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ABR Arts

Book of the Week

Thunderhead
Fiction

Thunderhead by Miranda Darling

A feminist triumph and homage to Virginia Woolf, Miranda Darling’s Thunderhead is a potent exploration of suburban entrapment for women. The novella opens with a complex satire of Ian McEwan’s response to Woolf’s Mrs Dalloway (1925) in his novel Saturday (2005). All three books are set over the course of a single day, where the intricacies of both the quotidian and extraordinary occur. In this novella’s opening paragraphs, Darling’s protagonist, Winona Dalloway, wakes to see the sky ablaze through her window. While ‘it is dawn in the suburbs of the east’ – rather than a burning plane, evoking 9/11 terrorism, as in McEwan’s novel – she believes it ‘telegraphs a warning, red sky in the morning’. This refers to the opening of Mrs Dalloway, where Clarissa Dalloway feels, ‘standing there at the open window, that something awful was about to happen’.

Interview

Interview

Interview

From the Archive

November 2006, no. 286

Open Dawe

People outside Australia are struck when Bruce Dawe is described as Australia’s most popular poet, just as people outside Ireland are struck when Paul Durcan or Brendan Kennelly is described as Ireland’s most popular poet. What about Les Murray, or Seamus Heaney? Are not these world-class poets ‘of the people’? Even more puzzling is that Dawe, like Durcan and Kennelly, is not necessarily an easy poet. Is their domestic popularity tied to how they seem to be ‘not for export’?

From the Archive

June 1988, no. 101

Kay Daniels on 'C.R.A.S.T.E. and Publishing'

I would like to begin by talking about the work of the Committee to review Australian studies on tertiary education and try to bring out some of the implications of our work for publishing and for teaching. I will look particularly at the question of resources for Australian studies.

The brief of the Committee was to examine ways in which students in tertiary education institutions – in universities, colleges of advanced education, and TAFE – learn about Australia in their tertiary studies, and to recommend ways in which these studies can be developed. We were concerned not only with the humanities, with history, and with literature, but also with science and with professional and vocational studies across the curriculum. In fact one of our major tasks became to look at vocational areas to see in what ways students who took those studies were prepared for the world in which they would be used.

From the Archive

January-February 2015, no. 368

Martin Thomas reviews 'Battarbee and Namatjira' by Martin Edmond

There was something of the alchemist in Albert Namatjira. Using the most liquescent of media, he created impressions of the driest terrain. Painting in watercolour involves the fluid dispersal of pigment. Yet in Namatjira we find colours distilled in such a way that each landscape glows with a quiet intensity. This evocation of light reveals the influence of Rex Battarbee, who, long before he began to tutor his famous protégé, voiced dissatisfaction with ‘traditional methods’. He developed a painting technique of his own, specifically designed to ‘achieve luminosity’. Like many an inventor, he was cautious about sharing his discovery, in part because he believed that artists should develop on their own terms. But Namatjira was so keen an observer of his then master that he would have realised if Battarbee had withheld information. So Rex decided to teach him everything he knew, both for the sake of Namatjira, whom he clearly adored, and more generally and altruistically ‘for the sake of the Aborigines’.