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Historical Fiction

Early on in this book, the fictional Lale Sokolov, based on the real man of that name who survived Auschwitz and its horrors to eventually live in suburban Melbourne, has his arm tattooed. Aghast, he laments, ‘How can someone do this to another human being?’ He wonders if, ‘for the rest ...

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Published in March 2018, no. 399

Anna MacDonald reviews 'Her' by Garry Disher

Anna MacDonald
Friday, 22 December 2017

In this dark historical novel, Garry Disher imagines a world in which small girls are sold by their desperate families and enslaved to men such as the brutal ‘scrap man’ – ‘a schemer, a plotter, a trickster’ in whom ‘nothing ... rang true except rage and self-pity’ and who profits from the labour of womenfolk known as Wife, Big Girl ...

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Anna MacDonald reviews 'Half Wild' by Pip Smith

Anna MacDonald
Friday, 24 November 2017

In this inventive début novel, Pip Smith recounts the multiple lives of Eugenia Falleni, the ‘man-woman’ who in 1920, as Harry Crawford, was convicted of murdering his first wife, Annie Birkett. Smith employs various types of text–sketches, newspaper articles, witness statements – alongside third-person accounts – to embroider an archive rich in narrative ...

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Published in December 2017, no. 397

Kerryn Goldsworthy reviews 'Atlantic Black' by A.S. Patrić

Kerryn Goldsworthy
Friday, 24 November 2017

Writing this review in the first week in November, I look at the calendar and note that we are a few days away from the seventy-ninth anniversary of Kristallnacht, when, over the two days of 9–10 November 1938, at the instigation of Joseph Goebbels, there was a nationwide pogrom against German Jews that saw synagogues, business premises, and private ...

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Published in December 2017, no. 397

Anna MacDonald reviews 'The Book of Dirt' by Bram Presser

Anna MacDonald
Wednesday, 25 October 2017

Within the last decade, a new wave of writers has emerged whose work is indebted to W.G. Sebald. Sebald’s name, become an adjective (‘Sebaldian’), is often used as shorthand for describing a writer’s approach to history and memory, or his or her use of images alongside word-text, or the presence of a peripatetic narrator, or the rejection of conventional gen ...

Published in November 2017, no. 396

Paul Giles reviews 'A Long Way from Home' by Peter Carey

Paul Giles
Wednesday, 25 October 2017

On learning that the premise of Peter Carey’s new novel involved a test of automobile reliability on a round trip across Australia, my first response was to dismiss it as a thin conceit for encompassing the country’s remoter landscape within a work of the imagination. The internet, however, quickly delivered old Pathé newsreels ...

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Published in November 2017, no. 396

David Whish-Wilson reviews 'City of Crows' by Chris Womersley

David Whish-Wilson
Thursday, 28 September 2017

Every Chris Womersley novel represents a significant departure from the last. Following his award-winning and magnificently dark début, The Low Road (2007), and his Miles Franklin shortlisted Bereft (2010), and Cairo (2013), City of Crows is his first novel set entirely outside Australia. An acutely crafted historical fiction, it ...

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Published in October 2017, no. 395

The many gaps in the verifiable history of Jeanne d’Arc’s early years in rural France, as well as her improbable rise to prominence and martyrdom, have left room for a considerable amount of speculation and projection over the centuries. There is no shortage of fictional or historical accounts of her life, or ways of characterising ...

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Published in October 2017, no. 395

In this gripping first novel, Sarah Schmidt re-imagines the lives of Lizzie Borden, her family, and the brutal double murder of her father and stepmother, for which Lizzie became notorious. Set in and around the Borden’s house at Fall River, Massachusetts, the narrative has a dense, claustrophobic air that feeds the portrayal of this family as menacingly close.

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Published in May 2017, no. 391

Suzanne Falkiner reviews 'Gwen' by Goldie Goldbloom

Suzanne Falkiner
Friday, 24 February 2017

Goldie Goldbloom has an eye for the dramatic and the morbid. Her novel about the real-life love affair, beginning in 1904, between artists Gwen John and Auguste Rodin, thirty-six years her senior, begins with a list of seventeen women – including Camille Claudel, Isadora Duncan, and Lady Victoria Sackville-West – whom Rodin allegedly bedded. One, we learn, was h ...

Published in March 2017, no. 389