Ben Brooker

When Alison Croggon’s theatre review blog Theatre Notes closed in late 2012 after eight years in existence, its demise was met with a response akin to grief. The first blog of its kind in Australia, and one of the most enduring anywhere, TN became essential reading for anyone interested in Australian performance ...

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For the uninitiated, a maquette is an architectural miniature of a monument or building. Small, made from cardboard or wood, and often able to be flat-packed, travellers have long collected them as souvenirs of adventures to faraway places. Robyn Archer, doyenne of Australian cabaret ...

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The Cape Town-based Isango Ensemble is known for its South African-flavoured reimaginings of works from the Western canon. While Adelaide Festival audiences thrill to Barrie Kosky’s Magic Flute, others may recall the Ensemble’s version, its setting translocated to a South African township, from the 2011 Melbourne Festival ...

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Although his natural humility would make him dislike my saying so, Tim Winton is these days omnipresent in our national culture. Anywhere you look there is bound to be a new book, a television or film adaptation, or a stage adaptation, as with the State Theatre Company’s revival of That Eye, the Sky ...

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Almost one hundred and forty years have passed since Henrik Ibsen’s A Doll’s House shook the European bourgeoisie with its proto-feminist depiction of a woman walking out on her husband and children. Now American playwright Lucas Hnath has written a sequel ... ... (read more)

August Strindberg thought Creditors, which premièred in its original Swedish in Copenhagen in 1889, his ‘most mature work’. Sitting alongside the more often performed The Father (1890) and Miss Julie (1889) in the playwright’s middle, ultra-naturalistic period, the play is an attempt to ...

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One would have hoped that in the four years since Jada Alberts’s fine début play Brothers Wreck premièred at Belvoir Street that its concern with the issue of Indigenous despair would have come to feel less vital, and yet the problem is as acute as ever. This week we learned that every child in detention in the Northern Territory, where Brothers Wreck is set, is Indigenous ...

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Ninety years ago, the British economist John Maynard Keynes forecast that by now, thanks to technological advances, we would all be working fifteen-hour weeks. Instead, we are drowning in work – much of it unnecessary – to the point of existential despair. According to recent studies in Britain and the Netherlands ...

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In a Festival glutted with plays about war and the violence wrought by powerful men, Dutch theatre company Toneelgroep’s Kings of War stands tall. A four-and-a-half-hour conflation of Shakespeare’s Henry V, Henry VI, and Richard III, it is directed by Ivo van Hove whose monumental Roman Tragedies – which conceived ...

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I think it was Peter Brook who said the longest that a staging of a play could remain vital was five years. The Hayloft Project’s Thyestes, directed by Simon Stone and adapted from Seneca’s tragedy by Stone himself, Thomas Henning, Chris Ryan, and Mark Winter, was first seen at the Malthouse Theatre in 2010 ...

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