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Recent reviews

Film  |  Theatre  |  Art  |  Opera  |  Music  |  Television  |  Festivals

Welcome to ABR Arts, home to some of Australia's best arts journalism. We review film, theatre, opera, music, television, art exhibitions – and more. Reviews remain open for one week before being paywalled.

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Recent reviews

Tom of Finland ★★★1/2

by
10 October 2017

Tom of Finland is a worthy enshrinement of the life of Finnish artist Touko Laaksonen (1920–91) into the cinematic pantheon of queer historical biographies. The World War II veteran and advertising art director best known as ‘Tom of Finland’ drew thousands of naked and leather-clad men with gigantic nipples and ...

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Leaves of Grass, Walt Whitman’s humanistic, wheeling manifesto of the American destiny underpins Australian playwright Joanna Murray-Smith’s one-man play, American Song, and the collection of poems form the credo and frame the questioning of its central character, Andy. The poems’ exploration of a world of natural ...

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For my return visit to the exhibition Fred Williams in the You Yangs at the Geelong Gallery, I decided to take the train instead of driving, as I usually do. Although the creeping suburban sprawl, especially around Melbourne, has narrowed the area without housing or industrial estates, there is still just enough left of the flat ...

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The new Blade Runner doesn’t surpass the original, contra some breathless early reviews, but what could? Ridley Scott’s 1982 classic is a remarkable feat of design, the perfect vehicle for a director who received his training at the Royal College of Art, and a streamlined thriller with existential heft. It features a haunting score from ...

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Song to Song is writer and director Terrence Malick’s cinematic version of the modernist literary experiment: multiple internalised viewpoints, stream-of-consciousness narrative, chronological fragmentation, and a reality apprehended through symbolic or metaphoric conjunction. He is abetted in this project by ...

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Some singers – a gifted few – have voices that are so sumptuously individual that even one note instantly identifies them to the listener. In opera, Joan Sutherland and Luciano Pavarotti have that status, Dietrich Fischer-Dieskau in lieder, Elvis Presley and Louis Armstrong in rock and jazz. But none more so than Maria Callas ...

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The Update - September 26, 2017

by
26 September 2017

In this fortnight's Update: Marriage equality, Sydney Theatre Company's 2018 season, The complete recordings of Herbert Karajan, American Song, Brett Dean returns to the SSO, In Cahoots, Pine Gap, The Australian Dance Awards, Dec' Arts Spectacular, Fred Williams in the You Yangs, Metanastes at fortyfivedownstairs, OperaQ's 2018 season, and theatre and film giveaways ...

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When this production of Henrik Ibsen’s most controversial play was programmed, no one could have guessed how pertinent it would appear in Australia at this moment. On the surface, this account of a bourgeois woman whose attempt to escape from a loveless marriage ...

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September has seen the premières of two much-loved operas at the Royal Opera House, Covent Garden. A new production of Puccini’s La Bohème and a revival of the David McVicar production of Mozart’s Die Zauberflöte (The Magic Flute). Both works featured in their leading female roles two of Australia’s most promising and ...

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The jukebox musical is a fairly recent phenomenon on theatre stages, but has proven to be a popular, and lucrative, method of stringing together a group of popular songs loosely held together by a sometimes attenuated narrative. Mamma Mia! – the collection of ABBA hits that has been running in London since 1999 – is one of the most ...

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