Ben Brooker

Australian plays good or simply fortunate enough to make it from page to stage have historically tended to meet one of two fates: canonisation or, much more likely, limited production when still new and utter neglect thereafter. Independent Melbourne theatre company Don’t Look Away, established in 2013 under the artistic direction of Phil Rouse, specialises in exh ...

Black Diggers (three stars), written by Tom Wright, directed by Wesley Enoch, and produced by the Queensland Theatre Company, received its world première at the 2014 Sydney Festival in January. Then, the full clamour of Australia’s more than $400 m ...

Paul Roberts’s The Impulse Society is the latest entry in a now familiar subtype of polemic: that of the society in decline, the symptoms of which run the gamut of Western post-industrialist ills from childhood obesity to the meltdown of global economic markets, and the syndrome of which is, at root, advanced capitalism. The lineage can be traced back throu ...

Kryptonite

by
28 October 2014

A play in which two characters metaphorise the complex relationship between China and Australia does not sound very promising. We have seen this sort of thing before, not always happily – in the blue corner a lovably cantankerous professor representing ‘science’, in the red corner a cheery troglodyte who is ‘faith’ incarnate, and so on and on into the wors ...

Adapted and directed by Peter Brook in conjunction with Hélène Estienne and Franck Krawczyk, The Suit was first staged in a French-language version (Le Costume) in 1999. In English, fifteen years on, and with significant changes having been made (including the replacement of recorded music with a live trio), The Suit remains vitally alive, s ...

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