ABR Arts

Le Dernier Appel (Marrugeku Dance Theatre) ★★★★

Lee Christofis
Friday, 17 August 2018

Repetitive cycles of alienation, frustration, sorrow, and humiliation in the face of political injustice over decades find powerful expression in Le Dernier Appel (The Last Cry), the latest interrogation by Marrugeku Dance Theatre of the deleterious effects of colonisation on the indigenous peoples of Australia and her neighbours. Commissioned by Carriagewo ...

The Update - August 14, 2018

ABR Arts
Tuesday, 14 August 2018

In this fortnight's Update: What's coming up in ABR Arts, The Dumb Waiter at Chapel off Chapel, The Harp in the South, a film festival tribute to the late Jeanne Moreau, two $20,000 film awards celebrating women in film, a human bodies exhibition visits Australia, the 2018 Our Mob opening night, the Mimir Chamber Music Festival, and a giveaway ...

... (read more)

TarraWarra Biennial 2018: From Will to Form

Sophie Knezic
Monday, 13 August 2018

Curated by Emily Cormack, the 2018 TarraWarra Biennial positions itself as a paean to the liveliness of artistic gesture. The exhibition’s curatorial frame invokes the notion of ‘will’, derived from Friedrich Nietzsche’s infamous notion of the will to power ...

... (read more)

BlacKkKlansman ★★★★★

Anwen Crawford
Monday, 13 August 2018

BlacKkKlansman begins with Vivien Leigh as Scarlett O’Hara in Gone with the Wind (1939), picking her way through a mire of injured Confederate soldiers. Then it cuts to Alec Baldwin as a fictional mid-twentieth-century eugenicist spewing racist pejoratives and bilge about ...

... (read more)

Sydney Symphony Orchestra is renowned for its meaningful programs, where the individual items are connected through some historical, musical, or even technical thread. Whether most members of the audience notice that the program focuses on great Romantic masterpieces ...

... (read more)

Der Rosenkavalier (Melbourne Opera) ★★1/2

Barney Zwartz
Friday, 10 August 2018

Hugo von Hofmannsthal and Richard Strauss consciously set out to emulate Mozart in Der Rosenkavalier, and succeeded, creating not only the last great Romantic opera but the most perfect Viennese confection, and Strauss’s most-loved opera. It was an immediate hit ...

... (read more)

Stuart Skelton (Melbourne Recital Centre) ★★★

Michael Shmith
Monday, 06 August 2018
Stuart Skelton, a fine performer and strong, sensitive singer, is by nature and profession a Heldentenor. He is indeed heroic, not only in voice but in how he carries himself on stage. His Wagnerian heroes – Parsifal, Tristan, Lohengrin and Siegmund in Die Walküre – emerge as ... ... (read more)

Strange Times for Artistic Practice

Peter Tregear
Friday, 03 August 2018

We live in strange days. Matters once unlikely to raise a flicker of public criticism can now quickly became raging bushfires of self-righteous anger. Such is the accelerant power of social media. Our public discourse is, however, rarely the better for it. Subtlety and nuance are all too frequently sacrificed on the altar of a supposed moral clarity that, among othe ...

Barrie Kosky’s production of Wagner’s Die Meistersinger von Nürnberg for the famous Wagner Festival in Bayreuth (Germany) is one of the supreme artistic peaks of my long operatic-life. It had its première last year, in the first of five consecutive annual seasons; this year ... ... (read more)

Kites of Tianjin (fortyfivedownstairs) ★★★★1/2

Des Cowley
Wednesday, 01 August 2018
The Kites of Tianjin was the fifth and final set of performances by composer and multi-instrumentalist Adam Simmons in his series The Usefulness of Art, inaugurated back in March 2017 with Concerto for Piano and Toy Band. It has proven to be an ambitious cycle ... ... (read more)
Page 3 of 45