, it has to be said that, at twenty-three, there is more than a touch of the Wunderkind about what he does. But make no mistake: this is a serious, talented, imaginative, and committed musician who makes some of his more hyped co ...

2015 Wangaratta Festival of Jazz and Blues

Des Cowley
Monday, 09 November 2015

Audra McDonald sings Broadway (Sydney Symphony Orchestra)

Michael Halliwell
Friday, 06 November 2015

In 2012 Stephen Sondheim reacted rather unexpectedly to a new production entitled 'The Gershwins' Porgy and Bess'. The original show, which itself has undergone multiple transformations since its première in 1935, was somewhat rewritten, incorporating new scenes, additional dialogue, revised orchestrations, the insertion of new biographical details, as wel ...

Patti Smith's Horses (Melbourne Festival)

Doug Wallen
Wednesday, 21 October 2015

Released in 1975, the début album by American songwriter, poet, artist, and memoirist Patti Smith captured a volatile alchemy of past and future modes. Horses came out of the much-mythologised rock scene of 1970s New York City, but also fed on the unbridled lyrical freedom of Beat poetry, the firmer narrative tradition of hymns, and the bodily release of f ...

Letter from Milan

Ian Dickson
Wednesday, 21 October 2015

Spurred on by Expo Milan, La Scala is having a busy couple of months. Entitled Feeding the Planet, Energy for Life, the Expo is supposed to stimulate ideas for sustainable nutrition in a world with a rapidly expanding population and an equally rapidly diminishing arable area. However, the report from those who have braved the enormous crowds and endless que ...

Simone Young and Brahms (ANAM/MRC)

Christopher Menz
Monday, 21 September 2015

Simone Young’s return to Melbourne saw her presenting a mostly Romantic program with soprano Emma Matthews and the Australian National Academy of Music (ANAM) Orchestra. The first half, heralded by Paul Stanhope’s Fantasia on a Theme of Vaughan Williams (2003), was devoted to Duparc songs and an orchestral nocturne. After ...

Faust and Verdi's Requiem (State Opera of South Australia)

Ben Brooker
Monday, 14 September 2015

Good and evil, damnation and salvation, love and death, virtue and folly: State Opera of South Australia’s pairing of Gounod’s five-act grand opera Faust (fours stars) with Verdi’s momentous opera cum oratorio Requiem
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Festival of Slow Music

Doug Wallen
Wednesday, 02 September 2015

For anyone who witnessed the frenetic pitch of Afrolankan Drumming System, the festival’s name might seem like a misnomer. Now in its third year, Ballarat’s Festival of Slow Music isn’t about reduced tempos but about listeners slowing down to properly digest music. All of the performances across nine days were acoustic, yet that term too can mislead, associate ...

Australian Festival of Chamber Music

Malcolm Gillies
Tuesday, 25 August 2015

Musicians like to play. Some play instruments, others play pieces, and a few, somehow, go deeper. They play ‘the music’, ideally sidelining the instrument or documentation, to connect with their audience person-to-person, even ear-to-ear. Chamber music is probably the most intimate of music’s genres. It is fundamentally about unmediated musical relationships, ...

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