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Aphrodite

Sydney Chamber Opera’s modern take on the goddess of love
Sydney Chamber Opera and Carriageworks
by
ABR Arts 25 June 2025

Aphrodite

Sydney Chamber Opera’s modern take on the goddess of love
Sydney Chamber Opera and Carriageworks
by
ABR Arts 25 June 2025
Jessica O’Donoghue and Meechot Marrero in Sydney Chamber Opera’s Aphrodite (photograph by Daniel Boud)
Jessica O’Donoghue and Meechot Marrero in Sydney Chamber Opera’s Aphrodite (photograph by Daniel Boud)

‘I’m a thread in a garment, a leaf on a tree.’

Laura Lethlean

Operas come in all shapes, sizes, and venues. Having just returned from a visit to New York’s Metropolitan Opera House to see the final performance of an outstanding production of American John Adams’s new opera, an adaptation of Shakespeare’s Anthony and Cleopatra, it was quite an adjustment to see fellow American Nico Muhly’s latest opera, Aphrodite, commissioned and staged by Sydney Chamber Opera at their usual venue, Sydney’s Carriageworks. Adams’s opera calls for many soloists, supplemented by a large chorus and orchestra; Muhly’s work involves two singers and seven instrumentalists. The Metropolitan is the largest opera house in the world; Carriageworks is rather more intimate. 

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