Karl V (Bayerische Staatsoper)

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Peter Tregear Friday, 15 February 2019
Published in ABR Arts

The corpulent form of Henry VIII understandably dominates our own historical imagining of the turbulent first half of the sixteenth century. From the perspective of continental Europe, however, other rulers loom just as large; from there even the English Reformation seems to have another monarch at its epicentre.

That monarch, Charles V (1500–58), was the inheritor of both the Habsburg and Spanish kingdoms and was also elected Holy Roman Emperor, thus becoming the titular ruler of all Christendom. A combination of military prowess and dynastic manoeuvring, alongside the ongoing conquest of the New World by his Spanish subjects, saw Charles rule over the first Empire about which it was said that ‘the sun never set’. Ultimately, however, the triumph of Protestantism and the nationalist ambition of his German princes, as well as the relentless military pressure he faced from both a recalcitrant French Kingdom and the Ottoman Empire, wore him down. Over the last two years of his life, he abdicated his various royal and imperial titles and lived out the remainder of his life at the Monastery of San Geronimo de Yuste in Spain. (Charles looms as a ghostly apparition in Verdi’s 1867 opera, Don Carlos.)

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Published in ABR Arts
Peter Tregear

Peter Tregear

Peter Tregear is a Principal Fellow of the Melbourne Conservatorium of Music. A graduate of the Universities of Melbourne and Cambridge, from 2012–15 he was Professor and Head of the School of Music at the Australian National University.  His two most recent books are Ernst Krenek and the Politics of Musical Style (2013) and Enlightenment or Entitlement: Rethinking tertiary music education (2014).

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