Kirsten Tranter

Chris Flynn reviews 'Sydney Noir' edited by John Dale

Chris Flynn
Tuesday, 18 December 2018

In 2004, New York-based publisher Akashic Books released Brooklyn Noir, a collection of short fiction written under a specific brief. Stories had to be set in that neighbourhood and feature noir themes: simmering familial revenge, cheating and double-crossing, sexual betrayal, domestic discord, murderous trysts, down-at-heel detectives ...

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Kirsten Tranter reviews 'Kudos' by Rachel Cusk

Kirsten Tranter
Wednesday, 25 July 2018

Kudos concludes the extraordinary trilogy that began with Outline (2014) and Transit (2016). Following the distinctive format of the first two books, Kudos is structured by a series of conversations between the narrator (a writer named Faye, who seems to be a barely disguised version of Cusk) and various interlocutors, in which the narrator herself speaks barely at all. As before, there is nothing much in the way of a traditional plot or narrative ...

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The setting is a gorgeous, somewhat decayed, many-roomed Georgian mansion in upstate New York, near the Hudson, in 2012. Nine screens placed around a darkened gallery space each show a room of the house, most of them occupied by a person and a musical instrument: a willowy woman in a slip on a chaise longue, ...

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Ruth Starke reviews 'A Common Loss' by Kirsten Tranter

Ruth Starke
Friday, 20 January 2012

It begins with a car accident. Five friends are returning to college after a night of drinking. The driver, Cameron, hits a deer and overturns the vehicle. When the police and ambulance arrive, Dylan, who has drunk the least, claims to have been at the wheel. The others – Elliot, who narrates the story, Tallis, Brian, and especially Cameron – let him assume responsibility. It is, more or le ...