Text Publishing

Debra Adelaide reviews 'A Constant Hum' by Alice Bishop

Debra Adelaide
Thursday, 24 October 2019

Thanks to the internet, the 24/7 news cycle, and social media, certain books are preceded by their reputations. They arrive freighted with so much publicity hype that reading them with fresh eyes is almost impossible. A Constant Hum is one such book, very much the product of a reputation established well before publication, due to the airing of individual stories in places like Seizure and Meanjin, along with several prizes and shortlistings.

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Artist, hermit, instinctive communicator, a nomad who built studio nests for himself all over the globe, Ian Fairweather is a consistent paradox – and an enduring one. In an art world of fragile and fluctuating reputations, his work retains the esteem with which it was received – by his peers – when he landed in Australia in 1934 and, with their help, exhibited almost immediately. His way of life – eccentric, solitary, obsessive – was extraordinary then, and continued so until his death in 1974. Success never sanded off his diffident, abrasive edges. When presented with the International Cooperation Art Award in 1973, he mused, in a letter to his niece, Helga (‘Pippa’) Macnamara:

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James Ley reviews 'The Death of Jesus' by J.M. Coetzee

James Ley
Wednesday, 25 September 2019
It is commonly accepted that the modern European novel begins with Don Quixote. Lionel Trilling went so far as to claim that the entire history of the modern novel could be interpreted as variations on themes set out in Cervantes’s great originating work. And the quality that is usually taken to mark Don Quixote as ... ... (read more)

The enchanting of rats has a long history. The Pied Piper, who enchanted first the rats then the children of Hamelin, is familiar to European readers. Here, Tim Bonyhady brings us a new story of rat enchantment by the Diyari and the Yandruwandha people in the eastern Lake Eyre basin. According to explorer Edwin Welch, they sang ‘in low, weird and dirge-like tones ...

Peter Rose reviews 'The Henson Case' by David Marr

Peter Rose
Thursday, 19 September 2019

Panic, David Marr has stated since the publication of this book, is what he writes about: why people panic, what they panic about, and how they express it. Clearly, with his investigative skills and his access to different worlds, Marr was the idea ...

David Whish-Wilson reviews 'Shepherd' by Catherine Jinks

David Whish-Wilson
Tuesday, 27 August 2019

One of the few advantages a contemporary writer of historical fiction has derives from working in a context with laxer censorship laws. Representations of sexuality and violence once proscribed can be incorporated to better approach the social conditions of the period. With regard to narratives about Australia’s convict history ...  

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Everyone knows about the final days of Adolf Hitler – his abject suicide in a clammy Berlin bunker. Many prominent Nazis followed suit, including the master propagandist Joseph Goebbels, who broadcast messages to the public espousing the virtue of death over defeat. His wife, Magdalena, wrote ...

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Rachel Buchanan reviews 'In My Skin: A memoir' by Kate Holden

Rachel Buchanan
Tuesday, 06 August 2019

Melbourne woman Kate Holden’s memoir of being a heroin user and of working as a prostitute to fund her habit opens with a quote from Virgil: ‘To descend into hell is easy. But to return – what work, what a labour it is!’ The quote is at odds with the life story Holden constructs in this brave, explicit, and extremely well-written book ...

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Peter Craven reviews 'Eucalyptus: A novel' by Murray Bail

Peter Craven
Wednesday, 31 July 2019

Murray Bail has passed muster as an important Australian novelist for quite a while now.  His 1980 novel Homesickness, with its sustained parodic conceit of Australian tourists forever entering the prefab theme park, rather than its ‘real’ original, was an early national venture into what might have been postmodernism. Holden's Performance, a good time later ...

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Chris Womersley reviews 'Truth' by Peter Temple

Chris Womersley
Wednesday, 10 July 2019

In Peter Temple’s phenomenally successful The Broken Shore (2005), detective Joe Cashin wonders what the right result might be in the case of murdered businessman and philanthropist Charles Bourgoyne. Lawyer and romantic interest Helen Castleman’s answer is succinct: ‘The truth’s the right result.’ The truth of The Broken Shore was murky, disturbing and came with a price ...

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