ABR Arts

Season Opening Gala (Melbourne Symphony Orchestra) ★★★★

Elizabeth Kertesz
Monday, 18 March 2019

The Melbourne Symphony Orchestra’s 2019 Season Opening Gala last night was billed as part of their curated ‘East Meets West’ experience, and featured violinist Lü Siqing, with whom the orchestra toured China in 2018. It opened with a short welcoming address from MSO Board Chairman Michael Ullmer ...

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Picaresque (Adelaide Festival) ★★★

Ben Brooker
Thursday, 14 March 2019

For the uninitiated, a maquette is an architectural miniature of a monument or building. Small, made from cardboard or wood, and often able to be flat-packed, travellers have long collected them as souvenirs of adventures to faraway places. Robyn Archer, doyenne of Australian cabaret ...

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33 Variations (Comedy Theatre) ★★★★1/2

Tim Byrne
Tuesday, 12 March 2019

How many variations does it take, how many iterations and transfigurations, before a work of mediocrity becomes a work of genius? And what about a life – at what point do the quotidian accretions of living come to represent a person’s entire existence? What does it actually mean to live an extraordinary life ...

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The Update - March 12, 2019

ABR Arts
Tuesday, 12 March 2019

In this fortnight's Update: the Clunes Booktown Festival 2019; Cirque du Soleil is coming to Australia; Piers Greville wins the 2019 Glover Prize; The Lifted Brow & RMIT Non/Fictionlab Prize For Experimental Non-Fiction is open for entry; Opera Australia at Uluru; and some giveaways ...

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The Cape Town-based Isango Ensemble is known for its South African-flavoured reimaginings of works from the Western canon. While Adelaide Festival audiences thrill to Barrie Kosky’s Magic Flute, others may recall the Ensemble’s version, its setting translocated to a South African township, from the 2011 Melbourne Festival ...

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Salome (Opera Australia) ★★★★

Michael Halliwell
Thursday, 07 March 2019

Alex Ross, at the start of his acclaimed survey of twentieth-century music, The Rest Is Noise: Listening to the twentieth century, describes in vivid detail the luminaries gathered for one of the first performances of Richard Strauss’s Salome in Graz on 16 May 1906, five months after the Dresden première ...

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The Miser (Bell Shakespeare) ★★★

Steve Dow
Thursday, 07 March 2019

At first glance, Molière’s The Miser, or L’Avare in the original French as first performed in 1668, contains the seeds of drama. Harpagon, an avaricious father, unceasingly heartless towards his grown son and daughter, and paranoid they will steal his beloved fortune, sounds like the stuff of tragedy ...

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Roger Ballen’s art is not for the faint hearted; it is confronting, haunting, and at times repellent. It is also fascinating, brilliant, and jaw-dropping. These images seethe with malodorous discontent, menace, and psychosis. The best way to experience his photographs is to surrender and resist the desire to read the images literally ...

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Arbus & West (Melbourne Theatre Company) ★★★★

Fiona Gruber
Monday, 04 March 2019

'Mary Pickford may have been America’s sweetheart,’ Mae West is recorded to have said, ‘but I’m their wet dream.’ At the start of Stephen’s Sewell’s new play, Arbus & West, West, in her late seventies, wisecracks sexcily with audiences around the United States and jibes with her long-suffering dresser and personal assistant ...

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The Magic Flute (Adelaide Festival) ★★★★1/2

Steve Dow
Monday, 04 March 2019

Mozart’s final opera, The Magic Flute, is a staple of Germany’s opera houses, and continues to be frequently produced in theatres internationally. Melbourne-born Barrie Kosky found himself under pressure to deliver a production of the 1791 Singspiel – comic opera with spoken dialogue ...

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