Film

Capturing the essence of Robyn Davidson’s journey across 2700 kilometres of Australian desert was a visual challenge for National Geographic photographer Rick Smolan. Convinced the magazine would misrepresent her, Davidson knew that the challenge was coming to terms with her decision to ‘sell out’ (her words) in agreeing to let an American photographer ...

Dallas Buyers Club is the latest and largest in a growing number of period and documentary films about Aids in America. It envisages a time in the 1980s when people living with HIV/Aids existed in a socio-political combat zone in addition to the battles being waged in their own immune systems. Dallas Buyers Club is allegedly a different kind of Aids fi ...

P.L. Travers (1906–96) did her best to keep her private life private. Perhaps her reservations harked back to the days before she penned Mary Poppins (eight novels, 1934–88) when she was a human interest columnist for a daily newspaper. As a writer of both journalism and fiction she knew as well as anyone that hearsay and speculation were quite different ...

P.L. Travers (1906–96) did her best to keep her private life private. Perhaps her reservations harked back to the days before she penned Mary Poppins (eight novels, 1934–88) when she was a human interest columnist for a daily newspaper. As a writer of both journalism and fiction she knew as well as anyone that hearsay and speculation were quite different ...

When a film is created by an equally renowned cast and crew, it can be difficult to identify the most notable contributors. In praising or blaming, we often focus on the director or the actors. In this instance, however, it is the screenwriter’s efforts that command our interest and ultimately reorient what could have been a straightforward narrative.

It ...

Stranger by the Lake is set entirely within the perimeters of a cruising ground for men by the shores of a lake in France. There unfolds a perfectly simple temporal conceit in which the cruiser, a handsome thirty-something everyman called Franck (Pierre Deladonchamps), arrives each summer day, parks his car, and walks down to the pebbled beach by the lake’s edge. That this is a narrati ...

Nevil Shute’s apocalyptic 1957 novel On The Beach and Stanley Kramer’s 1959 movie adaptation hold a continued fascination, particularly for Melburnians – even if we have grown weary of the famous quip, attributed to Ava Gardner, about the city being the ideal place to film the end of the world. Largely setting aside such parochial concerns, Lawren ...

Film-wise, 2013 has been the year of adapting dangerously. Dangerously, that is, in the sense of daring to affront devoted readers of the original novels or plays, valuing enterprise over fidelity. Now, just after admirable versions of Much Ado about Nothing and What Maisie Knew have finished their runs, we have director–screenwriter Andrew Ada ...

The last twelve months have seen some notable film reworkings of classic literary texts, with Anna Karenina set in a theatre, a black Heathcliff in Wuthering Heights, and a gorgeous Much Ado About Nothing enacted in monochrome contemporary California. Now we have a compelling version of Henry James’s novel What Maisie Knew (1897), ...