Stephanie Trigg
My Tongue Is My Own: A life of Gwen Harwood by Ann-Marie Priest
by Stephanie Trigg •
Shame and Honor: A Vulgar History of the Order of the Garter by Stephanie Trigg
by Ian Donaldson •
Medievalism and the Gothic in Australian Culture by Stephanie Trigg
by Gregory Kratzmann •
Best of Friends by Suzy Baldwin & Friends and Enemies by Dorothy Rowe
by Stephanie Trigg •
Tierra del Fuego: New and selected poems by Jennifer Strauss
by Stephanie Trigg •
What is the relation between poet and critic? No, not a topic for yet another tedious and oppositional debate at a writers’ festival. Rather, a question about the nature of oppositions, and the possibility of disrupting, or even suspending them, in the varied and delicate acts of literary criticism. Let me frame my question even more precisely: who is the ‘Gwen Harwood’ to whom I refer when I write about the poetry of a women who in recent years has become increasingly public, celebrated and accessible?
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