ABR Arts

The Wife (Icon Film Distribution) ★★★★

Barnaby Smith
Monday, 30 July 2018

Björn Runge’s The Wife features several claustrophobic and tense scenes that take place in the back of a limousine driving Joan Castleman (Glenn Close) and her novelist husband Joe (Jonathan Pryce) through the snowy streets of Stockholm, where Joe is accepting the Nobel Prize in ...

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Creditors (State Theatre Company) ★★★

Ben Brooker
Thursday, 26 July 2018

August Strindberg thought Creditors, which premièred in its original Swedish in Copenhagen in 1889, his ‘most mature work’. Sitting alongside the more often performed The Father (1890) and Miss Julie (1889) in the playwright’s middle, ultra-naturalistic period, the play is an attempt to ...

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John Russell (1858–1930) is an artist who has largely fallen through the cracks of art history. Neither Australian enough to be incorporated into the history of Australian art, nor French enough to be recognised as a major player in histories of French art, Russell has been consistently overlooked – until now.

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Julius Caesar (Bell Shakespeare Company) ★★★

Peter Craven
Monday, 23 July 2018

Julius Caesar, first performed in 1599, dates from the period when Shakespeare was leading up to Hamlet, and its central figure Brutus, the conscientious assassin, is a bit of a rough draft for the introspective side of the Prince of Denmark, whereas Richard II, four years earlier ...

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Melbourne International Chamber Music Competition

Sheila Fitzpatrick
Monday, 23 July 2018

I don’t watch the World Cup or even Wimbledon, so I may have some Australian gene missing. But by the time the string quartet winners were announced at the end of the Melbourne International Chamber Music Competition last week, I had become a fan, almost a barracker. I was rooting for the ...

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The Update - July 17, 2018

ABR Arts
Tuesday, 17 July 2018

In this fortnight's Update: The winners of the Helpmann Awards, Der Rosenkavalier, Stuart Skelton's début album, John Bell in The Miser, a Bette Midler caberet, Geoffrey Rush pulling out of Twelfth Night, the Tarrawarra Biennial, the Melbourne International Film Festival program, and some giveaways ...

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William Tell (Victorian Opera) ★★★1/2

Michael Shmith
Monday, 16 July 2018
It has to be said straight away that William Tell is a colossal challenge, almost as much for its audiences as its performers. People talk of Wagner’s Curse (what can go wrong, usually does, in spades), but Rossini’s operatic swansong is not far behind. What makes it especially daunting for any opera company brave or foolhardy enough ... ... (read more)

Strange and terrible events unfold around us. Conflicts erupt; catastrophes occur; a billionaire reality television performer reminiscent of a snake oil merchant is elected president of the United States. Following these destabilising forces, a chorus comprised of dissonant tones of reproach and plea often emerges ...

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Seldom is one able to see Wagner’s first successful repertoire opera and his final masterpiece within the space of twenty-four hours. After a few anxious moments with a delayed flight from Warsaw to Munich, a high-speed taxi ride to the National Theatre in the centre of the city, this reviewer, heart pounding and blood racing, settled into the first act of Parsifal ...
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The Update - July 3, 2018

ABR Arts
Tuesday, 03 July 2018

In this fortnight's Update: Anne Sophie-Mutter, a major new Indigenous art exhibition, the World Cup of chamber music, the Louise Crossley Conducting Workshop, glitter at MWF, ACMI and Film Victoria's Series Mania, the Archibald Prize in Geelong, the $30,000 Ursula Hoff Fellowshop, the Art Music Awards announcement, Brook Andrew, and giveaways from MSO, the Queensland Theatre, and Transmission Films ...

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